Not exact matches
Intercession forces supplicants to take those nearest and dearest, the beleaguered
objects of their worry, and to
see them at a distance and in a
strange light, and to recognize that their ultimate well - being does not depend upon their own efforts to contrive their good.
It
sees the truth of any sort of
object (say an apple) not as that
object itself, in its
strange and lovely transience, passing through its various moments of existence (seed, tree, ripened fruit hanging on the bough, fruit eaten or moldering away) but as the unchanging form on which it is modeled (the apple that never shines forth in the beauty of its own color, that has no flavor or fragrance, that has never lived).
See how the sense of smell helps babies bond with their family, be wary of
strangers from friends, recognize comfort
objects, e...
I love the color contrast in this image, the fact that we're
seeing entirely different populations of
objects, and also the simple idea that this is such a
strange view of the Andromeda galaxy, a huge spiral so bright and close it's easily visible to the unaided eye from a dark site.
The residents of Cleethorpes knew there was something out here — the
strange black
objects that I can now
see sticking out of the mud were a giveaway.
And partly — Matt can say more about this — one of the things I think he found very attractive about alchemy is the — it was an opportunity to
see forces that were not normally present in nature — that is, you have falling
objects and you have light but when you start messing around with alchemy, you get really
strange things happening.
[1] The astronomers George Herbig and Guillermo Haro were not the first to
see one of the
objects that now bear their names, but they were the first to study the spectra of these
strange objects in detail.
Eventually, the pair
saw that if they ran simulations using a hypothetical massive planet in what's called an anti-aligned orbit — a path in which the planet's perihelion, or closest approach to the sun, is 180 degrees from all of the other
objects and known planets in the solar system — their six strangely behaving
objects moved in the
strange alignment that they actually do in reality.
See how well they respond to strangers like you, and see how well they react to odd sounds or objec
See how well they respond to
strangers like you, and
see how well they react to odd sounds or objec
see how well they react to odd sounds or
objects.
A longtime wilderness activist, she feels out of her depth in suburbia, and is grateful to the
stranger who taught her to finally
see herself not as
Object, but as Subject, of her own desire.
Working regularly as carpenter, builder and joiner, Vladimir Salamun began to
see objects like hammers in the same way a word begins to look
strange or misspelled after it has been scrutinized for too long.
But what is
strangest about them is how surprisingly natural it feels to a viewer to
see both a car door and lipstick in the same
object.
I first
saw his work in a Whitney Biennial in the mid 1970s, only I didn't know who had made the
objects I noticed — in fact I wasn't totally sure the
strange objects were artworks in the exhibition —
strange steel wool like oblong discrete
objects placed in unusual locations, inside the building, but not exactly where an art work might be located — near a fire alarm, above an exit door, and, as I recall, outside the building as well.
Exploration of new materials can be
seen in the making
strange of common
objects through a shift in their perceived properties.
Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The
Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art
Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004
Strange, I've
seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.
This
strange world is also populated by a number of other
objects linked in a seemingly off - hand manner by their position in a particular space or their relationship to one another, In Cupboard with Newspapers, 2005, we
see newspapers stacked in the alcoves of the gallery space, the title of the piece commandeering the gallery space itself as a element in the work.
As a scientist, I do not
see either evidence or any mechanism by which the relative positions of very distant heavenly
objects can assist us in predicting whether any of us will «meet a tall, dark
stranger» or win the lottery.
Strange it is, that men should admit the validity of the arguments for free discussion, but
object to their being «pushed to an extreme;» not
seeing that unless the reasons are good for an extreme case, they are not good for any case.
The familiar unfamiliarity of
seeing an everyday scene or
object from a
strange position is the genesis of making it interesting again.
And it gives you (me, at least) a
strange frisson to
see these revered
objects cut into stones.
Other assessments used in NHPs to identify anxious individuals include the Human Intruder Test (equivalent to the human
Strange Situation assessment developed by Ainsworth; Ainsworth and Bell 1970; Ainsworth et al. 1978;
see Coleman et al., this volume), the Novel
Object Test (incorporated into the
Strange Situation but also studied independently;
see Bronson 1972 and Fox 1989), and the transition to new peer group formation (equivalent to the transition to preschool or kindergarten in humans, studied by numerous developmental psychologists and neuroscientists;
see Groeneveld et al. 2013; Gunnar et al. 2003; Ladd and Price 1987; Russ et al. 2012; Turner - Cobb et al. 2008).