A noble failure from a noteworthy filmmaker, Joseph Cedar's «Norman: The Moderate Rise and Tragic Fall of a New York Fixer» — the unofficial winner of this year's «Birdman or (The Unexpected Virtue of Ignorance)» Award for the most fanciful title — mines a classic
storytelling tradition in order to spin a darkly comic parable that often feels as unkempt and intolerable as its title character.
Not exact matches
I had been invited to attend as one who supposedly knew something about narrative structure and the role of
storytelling in faith
traditions.
What guides the recent interest
in «biblical
storytelling» is the conviction that since Biblical literature existed as oral
traditions which were then put into script, it was intended to be spoken
in the faith communities.
Part of our challenge as followers of Jesus is to preserve his
tradition of
storytelling in a culture that demands we get to the point.
In this activity, you and your child can practice the
tradition of
storytelling by creating your own characters and experiences.
[/ font][font = Century Gothic] «Two Canoes» is a beautiful exploration of the oral
tradition of
storytelling in Aboriginal culture.
In unfurling a story of dreams and curses, tradition and redemption, all experienced via the otherworldly adventures of a musically - inclined village boy named Miguel, the animation juggernaut has once more shown how its storytelling acumen and visual splendors are still the surest dance partners in movies toda
In unfurling a story of dreams and curses,
tradition and redemption, all experienced via the otherworldly adventures of a musically - inclined village boy named Miguel, the animation juggernaut has once more shown how its
storytelling acumen and visual splendors are still the surest dance partners
in movies toda
in movies today.
Danganronpa Another Episode: Ultra Despair Girls continues developer Spike Chunsoft's
tradition of strong
storytelling and character development, while adding new gameplay mechanics and an upgrade
in graphics.
Two thoughts I hope you can comment on: the Maori culture
in the past would preserve the ritual tattooing of their chieftains by preserving their heads after death — the idea of a permanent archive and the furtherance of an oral
storytelling tradition that film represents for us
in modernity.
, wherein Dindal makes statements about the film's place
in the Disney canon (apparently it's
in the
tradition of «memorable characters, great
storytelling, eye - popping visuals, and emotional music») that would be arrogant if they weren't merely delusional and the Barenaked Ladies jam out an impromptu rap - ballad that's superior to the song they recorded for the soundtrack.
Detective Pikachu is charmingly twee
in the best Nintendo
traditions, and although it's not saying much features easily the best
storytelling in any Pokémon game.
It resembles John Sayles's brilliant The Secret of Roan Inish not only
in subject, but also
in the understanding that film has the potential to be the most cogent extrapolation of the oral
storytelling tradition.
Smarter Schools will carry on a
storytelling tradition as innovation spreads through classrooms
in Ohio.
Strong
storytelling and rich specificity put this impressive debut firmly
in the
tradition of Ursula K. Le Guin's classic Earthsea books.
A darkly comic crime story
in the
tradition of a classic Irish trickster tale, complete with a twisting and turning plot, a small - town rife with secrets, and an infectious love of language and
storytelling that is a hallmark of the finest Irish writers.
In many ways, Ocean Meets Sky is a tribute to the tradition of oral storytelling, in particular to the stories told by the Fans» Taiwanese grandfather, who lived on the other side of the world and didn't frequently visit (both Eric and Terry were born in the U.S. but moved to Canada as children
In many ways, Ocean Meets Sky is a tribute to the
tradition of oral
storytelling,
in particular to the stories told by the Fans» Taiwanese grandfather, who lived on the other side of the world and didn't frequently visit (both Eric and Terry were born in the U.S. but moved to Canada as children
in particular to the stories told by the Fans» Taiwanese grandfather, who lived on the other side of the world and didn't frequently visit (both Eric and Terry were born
in the U.S. but moved to Canada as children
in the U.S. but moved to Canada as children).
The sinister appearance of the villain and the woman who seems to be the titular prey communicates the story's potential for violence and crime
in the great
tradition of crime noir
storytelling.
It's a nice touch that continues 343's
tradition of enhancing the
storytelling in the Halo series.
In short, the first Banner Saga is phenomenal, and the sequel looks to continue that
tradition of high - quality, strategic combat and engrossing
storytelling.
Tacoma is the next game from the creators of Gone Home, and carries on that
tradition of detailed, immersive interactive
storytelling in a richly - imagined speculative fiction setting.
I just hope that Nintendo creates more characters that are able to continue the proud
tradition of being charming, but exploring more
storytelling possibilities that make them even more enthralling
in their already - incredible gaming experiences.
Danganronpa Another Episode: Ultra Despair Girls continues developer Spike Chunsoft's
tradition of strong
storytelling and character development, while adding new gameplay mechanics and an upgrade
in graphics.
Smith draws inspiration from the history of decorative objects and the
tradition of biblical
storytelling through the form of stained glass
in architecture.
Growing up
in Tennessee, he encountered the southern
storytelling and literary
traditions as well as such spectacles as state fairs and the Grand Ole Opry.
The combined works
in the exhibit represent a multigenerational and trans - Atlantic exploration into the origins of African and African American
storytelling traditions that resonate throughout the diaspora.
Mark making, ancient
storytelling traditions, the ebb and flow of life, and the enduring, exquisite beauty of nature are all encountered and reflected upon
in Twombly's enigmatic compositions.
It's
storytelling in the
tradition of folk art, patching security blankets for healing and nurture» (P. Ellis
in C. Saatchi and P. Ellis, 100: The Work that Changed British Art, London 2003, p. 209).
Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «
Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other
Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7:
In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.
The title of the exhibition comes from the
tradition of living history where historical events like the American Revolution and Civil War are reenacted by amateur performers using
storytelling and props, always
in an attempt to portray history as unchangeable as accurately as if it was fixed.
In this performance, previously staged at the Biennale de Sao Paulo (2016), the artist brings the oral African
tradition of
storytelling into a contemporary context to recover the memories and realities of a neo-colonial world.
Santiago's infinity series of miniature dioramas
in reclaimed ringboxes consider the absence of certain narratives
in dominant culture and draw on the
tradition of
storytelling to question the production of historical understanding.
Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «
Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other
Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7:
In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.
Following
in the footsteps of pivotal figures of the Harlem renaissance, such as Jacob Lawrence and Romare Bearden, her work is imbedded within the cultural
tradition of
storytelling that has been central to the survival of African American histories.
The exhibition was initially inspired by a personal interest
in Latin American literature and its distinct
tradition of
storytelling.
[iii] For example, evaluators
in a tribal community may get input from elders to develop the evaluation plan or use oral
traditions, such as
storytelling, to collect information.
Recently we are starting to see this oral
tradition emerge across diverse disciplines and settings
in multiple forms, including digital
storytelling, photovoice, literature, poetry, traditional oral
storytelling, theatre, and personal narrative, to name a few.