But where the film loses
strength in its muddled characterizations, it gains potency from how gleefully dark it becomes.
Not exact matches
George Orwell,
in his famous essay on Dickens, saw
in this philosophical and moral
muddle not a weakness but a
strength, a generosity of spirit, an openness to the irreducible complexity of mankind's moral situation, an immunity to what he called «the smelly little orthodoxies that are now contending for our souls.»
Too earnest to ironically indulge
in the narrative's familiar pulpy beats and too uncertain about the
strength of this material to play it straight, Fleischer aims for a
muddled middle, jazzing up Beall's faux - hardboiled dialogue with slow - motion shootouts and shaky HD - cam pursuits that only remind us of how much better Public Enemies turned out.
It's worth seeing the film to watch Chan deliver a powerful and unique performance, truly doing an excellent job channeling that darkness he has so often eschewed
in other movies, but «The Foreigner» never realizes that this role is its greatest
strength and emotional core, and
in doing so, ends up becoming a
muddled affair that isn't as engaging as it should be.