Sentences with phrase «strange black shape»

Before the game, Sunderland striker Marcus Stewart reported seeing a strange black shape lurking in the corridors of the Stadium of Light, as did two trainers.

Not exact matches

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«V (planchette)» (2014), whose smooth aluminum surface is painted a chalky black, swerves from wide at its base to slight at its middle and swells again at its top, resembling an hourglass shape when seen from a certain angle, whereas «X» (2013), is just that, in mirrored and polished stainless steel, with its thin, shiny strips arched upwards, criss - crossing parallel to the surface of the ground, each bending under like strange feet or paws to support itself.

Even more strange are 1949's «Bodies of Little Dead Children,» with a pair of brown boomerangs; 1950's «Sticks,» with a pile of what looks like Popsicle sticks floating near what might be a black snake; an untitled work from 1951 with symbols that look vaguely Egyptian alongside smears of blood red and blue; and 1957's «The Hermaphrodite,» with an elongated red - and - white oval over a rounded bell shape that's discernible in a highly textured black background.

The scope of ICA's program as shaped by Schaffner can be readily sampled by such past and forthcoming shows as: Strange Messenger: The Work of Patti Smith; Make Your Own Life: Artists in and Out of Cologne; Locally Localized Gravity; Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 1968; «That's How We Escaped»: Reflections on Warhol; Jeremy Deller: Joy in People; Karla Black; Dear Nemesis: Nicole Eisenman 1993 - 2013; Barbara Kasten: Stages; Christopher Knowles: In a Word, and The Freedom Principle: Experiments in Art and Music, 1965 to Now.

In this show at Barbara Weiss, Heilmann presents a really strange series of pizza - shaped works as part of her «Hellfire» series, which are coated in heavy reds and blacks and seem to playfully re-gender color.

2016 These Strangers... Painting and People, Stedelijk Museum voor Aktuele Kunst, Ghent, Belgium Los Angeles: A Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait, Astrup Fearnley Museet, Oslo, Norway; traveled to Musée d'art contemporain, Lyon, France Route to (Re) Settlement, curated by Cecelia Stucker and Kimberly Light, Mann - Simons Site, Columbia, SC A Shape That Stands Up, Hammer Museum at Art + Practice, Los Angeles, CA 30 Americans, Cincinnati Art Museum, Cincinnati, OH Non-Fiction, curated by Noah Davis, The Underground Museum, Los Angeles, CA Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Intimisms, James Cohan Gallery, New York, NY Nothing Compares to You, Works from the Collection of Martin & Rebecca Eisenberg, Riverview School, Cape Cod, MA Making & Unmaking, curated by Duro Olowu, Camden Arts Centre, London, UK Dimensions of Black, Museum of Contemporary Art, San Diego, CA; traveled to The Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis, CA

Most of the interior is a sea of drab plastic shapes, and Mitsubishi chose a strange looking glossy black material for much of the trim that looks like it will smudge or scratch easily.