Brolin, despite being a talented actor who has played
a straight man role in a comedy before (2016's Hail, Ceasar!)
Throughout it all, Bradley Cooper tends to take
the straight man role, playing up the machismo and swagger in a way that might remind some of a Matthew McConaughey or Vince Vaughn.
Not exact matches
It could be said that the villain and the addict are easier
roles to play than the
straight man, marked more by physicality than emotion.
Yes, queer people want to recruit the young, not by kidnapping young
men... but by being mentors and
role models who would show gay and lesbian adolescents that they are not alone, that they are not freaks, that they need not continue committing suicide at three times the rate of
straight teenagers.»
I have time and again said I do not understand what ramsey's
role in the midfield is — Xhaka does not have pace and does not WANT to tackle (which is good because the moment he does we will be a
man down)-- so why is then Ramsey bombing up the pitch — because everytime Xhaka misplaces a pass the opposition will easily outpace him and run
straight at the defence.
Ranocchia is yet to start a Serie A fixture this season, with his involvement in Roberto Mancini's first - team set - up being restricted to substitute
roles, and given that Inter Milan have started the season with five
straight victories and have conceded just one goal in that period, one imagines the former Genoa
man may struggle to force his way back into the starting eleven any time soon.
But Klopp, after seeing Salah score for the seventh
straight game, said his
man deserved to be competing for English football's top individual honours alongside the Belgian, who has played such a key
role in the progress of runaway Premier League leaders City this season.
I am a fetishist
straight cross dressing
man that wants to find a woman by origins of her birth to share and play with me in the cross dressing, costume
role playing, Cosplay
role playing, and sharing of any other fetishes she has / desire.
Whether you are a
man, a woman, transgender,
straight, gay, or into fetishes like BDSM, voyeurism, exhibitionism, latex, leather, rubber, blindfolds, body hair, cross dressing, fisting, foot fetish, masturbation,
role playing, sex toys, spanking, or anything else... you'll be at home here.
I am a
straight female that enjoys
role playing and indulging my
man / sissyslut in his fantasies.
The cast of
role - players each have their moments, with Brolin a great
straight man and for funny - sexy - cute, nothing Beetz Zazie (TV's «Atlanta»).
The
men are all pretty much the same, the women are also pretty much the same, and the small - town loser stereotypes are a bit stale, but Sarah Colonna plays a great wallflower with secret bondage fetish, Morena Baccarin is sassy and accessibly beautiful in a «regular girl»
role, and Rosenbaum's likable
straight man who does the honorable thing in the end is all the more impressive after having seen his real life dude - brah persona.
Frost takes the
straight man, responsible, reserved
role while Pegg has the more wacky, over the top, clueless, manchild personality.
In fact, many of his
roles since 2007's «Atonement» haven't exactly challenged him, ranging from the
straight man in «The Last Station» or whatever was going on in «Victor Frankenstein.»
Dave Foley, a great
straight man, has a sizable
role.
It's experimental in Pegg and Frost switching
roles with Pegg playing the hot mess and Frost the
straight man.
Brolin brings the gravitas and military-esque discipline needed for the
role, and he is the perfect
straight man to the overall humour of the action so often playing out around him.
Wood, who perfected the
role of the confused
straight man in FX's «Wilfred,» balances out Bennett's charming dopeyness, and Miguel Sandoval's interactions with Dustin Milligan provide some of the funniest moments of the premiere.
He provides the
role of
straight man in the human comedy — and because he's such a good actor, he makes it look easy.
Cheadle also does a fine job in the film, but his
role is much less central than Gleeson's — he's almost there as a
straight man, to play the jokes off of and provide an alternate perspective when it comes right down to it.
Usually the
role of the nagging, responsible, «keeping her guy on track» wife / mother, Byrne pretty much steals the film from her male co-stars as Kelly too wants more in her life than to play the
straight (wo)
man, and her manic energy and increasingly creative plans inject the film with likeability and fun.
Jon could have been a pure
straight man — our portal into the insane world of Frank — but Gleeson brings just the right degree of charm to the
role to make him feel well - rounded without stealing focus from the title character or the action of the piece.
OH
man, this movie was a great example of having a potentially distractingly famous cast, but justifying it b / c some of the minor
roles are given such life by the likes of Stoll and Sarsgaard and even Adam Scott manages to play it
straight here!
The success of Carrey's
role depends on him playing the so - called «
straight - faced
man» - the only one who's sane while everything around him is strange or unusual.
Without spoiling anything, Wan's «muse» Patrick Wilson is given something much more dynamic than his usual
straight -
man role and does fairly well with it — even if he fails to reach that Nicholson «Jack Torrance» level of slow - burn mania.
The film is populated with a good supporting cast with Brian Co and Sean Bean playing the military heavies in
straight -
man roles.
In the Seth Gordon - directed Identity Thief, Jason Bateman plays his umpteenth
role as an average guy /
straight man (named Sandy Patterson — funny, right?)
Violet Tendencies (Unrated) Mindy Cohn handles the title
role in this romantic comedy as a marriage - minded, 40 year - old with only gay pals who distances herself from them in order to attract a
straight man (Armand Anthony).
At first glance, it may be a thankless
role of being the
straight man reacting to all the craziness, but he does it really well and provides a great proxy for the audience.
Man of the House has a little something to offer everyone — nice looking cheerleaders, some mild action, and Tommy Lee Jones in what may be his most
straight - forward comedic
role yet.
The three get along famously, but the moms, who learn about the meeting after the fact, are more cautious — not, it must be noted, because the newcomer is
straight or even because he's a
man, but because, having dropped out of college and never having sustained a lasting relationship, he doesn't strike them as
role - model material.
(Better known for tough guy characters in Rollerball and Mission: Impossible, actor Jean Reno also displays his previously undisclosed talent for deadpan humor in this
role as Martin's
straight man.)
From small
roles in the likes of Oscar baity films, such as Zero Dark Thirty and, le sigh, Parkland, to larger
roles in unsung indie hits Humpday and Safety Not Guaranteed, and simply as the reliably affable
straight man, Pete, on The League, it's easy to admit that Duplass has got range.
Elsewhere Imogen Poots impresses in a
role that really amounts to one big scene with McAvoy, and in which she's otherwise largely the
straight man to the shenanigans that go on around her, while John Sessions brings just the right level of institutionalized, «respectable» bigotry to the character of Robertson's superior officer.
Two former Martin co-stars sign up for supporting
roles: the long - suffering Chief Inspector Dreyfus is now played by John Cleese (Kevin Kline having gone AWOL) and Lily Tomlin appears as Mrs. Berenger, a government official tasked with making the racist and sexist Clouseau P.C. Jeremy Irons even shows up to play
straight man as a suspect in the thefts.
Many of his latter - day
roles involve portraying yet another glowering solitary
man, but aside from his obvious potential as a great
straight man — somewhat misapplied in Much Ado About Nothing — there's still the charming rogue who could sell a swaggering comedy with ease.
Nielsen's credibility as a voice of authority made him an ideal
straight man, and by the»90s he was working almost exclusively in comedic
roles.
Cheadle deserves credit for sterling
straight -
man duties in an unglamorous
role but this buddy movie is Gleesonâ $ ™ s show.
Rudd is back in a familiar
role as a nice guy
straight -
man, who works hard, is well - intentioned, and finds himself in ridiculous situations.
They were gold with him being over the top and she playing the «
straight -
man»
role.
Pryor's
role wasn't written with him in mind, but he does change the pace just by his presence, and even the
straight man Wilder pulls off some funny stuff in an amusing slapstick performance.
The against - type pairing of the cast with their on - screen personalities also impresses, with Pegg relishing idiosyncrasies rather than affability, and Frost pleasing in the
straight -
man role.
Players take the
role of the right hand
man to Gay Tony, owner of the most popular
straight and gay dance clubs in the city.
A monumental monochromatic field of subdued color fulfills the
role of
straight -
man to Prince's comic texts, sometimes presented plain and direct, sometime articulated in ghostly printed letters that seem to wax and wane in intensity across the canvas, and in the case of Untitled (Check Painting) # 13, text that has a material quality — painted over literal paper checks embedded into the canvas surface.