In Untitled, the most saturated red swirls in wide
strokes around the canvas's center, Mitchell's brush still present by dint of its application.
Not exact matches
[13] Begun
around 2001, the Piths,
canvases with deliberately frayed edges and covered in thick black
strokes of paint, indicate Truitt's interest in forms that blur the lines between two and three dimensions.
Whether the
canvases are tall and narrow, leaving room only for brushstrokes less than a foot long, or wide enough to permit
strokes of more than four feet in length, the number of stacked
strokes averages
around thirteen or fourteen.