Sentences with phrase «stranger shots in the film»

The first is a DELETED SCENE which actually adds a great deal to the ending and makes one of the stranger shots in the film (which is in slow - motion) suddenly make sense.

Not exact matches

Woody Allen's new film, Midnight in Paris just hit theaters (which I highly recommend), and when New York Magazine asked star, Rachel McAdams, what the strangest thing she did while shooting in Paris, Rachel replied:

(It helps, for most audiences, that the film was shot in Scotland; the accents she has to contend with make these humans seem strange to us, too.)

Cruz finds shooting love scenes in «films strange» so she makes her co-stars laugh to help relieve tension.

Strange Invaders (Twilight Time, Blu - ray)-- Part offbeat horror film, part UFO conspiracy, and part tribute to 1950s alien invasion pictures, this good - natured comic sci - fi film stars Paul Le Mat as a college professor who goes in search of his ex-wife and finds a time - warped town that shouldn't exist populated by bug - eyed monsters that shoot lasers.

Marvel's Doctor Strange finished shooting in April and has already released two trailers, which makes it all the weirder that we're just now learning that Benjamin Bratt appears in the film.

Indeed, a description of footage from the film screened Saturday at Disney's D23 Expo indicated Winter Soldier and Black Panther were seen in a series of quick shots that also depicted Star - Lord, Doctor Strange, Spider - Man, The Vision, Captain America, Iron Man and Black Widow.

Vilmos Zsigmond, who shot three of Woody Allen's recent films (Melinda and Melinda, 2004; Cassandra's Dream, 2007; You Will Meet A Tall Dark Stranger, 2010), said in an interview that Allen is more concerned with story and performance than the visual aspects of his films, and that he wouldn't look at frame while shooting unless Zsigmond encouraged him to do so.

«Strangers on a Train: The Victim's P.O.V.» looks into the shot uses for Laura Elliot in the film (one of my favorite shots).

DAVID CRONENBERG»S EARLY WORKS: BLU - RAY DISC 3 AND DVD DISC 4 [LIMITED EDITION EXCLUSIVE]: • High Definition Blu - ray (1080p) and Standard Definition DVD presentation of four Cronenberg films • Transfer (1966) & From the Drain (1967), Cronenberg's previously unavailable short films newly restored by the Toronto International Film Festival [7 & 12 mins] • Stereo (1969) & Crimes of the Future (1970): Cronenberg's early amateur feature films, shot in and around his university campus, prefigure his later work's concerns with strange institutions (much like Videodrome's Spectacular Optical) as well as male / female separation (Dead Ringers) and ESP (Scanners).

Joaquin Phoenix plays Theodore Twombly, a middle - aged man who lives alone in an apartment overlooking a skyline of skyscrapers (the film was partly shot in Shanghai) and whose day job involves writing emotional handwritten letters on behalf of strangers.

Now, from the total «WTF Files,» comes word, via Variety, that Marc Forster (Finding Neverland, Stranger Than Fiction) has signed on to direct the 22nd James Bond film, and will soon begin work with Paul Haggis on a draft of the original screenplay by Neil Purvis and Robert Wade, with shooting on the film to commence in December for a release from Sony early next November.

The movie starts with the actual cameraphone footage of Grant's shooting, so the sense of dread builds throughout the film: as we watch Grant go throughout his day — play with his young daughter, celebrate his mother's birthday, revisit his time in jail, interact with strangers — we know that this day is his last, and so his death comes as a particularly emotional gut punch.

Spielberg will be shooting this and putting it into post-production while having Ready Player One in post at the same time (although a much longer post-production for that VFX - heavy film) but the three - time Academy Award winner is no stranger to a doubled up schedule like this or a fast turnaround.

The film's Midtown Manhattan shoot included both Benedict Cumberbatch and Chiwetel Ejiofor in full Strange and Baron Mordo garb, and it also included the first shots of Mads Mikkelsen's still unnamed villain character — complete with creepy eye makeup.

Top Gun does have a surprisingly good 3D conversion and in general only 2 films I saw in 3D in recent times (1 - 2 years) were incredibly underwhelming (The Amazing Spiderman which is flatter than paper, strange considering the fact that it was shot in 3D and Dial M For Murder which isn't that bad but I still can't believe it's the best version out there).

Eden was, to my mind, the finest film in the strongest collection of Seattle and Washington - born and - based filmmaking ever screened at SIFF, in a line - up that was framed by opening night film Your Sister's Sister (from hometown hero Lynn Shelton, whose recent work put independent Seattle filmmaking on the map) and closing night film Grassroots, shot in Seattle and based on the book by former Stranger political reporter Phil Campbell.

strange very talky thriller... very good acting by all... a film of style over substance I think... good soundtrack and an excellent slow - motion action sequence when someone gets shot in a car but has a very ABRUBT ending that confuses!

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailein Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical traileIn, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

He talked about what it's like to be part of a famous filmmaking family and still earn recognition on his own terms, the difficult process of shooting Kill Your Darlings that gives the movie an extra spark, how he prepared to play Kerouac at this stage in his life, his character's arc on Boardwalk Empire, American Hustle and the unusual way they shot the film, upcoming projects including an Errol Flynn biopic and a production of Strangers on a Train in London, and more.

Spotlight Features and Commentary: Andrea Arnold on Wuthering Heights (Moira Macdonald at Seattle Times) «Secret Festival» Rebellion (David Schmader for The Stranger) Updated Release Dates for SIFF films (Moira Macdonald for The Seattle Times) Just Before Dawn: The First SIFF (Richard T. Jameson for Straight Shooting) Interview with director Drew Denny of The Most Fun I've Ever Had With My Pants On (Twitch) Q&A with Lynn Shelton (Brian Miller for Seattle Weekly) Lynn Shelton: «I never imagined I could be a filmmaker» (Moira Macdonald for Seattle Times) Scriptless in Seattle: A Filmmaker's Map (Lynn Shelton profile at The New York Times) Interview with Megan Griffiths at SXSW (Indiewire) Rick Stevenson's 10 - Year Documentary (Sean Axmaker for Seattle Weekly)