Sentences with phrase «strong lead independent director»

Not exact matches

«The decision to build our midstream business in parallel with upstream growth has created one of the strongest midstream companies in the Appalachian Basin,» James Rohr, EQT's lead independent director, said in a statement.
«3M will benefit greatly from having two strong leaders involved going forward,» Mike Eskew, independent lead director for the 3M board, said in a statement.
For the thirteenth edition of PULSE Miami Beach, led by the fair's new director, Katelijne De Backer, (previously The Armory Show, Art Miami, Aqua Art Miami, and Lehmann Maupin), Tony Gum was selected by a jury of expert curators that lead a strong force within the art world and beyond, including Lolita Cros, Independent Curator; Kathryn Mikesell, Founder of the Fountainhead Residency; Tommy Ralph Pace, Associate Director of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia Unidirector, Katelijne De Backer, (previously The Armory Show, Art Miami, Aqua Art Miami, and Lehmann Maupin), Tony Gum was selected by a jury of expert curators that lead a strong force within the art world and beyond, including Lolita Cros, Independent Curator; Kathryn Mikesell, Founder of the Fountainhead Residency; Tommy Ralph Pace, Associate Director of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia UniDirector of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia UniDirector of Spring Place; and Piper Marshall, Curator and PhD student at Columbia University.
Diebenkorn in New Mexico is accompanied by a 154 - page illustrated catalogue featuring a foreword by Charles M. Lovell, Director of the Harwood Museum of Art and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curator.
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