Sentences with phrase «street life portraits»

The show is divided into seven sections, including portraits of artists (Alice Neel's 1970 painting of Andy Warhol after he was shot in an assassination attempt, a collection favorite, for example), street life portraits, nudes, portraits of the famous, and so on.

Other films that are definitely worth checking out that played at TIFF (and other festivals): Adam Wingard's rapturous and playful The Guest, Palm d'Or winner Winter Sleep, latest from master filmmakers Jean - Pierre and Luc Dardenne Two Days, One Night, 3 and a half hour epic Li» l Quinquin, harrowing street life portrait Heaven Knows What, ambitious and transcending Jauja, and Mike Leigh's exemplary Mr. Turner.

Not exact matches

Great Speeches From a Dying World is an unsettling documentary portrait gallery of nine homeless people living on the streets of Seattle.

The other, JR, is a semi-anonymous French street artist known for public art — larger - than - life photographic portraits posted on streets, buildings, and border walls — that gives a voice to the voiceless at the intersection between the personal and the political.

There's sweetness and sadness in a film that makes hearts soar with its Bowie - set dance through the New York streets, and invites ample cringing in its protagonist's awkward encounters, but mostly there's recognition of the authenticity of its immaculately - shot quarter - life crisis portrait.

Tsai paints a dark, stark portrait of a family living in squalor on the streets of Taipei.

Red Desert (Criterion) The DVD debut of Michelangelo Antonioni's color debut is accompanied by two early Antonioni documentary shorts: his debut film «Gente del Po» (1947), a portrait of the hard loves of the people living on the Po River, and «N.U.» (1948), about the street cleaners of Rome.

In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann's stunningly intricate portrait of a city and its people Let the Great World Spin is the critically acclaimed author's most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.

The hotel is a 5 - minute drive from the old village of Mougins, where you can stroll around narrow streets filled with restaurants and art galleries, or visit the Museum of Classical Art or the Photography Museum (with several portraits of Pablo Picasso, who lived and died in Mougins).

«Welcome to Huntington Beach is a series of street portraits I shot over a year while I lived in Huntington Beach, CA», Grippa explains.

2018 Tacita Dean: PORTRAIT, National Portrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami ArtPORTRAIT, National Portrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami ArtPortrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami Art Central

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...

If you're strolling down F Street near the Verizon Center and the National Portrait Gallery before December 23, you'll likely be lured into a world of live music, glittering lights, and the promise of wonderful gifts.

We Shall is a candid and collaborative survey of the inhabitants and domiciles of Chicago's West Side neighborhoods — comprised of intimate street portraits, selective interior scenes and photographs depicting the minutia of everyday life.

Divided into galleries devoted to his portraits, scenes of everyday black Chicago and nocturnal street life, the exhibition also presents paintings made during Motley's time in Paris when he received a Guggenheim fellowship.

With «Street Portraits,» Karen Keating shows off her sharp eye for daily life.

Every single one of the images in this book — most of which are portraits, though there are some excellent still lifes, cityscapes, and street scenes, as well — jump out at the viewer as though they were painted last week.

«I stopped by Francis Naumann's 57th Street gallery last week to watch Kathleen Gilje install her altered series of 48 female portraits by John Singer Sargent, women that Kathleen has undressed and given the breasts of 48 living women....

The works in this exhibition date from 1930 to 1969 and include not only portraits but also Neel's lesser - known street scenes, landscapes and still lifes.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar CPortraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits); Self Conscious; Institutional Complex and Postwar Celebrity.

Inviting a community of Santa Monica based youth into the Artist Lab, while simultaneously realizing a body of work based on objects and texts found in an estate sale at Chinatown's Charlie James Gallery, Fallah has represented a circle of life in his project: portraits of identity constructed forensically on behalf of the deceased, contrasting with his portraits at 18th Street made collaboratively with youth to describe their lives as yet unknown.

65 years after Audrey Hepburn performed at renowned West End night club Ciro's, the space on Orange Street now used by the National Portrait Gallery as a public archive, the gallery hosts a major exhibition celebrating the life of this much celebrated film star and fashion icon.

Additionally, the exhibition presents three earlier series of portraits that investigate the inner lives of particular animals: Reverie (2005) depicts gray wolves, alone and in packs, in forested nature preserves in Sweden, Norway, and the United States; Palermo 7 (2006) contains close - up portraits of racehorses, with their heads tethered in place in their hippodrome stalls in Italy and France; and Heart Shaped Hole (2008) depicts stray dogs, adapting in different ways to the privation they experience on the streets of Palermo.

- Emily Manning Ivy Nicholson has been on the cover of «Vogue,» starred in Andy Warhol's Factory films, had her portrait painted by Salvador Dalí, and lived on the streets of Los Angeles.

Iwona Blazwick, Director of Whitechapel Gallery, said: «Joffe has translated the life of Whitechapel High Street into a series of radiant, Matisse - like portraits that will transform the platforms of the new Elizabeth Line into a cultural destination.»

By dint of their subject matter, her larger - than - life paintings of black men she met on the streets of Harlem inevitably recall the recent survey of portraits by Alice Neel of her neighbors in Spanish Harlem and on the Upper West Side, organized by Hilton Als at David Zwirner gallery.

Among his subjects were fashion portraits, still lifes, and street scenes.

Rudolph Schlichter (1890 - 1955) Best known for his portrayals of Berlin street life, including portraits.

• Edward Weston (1886 - 1958) Still life photos • Raoul Hausmann (1886 - 1971) Berlin Dada artist, invented photomontage • John Heartfield (1891 - 1968) Dada photomontage artist • Walker Evans (1903 - 75) Great Depression portraits • Henri Cartier - Bresson (1908 - 2004) Street photography • Robert Capa (1913 - 54) War photography • Irving Penn (1917 - 2009) Fashion • Richard Avedon (1923 - 2004) Fashion photography • Bernd and Hilla Becher (1931 - 2007) and (b. 1934) Architectural photos • Robert Mapplethorpe (1946 - 89) Nude studies, still lifes of plants • Jeff Wall (b. 1946) «Staged photography»

• John Heartfield (Helmut Herzfeld)(1891 - 1968) Dada photomontages • Henri Cartier - Bresson (1908 - 2004) Street photography • Robert Capa (1913 - 54) War photographs • Irving Penn (1917 - 2009) Fashion, ethnographical photos • Robert Mapplethorpe (1946 - 89) Figurative imagery and plant still lifes • Jeff Wall (b. 1946) Staged photographs • Nan Goldin (b. 1953) Cutting edge sociological camera art • Cindy Sherman (b. 1954) Self - portraits

Ojeikere has taken more than 1,000 portraits of Nigerian women since the 60's whom he's encountered in daily living from the streets, at work or parties.

Katz's most recent, large - scale intimate portraits of family, friends and still lifes of flowers purchased from street vendors near his New York studio, are self - evident of the artist's mastery of his medium.

Kehinde Wiley creates larger - than - life - size portraits that mix historical Western European painting styles such as French Romanticism, Rococo, and Baroque with images from contemporary urban streets.

Her diverse output includes portraits of the day's leading artists and intellectuals, documents of post-Revolutionary social reforms and images of life on the streets of cities and villages from Acapulco to Veracruz.

Three key bodies of work include, «Class Pictures» (2002 — 2006), portraits created in collaboration with young people and institutions across America; «The Birmingham Project» (2013), a series of dual portraits honoring the lives of six children killed in the 1963 bombing of the Sixteenth Street Baptist Church in Birmingham, Ala., presented at the Birmingham Museum of Art and 2014 Whitney Biennial; and «Harlem Redux» (2014 — 2017), in which Bey reprised his first project, «Harlem, U.S.A.» (1975 — 1979, later remounted in the 2010s), post-gentrification.

Opening on the same day is the first solo exhibition by Ruddy Roye, When Living Is A Protest, featuring beautiful, compassionate portraits of his «collaborators» that he meets walking the streets, many of them in his neighbourhood of Bedford - Stuyvesant in New York.

This desire drove her art into the streets where, since 1999, Swoon has been wheat - pasting life - size portraits of everyday urbanites onto walls in New York and other cities.

Now in its ninth year, this festive, block - long flurry of vendors, live music, and glittering lights runs daily from noon to 8 p.m. through December 23 on F Street NW along the south side of the National Portrait Gallery.

Recurring subjects are regular portrait sitters, Primrose Hill (a part of Regent's Park in north London), and the streets of Camden Town, where he has been living and working since 1954.

«Alice Neel: Late Portraits & Still Lifes» is at David Zwirner, 525 West 19th Street, through June 23.

A retrospective of the late photographer's still lifes, portraits, images of fine art, street scenes, and celebrations of gay and lesbian culture, organized by gallery director Andrea Packard and photographer Ron Tarver, who has been awarded a Pew Fellowship and a Pulitzer Prize and who teaches at Swarthmore.

The show is the first major exhibition since Newman's death, and features well - known portraits, as well as early street photography, architectural and still life works.

During this year he also created his first beaten lead portrait from life, Portrait of Jolas, and had solo exhibitions at the Arts Club of Chicago, and the 56th Street Gallery in New Yoportrait from life, Portrait of Jolas, and had solo exhibitions at the Arts Club of Chicago, and the 56th Street Gallery in New YoPortrait of Jolas, and had solo exhibitions at the Arts Club of Chicago, and the 56th Street Gallery in New York City.

• Edward Weston (1886 - 1958) Still lifes • Henri Cartier - Bresson (1908 - 2004) Street photography • Robert Capa (1913 - 54) War photography • Irving Penn (1917 - 2009) Fashion shots • Richard Avedon (1923 - 2004) Fashion photos • Bernd and Hilla Becher (1931 - 2007)(b. 1934) Photos of factories, towers • Jeff Wall (b. 1946) Staged photography • Nan Goldin (b. 1953) Feminist camera art • Cindy Sherman (b. 1954) Self - portraits • Andreas Gursky (b. 1955) Architectural landscapes

Robert Scull, the taxi magnate, and his fashion - forward wife Ethel (known as «Spike») had lived across the street from the Metropolitan Museum of Art, in an art - filled apartment at 1010 Fifth Avenue, where Andy Warhol's improvisationally glamorous Ethel Skull 36 Times (the artist's first commissioned portrait) hung in the entry hall, with a Jasper Johns Target and a bronze by Mark di Suvero.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr

The portraits, still - lives, street scenes, and modernist interiors Delaney created in the 1940s and 1950s used a thick impasto paint and featured undulating lines and bright colors reminiscent of fauvism.

Principle, Art Gallery, Virginia, Old Town Art Gallery, Alexandria Art Gallery, Art, Paintings, Kevin Fitzgerald, Lynn Boggess, GC Myers, Martin Poole, Washington DC, Virginia, Torpedo Factory, Oil Paintings, King Street, Century Gallery, Studio Gallery, Old Town, American Realism, Shops, 19th Century, Thomas S. Buechner, Jeremy Mann, Geoffrey Johnson, Mia Bergeron, design, home decor, decorating, art, contemporary, fine art, luxury, charleston, sc, charleston, wypych, hollingsworth, portrait, landscape, still life, furnishings, valerio d'ospina, casey childs, colin fraser, alejandro rosemberg, rosemberg, mann, Greg Gandy cityscape, city scape, Paula rubino Gavin Glakas, Jill Basham, Designer, interior design, gallery, extraordinaryalx, DC, waterfront, Louise Fenne, Kerry Dunn, John Stobart, framing, custom framing, fime art

These portraits of family and friends, and still lifes of flowers purchased from street vendors near his New York studio, are characteristic of Katz's apodictic mastery of his medium.