Sentences with phrase «strong public museums»

However, there is no doubt that the presence of these leading western - based curators has brought institutional validation in countries that lack strong public museums or critical infrastructure devoted to contemporary art — Okwui Enwezor, Massimiliano Gioni, Charles Esche and Hou Hanru have all had a hand in editions of the Gwangju Biennale, for instance.

of these leading western - based curators has brought institutional validation in countries that lack strong public museums or critical infrastructure devoted to contemporary art

Not exact matches

These five industry innovators, who all have a strong connection with Chicago's culinary world, will be formally inducted at an event open to the public which will serve as a gala fundraiser for the Chicago Culinary Museum.

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As a way to emphasize the Museum's strong commitment to new art and new ideas, Outside the Box Gallery Talks are open to the public and are intended to provide participants with multidisciplinary perspectives on New Museum exhibitions.

Schleuning has a strong and successful history working collaboratively with contemporary artists and designers on installations that expand knowledge, inspire the public, and diversify museum audiences while growing awareness of art and design.

As a way to emphasize the Museum's strong commitment to new art and new ideas, Outside the Box talks are open to the public and are intended to provide participants with multidisciplinary perspectives on New Museum exhibitions.

As a way to emphasize the Museum's strong commitment to new art and new ideas, Outside the Box gallery talks are open to the public and are intended to provide participants with multidisciplinary perspectives on New Museum exhibitions.

The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums and Galleries and through the generous support of the Henry Moore Foundation, the Gallery has bought many important sculptures and can boast one of the strongest public collections of sculpture in Britain.

Private and institutional collectors responded with ardent enthusiasm to The Art Show, with galleries boasting strong sales and meaningful engagements with museum professionals and scholars, fostering important exposure and public engagement with artists from a diverse range of periods and backgrounds.

Eva officially opened to the public on Saturday, featuring work by 57 artists, selected from a 2,000 strong pool of entries, placed across six city venues, the centrepiece of which is the reinvigorated Cleeve's Factory and the City Gallery, with works also featuring in the Hunt Museum, Sailors» Home, King John's Castle and Mother Macs, plus an associated event at Ormston House.

The Leeds sculpture collections are managed by a unique partnership between the Henry Moore Institute and Leeds Museums and Galleries, a relationship that has built one of the strongest public collections of British sculpture.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

It is an exhibition that engages the public, in what seems like a very strong tactical move by Tate Liverpool to almost pre-warn visitors of the possible engagement that lies in wait three floors above (An Imagined Museum runs alongside this exhibition as part of Works to Know by Heart).

Also on display is related archival material, acquired in 2014 for the Leeds Museums and Galleries sculpture collection, which the Institute curates and manages in a unique partnership that has built one of the strongest public collections of British sculpture.

This focussed exhibition presents a selection of recently acquired drawings from the sculpture collection of Leeds Museums & Galleries, which is managed in partnership with the Henry Moore Institute; a collaboration that has built one of the strongest public collections of sculpture in Britain.

A part of Leeds Museum and Galleries, the Archive is managed in a unique partnership that has built one of the strongest public collections of sculpture in Britain.

Background In 2014, with the intention of building on the strong community momentum generated by local organizations who came together to protect the park from commercial developments and raise the issue of park equity, the Queens Museum and NYC Parks submitted a proposal to the Design Trust for Public Space, as part of their 2014 request for projects called The Energetic City: Connectivity in the Public Realm.

Art Basel in Miami Beach opens its doors to the public today with a strong line - up of exhibitor and programs, attracting leading collectors, curators, museum directors and critics from across the globe.

MOTI initiated the collaboration with the Stedelijk Museum Amsterdam, as a cultural institution with a strong reputation and immense public reach.

Together, the Henry Moore Institute and Leeds Museums and Galleries have built one of the strongest public collections of British sculpture in the UK.

With the lack of long - established museum spaces in Miami, this collection has filled the gap by presenting historically weighty and relevant exhibitions to the public, complementing this with a strong education program and gorgeously monumental library.

This exhibition presents a selection of recently acquired drawings from the sculpture collection of Leeds Museums & Galleries, which is managed in partnership with the Henry Moore Institute; a collaboration that has built one of the strongest public collections of sculpture in Britain.

The goals of the Trail are to promote public access to the arts, to educate the public about the state's cultural heritage, to enable the museums to become strong visible partners in the state's efforts to promote cultural tourism, and to forge new partnerships among businesses, the arts, and education.

The work was strong, and it led to solo museum shows, public commissions, and gallery exhibitions.

On Sunday, December 10, Untitled, Miami Beach closed its sixth edition with reports of strong sales throughout the week and an enthusiastic response from participating galleries, collectors, museum professionals, artists and the general public.

Saatchi, 67, announced today that the 70,000 sq ft gallery would be renamed MOCA London (Museum of Contemporary Art, London) when he retires, and would feature «a strong, rotating permanent collection of major installations», all of it free to the public.