In Sue de Beer's work since the early 2000s, we get to see - the way we don't see our own - her personal
image -
streams on a wall, excellently crystallized into a series
of lucid and fey film installations: Disappear Here, 2004, with a title from Bret Easton Ellis and a monologue from an untitled (and so far unreleased) novel by Alissa Bennett; Black
Sun, 2005, with a title from Julia Kristeva and texts from two Dennis Cooper novels; The Quickening, which was based on writings by Joris - Karl Huysmans and Jonathan Edwards.