Working in a classic 35 mm documentary
street photography mode, Vezzuso focuses primarily on three aspects of urban life — people at work, lovers in displays of affection, and street dogs, or perros callejeros.
By the late 1970s, the term «sculpture» had come to include all manner of events (actions and performances), materials (plastics, resins, rubbers, etc.), media (
photography, film, video and electronics) and
modes of presentation (site - specific installations,
street works, documentation, etc.).