Sentences with phrase «street culture associated»

Known as one of the artists of Beautiful Losers — a bi-coastal collective inspired by various aspects of street culture associated with skateboarding, graffiti, punk, and hip - hop — Campbell's defiantly animated assemblages pay homage to the roguishly creative spirit of urban signage.

Not exact matches

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International
Representing the diversity and uniqueness of the Los Angeles community, the exhibition highlights important works from legendary L.A. artists who remain vital and influential alongside those emerging from renowned local art schools, visionary artists associated with various street cultures and subcultures, and crossover artists connected to performance, music, and film.
Animated by flânerie — the idle, detached observation of street life that 19th - century writers associated with the rise of modern cities, that was an important strategy of the French Impressionists — and making reference to African tribal art, Ward's oeuvre resonates with the Barnes collection and speaks with penetrating insight and imagination to a broad range of subjects, including black history and culture, the dynamics of power and politics, and Caribbean diaspora identity.
Clare Rojas and Barry McGee have long been associated with the «Mission School», a loose collection of artists inspired by the culture of the street, originally based in the Mission District of San Francisco.
«Visionary» graffiti artist and entrepreneur, Montreal based artist Chris Dyer has crafted a style that synthesizes influences from astrology, spirituality, graffiti, Street Art, skater culture, and folk art into a modern representational style you may associate with glowing barefoot and shirtless celebrants at Burning Man or similar transformational / experiential festivals around the globe.
His work often uses the street as his canvas or his backdrop, alluding to hip - hop and the role of graffiti artists, and he often operates within the gritty aesthetic associated with that culture.
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