Sentences with phrase «strong points of the movie»

To me the strong points of the movie are Gemma and Jeremy and their chemistry.

Not exact matches

I am of mixed Slavic origin, linguist by profession and artist by vocation, adoring nice movies, music, traveling and learning new things as it makes me more open - minded and tolerant, but I have some very strong life principles that nothing will change and very conservative stand points about things...

The movie portrayed her personality and as a legend of a woman posed as a man to enter the monastery and become Pope.German actress Johanna Wokalek was pretty good for that role and the other performances were decent as well.The portrayal of the time, crowds and the cities was below average, but very effective, since it was a low - budget movie, the image and lighting quality was not always good.The weak point of the movie was in the rhythm, which at times was uneven, and went from fast to very slow, but still it was never boring because of the strong plot.

Boasting a strong cast, but an anemic screenplay, and an enthusiastic approach to lensing in the great outdoors, The Missing might not be one of the guy's very best movies, but he sure gets points in my book for trying something a little more... grown - up... this time around.

Making a movie out of Michael Finkel's book True Story: Murder, Memoir, Mea Culpa is such a great idea that someone should try it again — someone with a stronger point of view and a more jaundiced eye.

The way John Wick gets from point A to point B, though, with a reliance on what appear to be practical effects and a strong, smart use of Reeves's sinewy grace and muscularity, is a thing of action - movie beauty.

The actual idea behind Tusk is also one of its strongest points and Smith takes great joy in laying out this gruesome and bizarre scenario that sounds like it couldn't possibly be a real movie.

Without a strong director of photography with a point of view, a film can be somewhat lacking even if every other aspect of the movie is firing on all cylinders.

It's not exactly the perfect horror - thriller movie or in a class with things like Psycho or The Silence of the Lambs, but Vacancy does have its strong points.

That question is somewhat complicated, because there are very good things about it — Chloë Grace Moretz's fantastic as a foulmouthed twelve - year - old version of the Punisher, with some Jackie Chan thrown in, and so is «lead» Aaron Johnson, who manages not to look like he's lost the movie he's top - lining to every single other cast member, whether it's Moretz, Nic Cage, Christopher Mintz - Plasse (whose squinty nerd thing, identical to Superbad, is just annoying here) or Mark Strong, even though he does at one point or another in the film.

The movie performs its act of documentation almost frighteningly well, to the point where the scenes occurring before the viewer bear a stronger resemblance to a drama than the conventional ideal of documentary.

The movie's diversity of action is its strong point.

«Obviously, we have a very strong point of view regarding these events, and I think the film reflects it, but we didn't want it to be this piece of propaganda or this polarizing movie,» says Dayton.

Rockwell's character and the question of his redemption in Martin McDonagh's film have been the centerpiece of the controversy that surrounds the movie, but his performance has been one of its strongest selling points.

But somehow, that point of view permeates the movie, so strong is Steinfeld's performance and so sharply does the Coens» writing translate Portis's straight - faced silliness.

Michael Crichton points to a strong tradition of technical thrillers that preceded his own writing: Peter George's Red Alert (1958), Richard Condon's The Manchurian Candidate (1959); Burdick and Wheeler's Fail - Safe (1962), and Knebel and Bailey's Seven Days in May (1962), all of which became movies.

Michael Crichton points to a strong tradition of technical thrillers that preceded his own writing: Peter George's Red Alert (1958), Richard Condon's The Manchurian Candidate (1959); Burdick and Wheeler's Fail - Safe (1962), and Knebel and Bailey's Seven Days in May (1962), all of which became movies.

But given the dearth of available 4K HDR titles, the shortage of interest in digital movie purchases, and the strong preference among consumers for lower - cost streaming devices, selling discounted 4K HDR movies through iTunes isn't a huge selling point overall.