Sentences with phrase «strong shadows»

Nine previous members of the 32 - strong shadow cabinet have not made it to the new cabinet.

You want a strong light to dark transition, with strong shadows.

Each idea comes with at least one copyright - free reference photo that has been carefully chosen with artists in mind (nice strong shadows for example).

«We will have a very strong shadow cabinet that brings in all the talents of the party, and David Davis is one of the great talents.

«If they had sacked her at the end, they would have had a much stronger shadow cabinet.

The overhauled image, now in THX - approved 1.85:1 anamorphic widescreen (fullscreen alternative sold separately), looks very nice, its clarity and strong shadow detail betraying every last weakness of the production's cheap design.

Breathtaking digital transfer perfectly captures the tone of the film, with strong shadows, warm colors and excellent attention to detail.

Did he want a strong shadow cabinet colleague who would, on occasion, feel able to speak out against the views of his leader and perhaps the wider shadow cabinet or did he want such a big beast roaming the backbenches, taking potshots at the leadership at will?

These suggestions amount to a modest reshuffle, but it would result in a stronger shadow cabinet in terms of presentational talent, make for a more balanced political spread and ensure women comprise at least half the shadow cabinet, as they should.

That said, it's a hard light because it creates a lot of strong shadows.

Interiors are loaded with depth and black levels are solid, keeping clean lines and strong shadows in check.

Nixon casts a strong shadow over the film even when she's absent from the screen for extended periods.

I then add the stronger shadow mixture as well as some touches of French Ultramarine to create a variegated dark shadow.

This unnerving effect is further reinforced by the plasticity of the faces and the quality of the paintings with their eery light and strong shadows.

It's those interlocking blobs again, Two Forms, from 1933, photographed on a windowsill where firm, strong shadows can clarify their shape.

Strong shadows and the representation of a particular time and place suggest the distinctly American scene so memorialized by Hopper, while attention to flattened surface planes and a rectilinear pictorial structure reveals Diebenkorn's underlying tendency toward abstraction.