At times, Taylor's shifts between the literal and the abstract are uncomfortable, particularly when they appear as a strategy for avoiding or dismissing the real - life implications of symbols and objects, as in his
strictly formal rendering of the Confederate flag in the lithograph Dixie (1990); his series of prints portraying items in Hawaii with a tinge of wanderlust - inspired exoticism, «Ten Common (Hawaiian Household) Objects» (1989); and two bodies of work showing his attempt to depict various African conceptions of multidimensional, nonlinear time: «Latin
Studies» (1984 — 85), which includes the aforementioned Untitled (Latin
Study), and «Wheel
Studies» (1981 — 85).