The determined absence
of dialogue for large swathes
of the
film — superbly shouldered by Blair's array
of facial tics, if laboured a little when left too long — is paramount to its
streamlined structure, which
focuses firmly on actions and reactions, and the incitement to both.
The
film is loosely based on a string
of real French robberies from the early 1980s, but director Oliver Marchal doesn't bend over backwards trying to conform to some detailed procedural schematic, and the material benefits from a gritty,
streamlined telling that keeps the
focus first and foremost on the characters and not the ancillary mayhem that surrounds them and that they later cause.