What makes this especially cool is that you're given the option to view these movies in English or Japanese — so you don't have to replay a long
story scene just to view its insert movie in another language; instead, you can check it out in the Galari at your convenience.
Not exact matches
If you have any crypto - related
stories or
just love to write about what's happening in the
scene, we'd love to hear from you.
Director Ryan Coogler explains that although the performances in this
scene are stunning, it
just didn't work in the overall arc of the
story.
It is fifteen years since October 1988 when the Pope raised the only scientist as yet to the rank of a beatus, and two books have
just appeared on the
scene almost simultaneously to make better known the
story of this incredible man, scientist and believer.
The last
scene of the
story anticipates the last
scene of the Gospel:
just as later the disciples are «continually in the Temple, blessing God,» so here the former demoniac proclaims throughout the city how much Jesus has done for him.
Folsom went from an afterthought on the basketball
scene to a near Cinderella - like
story after the Bulldogs came up
just short of a CIF Division II title, losing to St. John Bosco - Bellflower 63 - 54 on March 29 at Sleep Train Arena.
I wanted to take highlighting businesses, brands, companies, non-profits, etc. who are making a positive impact on this world
just a step further... I wanted to go «behind the
scenes» and sit down with the CEOs, creative directors, non-profit executives, and entrepreneurs, and hear the
stories behind the brand.
Long
story short, we were supposed to go to a major nightclub (not exactly my
scene), but thankfully, things somewhat worked against a few of us and myself and three of our ROCKSTAR reporters ended up
just going to get milkshakes and cheese fries.
Whether you want someone from the Indian dating
scene, or whether you
just want someone who complements you and appreciates your culture and values, we can help you start your love -
story today.
Back when your parents were using a camcorder to document your life, Yahoo was
just coming onto the
scene, and we were being introduced to Woody and Buzz Lightyear in the first Toy
Story movie.
The exhibition wasn't
just vehicles — the top gallery is filled with
story boards and sketches, so you can see how they orchestrated some of the famous actions
scenes.
i don't mean yuri as in only dirty, i
just mean girls dating girls any links will be great ^ ^ Dating Sims Memory Days Sim Date a dating simulation for girls with an interactive
story, 3 datable guys: Haru, Daichi and Kai a butt load of cut
scenes, and 10
Just add your profile, browse other Thailand members seeking like you for Thailand online dating, love and online romance at Free Ok Date i you Signing up is free and only takes a second so what are you waiting for?Thai Woman horror
stories regarding the dating
scene are fairly common the.
I
just liked the idea to bring game and liveaction
scenes together but the
story is also complete dumb and manytimes
just wtf.
The 3:47 «Meet Katie» focuses on the
story of the furry little yak who
just steals her
scenes in the film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.
Brice stops his
story just before it becomes redundant — most filmmakers these days can't say that — and although I didn't believe the outrageous next - to - last
scene, he caps it with a laugh - out - loud joke.
And it juggles genres
just as deftly as it switches tones - Barry goes from being a hitman comedy to a farce and from farce to love
story, often in the same
scene.
Oh sure, the «estranged dad vs. embittered daughter» material is supposed to be the meat of the meal, which is why we're treated to so many extra
scenes of people chit - chatting by firelight, but the dramatic push should come from the kidnapping
story, and that chase
just gets shoved into the background whenever the characters feel like conversing — yet again.
With dull events, terrible lip synching in the cut
scenes, short
story and
just not enough to do for a sandbox game the few fun vehicle parts
just aren't enough.
Ash's vivacious vocabulary is largely intact, but this series needs more creativity in its
stories, side characters (who've more than earned their own plots) and action
scenes — not
just in dumping blood everywhere.
Having never read the book I'm rating it as
just a film and it's really a film that starts well then gets predictable then got silly and confusing, The
story was not new but it had a different take on it, It wasn't acted very well but it had some good intense
scenes that were done well, With a good cast the
story should of been told more deeper and we never really know how it all started which was quite annoying, I did like the ending but the
scenes before that completely ruined the film as they didn't make sense or were done that well, It's not a bad film it's
just poor for what was on offer.
The film had plenty of potential to being great, but instead it suffers from long, tired
scenes of painful dialogue and the film's
story just lingers and goes no where and when there's something that actually is interesting that happens, it's too little too late.
There are some decent laughs here (especially for a well choreographed sex
scene) and even an amusing soundtrack, but there's
just not enough
story to go around.
Great Suspense, and great
story, ending could have been better but when factoring that the ending contained cut
scenes and not
just screen caps with text, i think it is well worth it.
Up until the disaster
scenes the movie is so boring, but it is not that it is a love
story because it is really not it is kind of
just a
story where nothing happens.
And Naomie Harris» eventual sidekick Kate has an emotional back
story that's designed to make her more accessible but really
just falls flat — a
scene between the two when they share their pasts, including when Davis found George and saved him from poachers, is embarrassingly mishandled.
There's also no
story,
just multiple
scenes of the romance developing (I guess you can call that the
story, an uninteresting one at that.
Lively and full of errata, if not too much useful criticism or context beyond «this scared me when I was a kid» (see above for my identical contribution to this conversation), it's the preferred option over the first commentary reuniting stars Robinson and Gene Barry, who do better than you'd expect (especially Robinson, who's evidently boned up for this project) but still
just provide the usual behind - the -
scenes stories.
«I
just set these characters going, try to see what would happen
scene to
scene, and let the
story develop organically.»
I saw this 2 times yesterday... In 3D and 2D and let me
just say, It's better in 3D, the movie is bad ass, Good acting, good
story, GREAT bad ass fightin
scenes, IT WAS AWESOME, definetly the best transformers movie.
This is a small
story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and
scenes that crystallize in
just a single line of dialogue, suggesting the power of memory to compress events into moments.
Instead of character driven
scenes and diving into the why's and how's of the
story, the actors are expected to
just «ooh» and «ahh» at the newest monster or helpful item given to them by the Gods.
If only those moments didn't share screen space with eye - roll - worthy
scenes like the one where Mara (speaking metaphorically) tells Radnor he's
just a short -
story writer, and she's looking for a novelist.
It's a film which does
just enough to make you believe that what you're watching is a real, human
story, but with every
scene, plants the seed of doubt as to whether Elle is some kind of psychic projection or the physical manifestation of a damaged mind.
The
story is laced with lovely melodies and traditional songs that play off Manana's internal desperation; the camera roams freely around her in crowded
scenes that show
just how much the groupthink alienates her from her own needs.
But the
story is so simple that it's almost unnecessarily long
just for the sake of feeling epic, and it's tonally uneven as well, due in part to a few
scenes that stray close to parody and some cameos (from Franco Nero, Jonah Hill and Tarantino himself) that are too cheeky for their own good.
In the early going, the
story alternates between
scenes of wayward kids partying and moments in which a friend knocks on Sara's door and blankly informs her that her latest make - out partner has hung himself; by the end, it's
just one
scene after another of people screaming at each other.
The
story is minimal,
just a series of events in the life of a young man and his circle, but every
scene is rendered with such authenticity that it's riveting, almost like it's a privilege to be stepping back in time.
You can see where the set pieces and
story turns would have been interesting in the book, but here they're
just stilted and lifeless, unraveling discordantly and moving on to the next
scene.
The genesis for the
story that's told ’10 Cloverfield Lane» «actually started when I
just had an opening
scene in my head,» Stuecken revealed as he started the conversation about the film during the press conference.
In fact, the only real
story in
story mode is in the prerendered movies between chapters, and while they're bordering on well made (the modeling and art style are high quality, but apparently the motion - capture budget was used only for the game itself, as the animation is done by hand and sometimes isn't that good), they are mostly
just a series of
scenes that show the next boss character preparing to try to destroy the heroes.
The first half is great, but PTA let's all the
story threads go in the second half and it unwinds into a couple of odd
scenes without so much of a conclusion as
just an end.
The
story then picks up with them in high school, but Teller and Bell are no longer young enough to play high school aged characters so it
just feels a bit awkward in those
scenes.
I
just can't hate a
story that includes multiple emotionally - stirring fist - bump
scenes and culminates in hundreds of sass - talking forest creatures facing off in a Lord of the Rings style battle.
For a moment, let's
just set aside all the controversy surrounding this year's Palme d'Or winning film — whether it's the graphic sex
scenes, or the allegations of emotional abuse of lead actresses Léa Seydoux, Adèle Exarchopoulos and crew members by their director Abdellatif Kechiche — and consider that this
just looks like a damn good love
story.
While the opening
scene, which serves only as back -
story and general reasons as to why it takes so long for Raleigh (Charlie Hunnam) to return to the Jaeger game, is fluff for the film and even in the moment felt unnecessary as opposed to
just being retro - actively less awesome than the other greater action sequences.
However, their distraction pales in comparison to the beefed up role for another fictitious character, Bard's (Evans, Dracula: The Untold
Story) servant Alfrid (Gage, Hamlet), who is meant to be the film's comic relief, but ends up being so broad and overbearing, you'll long to find him beheaded and skewered on the end of an Orc's spear after
just the first of a dozen intolerable
scenes in which he appears.
While that's a big element of it — and one
scene near the end is
just heartbreaking — it's a deeply engrossing portrait of one woman and all her experiences that spans at least five years or so (Kechiche recently said he'd be open to a sequel and he could have easily continued her
story into the future if he wanted.
He is obviously an important part of the
story as he leads Kate in the right direction but after one awkward
scene you wonder if he was
just meant for comic relief.
Vegas plays such a key role in the
story, and the
scene where ad man Albert Brooks tries to convince the casino owner (Garry Marshall) that it would be good for PR to give him back his wife's gambling losses is
just priceless.