The story of the film follows an ordinary...
The story of the film follows a mentally fragile college student named Ashley (Caitlin Gerard from «Magic Mike» and «The Social Network») who, after learning of an urban legend in which a mysterious serial killer named «Smiley» can be summoned through the Internet, must decide whether she is losing her mind or becoming Smiley «s next victim.»
The main
story of the film follows Gigi (Goodwin) as she tries to decipher the signals of all of her wrong - turn dates.
Not exact matches
The
film follows the
stories of five... [Read more]
Steven Spielberg's
film follows the
story of a highly advanced robotic boy who longs to become a «real» person in order to regain the love
of his human mother.
In my history
film The West, one
of the
story lines
follows the Mormon experience.
The
film follows the life
of the lead singer - songwriter
of MercyMe, Bart Millard, who wrote a memoir to accompany the movie to give viewers the full
story.
The
film follows - with some fidelity - the biblical
story of Jesus up to the crucifixion.
Besides, she adds, it's hard for very young kids to
follow the
story of a feature - length
film, and this can make the challenge
of sitting still for two hours even greater.
The
following film from Corporate Accountability International and The
Story of Stuff is being used by water campaigners to encourage people to return to using tap water.
The
film follows the
story of a young woman, Eilis Lacey, played by Academy Award - nominated Saoirse Ronan, who leaves Ireland in search
of a better life.
* This
story was told to the reporter by documentary
film maker Francks F. Deceus, who is
filming the recovery
of Haitian citizens in the years
following the earthquake.
and documentaries are some
of my favorite
films because they
follow a real life
story following someones transformation into their healthiest selves.
The
film follows the
story of Andie (Molly Ringwald), who grows up on the poor side
of town.
The first two
films are a tough act to
follow, and here, the laughs are spread out too far, the
story feels forced upon its characters, and the whole gimmick
of twisting the conventions
of fairy tales is starting to show a lack
of new, worthwhile ideas.
So there isn't too much stretching
of the imagination really, one
story just sees more villainous tomfoolery with Yzma and the other just
follows on from a single idea at the finale
of the last
film.
Based on a short
story by Richard Matheson, Real Steel
follows Hugh Jackman's Charlie Kenton as he and his estranged son (Dakota Goyo's Max) attempt to win a string
of boxing matches with their oversized robot - with the
film detailing both the various fights that ensue and the growing bond between Charlie and Max.
And although nothing terribly exciting happens throughout the
film we still hope for Nazneen to live a happier life and
follow her
story, as the events
of 9/11 make her life even a little more complicated.
This modest
film falls into the category
of «character study», which generally means there there isn't a real plot or
story follow, so much as a brief peek into a life
of someone for a while, perhaps in the hope
of learning a thing or two about a different mode
of life, or as a reflection
of our own.
With epic proportions
of Shakespearean tragedy, the
film follows two unique characters, whose rags - to - riches success
stories reveal the innate virtues and flaws
of the American Dream.
The
film follows the usual trajectory
of such a familiar tale, but its focus is on the beats in between such a
story's big moments.
Most
of the
film works as a detective
story and
follows the day after the guys» big night on the town.
Coppola's fifth
film (
following the enigmatic Somewhere) chronicles the true
story of a group
of fame - obsessed L.A. teenagers who robbed the homes
of celebrities including Paris Hilton, Orlando Bloom, and Lindsay Lohan.
Purists may be dismayed that the
story has been split into two
films (The Hobbit: There and Back Again
follows in 2013), but there's no arguing with Peter Jackson's track record in adapting J.R.R. Tolkien's beloved fantasy novels; his three Lord
of the Rings
films earned Metascores
of 92, 88, and 94 and collected 30 Oscar nominations combined.
Based on the
stories by Tama Janowitz, this
film follows the relationships and problems
of a group
of artists struggling to survive in New York City.
The question
of whose disobedience, and what kind
of disobedience it is, are at the heart
of this absorbing and moving love
story from Chilean director Sebastián Lelio, his English language debut,
following very quickly on the heels
of his
film A Fantastic Woman which has been a festival - circuit hit this year.
Coogler ups the intrigue as the
film plays, with each new piece
of the puzzle put together to deliver impact, and to change what we know about these characters in ways that give the entire
story a surprising amount
of nuance, given the amount
of characters to
follow, as well as the wider scope
of the international politics.
With an unhurried pace and a focus on character over action or plot, this
film takes us into the mind and life
of a hardened assassin and
follows the
story to its natural conclusion.
And while World Trade Center, which
follows Port Authority officers John McLoughlin (Nicolas Cage) and Will Jimeno (Michael Pena) as they're trapped beneath the World Trade Center on September 11, 2001, is ultimately marred by a midsection that just doesn't work, there's simply no denying the effectiveness
of several individual sequences within the
film (particularly those at the
story's beginning and end).
As for the
story, it has potential but fails to
follow through; writes the Guardian in a two - star review typical
of the overall reaction, «Byzantium starts to introduce issues that you'd seldom find in most vampire
films, before cutting
of the blood and leaving them to die.»
The kind
of film that makes you wish they had perfected choose - your - own - adventure technology for movies, one that would allow you to ditch the central character and
follow any number
of the
story's more interesting second bananas.
Adapted from the 2010 bestselling biography by Seabiscuit author Laura Hillenbrand, the
film follows the life
story of Louis Zamperini (1917 - 2014), an Italian - American whose resilience made him emblematic
of the stoical virtues
of the «greatest generation».
I was vaguely aware
of the epidemic
of military rape, but until watching this
film, which
follows the
stories of a group
of victims, I had no idea how widespread and urgent the crime was.
The beginning
of this
film will seem like it is going nowhere, but if you can
follow what is going on and stick with it, the
story is actually quite interesting.
The title Old School doesn't just refer to its
story, which
follows the antics
of three moronic thirty - somethings who decide to start up a college fraternity; it also unintentionally highlights the
film's considerable derivativeness.
ANIMATED FEATURE
FILM Winner: Coco (MPAA: PG) This colorful
story follows Miguel (voice
of Anthony Gonzalez), a 10 - year - old Mexican boy who wants to do is become a musician, despite his family's wishes.
We'll link to a full list
of nominees as and when we have one and
follow that up with news
stories, a gallery and the thoughts
of our lead
film critic, Peter Bradshaw.
Jez and John Henry Butterworth wrote the
film, which will
follow Brown's true - life
story from a childhood in poverty in Georgia to his ascension as the Godfather
of Soul.
This emotional coming -
of - age
story follows Owen Suskind, a young man who was unable to speak as a child until he and his family discovered that they could communicate by immersing themselves in the world
of Disney animated
films.
Spielberg's
film bests «Spotlight» in star power and cinematic style, but Tom McCarthy's
film is the one more at home in the newsroom,
following a team
of investigative reporters on the trail
of a big and gravely important
story.
It's been over a year since we heard about Greetings from Tim Buckley, a
film from Daniel Algrant (director
of People I Know and some «Sex and the City»), that would
follow the true
story of the days leading up to Jeff Buckley's breakthrough 1991 performance at his father's tribute concert at St. Ann's Church.
Narrated by Daisy Ridley (The Force Awakens), this documentary is one
of the most gripping adventure
stories put on
film this year, as cameras
follow a group
of remarkable real people.
Most
of the performances are over the top and the inconsistencies in character development make the
story hard to
follow and the characters difficult to connect to, sadly this
film boasts itself as a fable, indicating a moral lesson, but there are no such lessons to be had at the end
of this
film, if you can make it there.
It's not that the
film is hard to
follow, it's just that writer - director - star Ben Affleck took the «everything and the kitchen sink» approach to telling the two - hour - plus
story of fictional mobster Joe Coughlin, and it didn't work.
One
of the last major premieres at the Cannes
Film Festival was Jeff Nichols» third
film following Shotgun
Stories and Take Shelter, titled simply Mud.
Young women, in particular, are profoundly influenced by
films that
follow girl protagonists whose
stories transport them to new cultures, environments and character circumstances outside
of their personal experiences within their familiar realm.
The
film, based on journalist Mary Mapes» memoir, «Truth and Duty: The Press, the President and the Privilege
of Power,»
follows the
story of Mapes (Cate Blanchett, «Cinderella») and her time spent as producer
of CBS's «60 Minutes» during the George W. Bush administration.
Phil Lord and Chris Miller, the directors
of the upcoming young Han Solo
film, confirmed on the official Star Wars site that Woody Harrelson is joining the ensemble
of the Han Solo: A Star Wars
Story (Not final title)
film,
following reports last week that Lucasfilm and Disney definitively moved on from Christian Bale for the role
of Solo's mentor.
This docu - drama from director Jeff Unay plays like a feature
film with a narrative
following the real - life
story of a fighter named Joe Carman.
The
film follows five separate
stories, completely unconnected but for the far reach
of the Neapolitan Camorra (the Mafia organization that runs Naples), and it jumps back and forth between them at seemingly random points.