Nevertheless, even while his latter films seem to have lost
those strong qualities of filming daily life that distinguished his earlier films, he still continues to follow his passion for realism and his quest for new ways to tell a Brazilian story.
Truth succeeds in creating a riveting atmosphere that makes the audience a part of the investigative process of journalism, effectively carrying us over a series of triumphs and downfalls inherent in the field, and this procedural look at reporting and its intrinsic risks is undoubtedly
the strongest quality of the film.
Not exact matches
Paramount has chosen
quality over quantity for the Blu - ray release
of «The Fighter,» with a
strong collection
of bonus material headlined by an audio commentary with director David O. Russell where he discusses the
filming of the movie and how it compares to its real - life subjects.
More an action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch
quality, but the
film lacks
strong meat —
of the emotional and bloody zombie - cannibal sort.
The acting has taken a
strong decline in
quality, with Sean Bean being the only saving grace
of the
film and he's mostly just a cameo appearance that drives the story, but doesn't actually help it.
A much loved
film by many, it's unfortunately also a very uneven
film as well and how much you forgive its poor
qualities will greatly influence your enjoyment
of it's
strong points.
Early word has been
strong for his performance but the
film is said to be a «non-awards player» but we here remain hopeful
of the
film's
quality.
It's a gorgeous CinemaScope movie and Twilight Time does the
film up nicely, with a
strong transfer
of a good - looking HD master from Columbia Pictures, a studio with a superb record
of preserving, restoring, and making high -
quality digital transfers
of their catalog.
Tinker, Tailor, Soldier, Spy is a rather frustrating
film to review as it's a piece
of immense
quality, boasting impeccable performances, a
strong sense
of tone and a stellar score, but, in the end, there's just no denying that this simply isn't a
film for me.
Black
film, and black music, and black art tend to generate in a black audience the
strong urge to show support, and that has made sense to me more often than not, and driven me to both financially support and sometimes rigorously defend finished products that aren't necessarily
of the highest
quality.
It has been accused
of showcasing a dip in
quality for one
of the most original
film - makers out there and that is a
strong thing to start spreading around the critic's club.
They came out
of the gate
strong with Enemy in 2014 and have had some cool genre offerings like The Blackcoat's Daughter and and Slow West, while
films like Life After Beth and Dark Places haven't quite matched the
quality of that A24 shine.
The dialogue feels a little lean and tinny at times, but otherwise, the sound
quality is very
strong, bursting to life on the
film's thought - out soundtrack selections from David Bowie and Seu Jorge's Portuguese covers
of him to Devo and Sigur Rós.