Sentences with phrase «strong works in the exhibition»

Ultimately, there are many strong works in the exhibition, but there is little in this survey that is both exceptional and under - recognized.

Not exact matches

Mark Fidrych, sidelined since spring training with a knee injury, worked seven strong innings in a 4 - 1 exhibition victory over Cincinnati.

Designed to inspire Key Stage 2 primary school pupils to explore future careers in transportation and engineering, the exhibition showcases the contribution of diverse women working in the industry with strong connections to the West Midlands.

Reed Travel Exhibitions director World Travel Market Simon Press said: «Having developed such a strong working relationship with Rotana, I am delighted that they are sponsoring the registration process for the fifth year in a row.»

These works were among the strongest in the exhibition.

1998 «Franz Erhard Walther — Work Needs the Body: A Strong Misreading,» in Franz Erhard Walther — Ich bin die Skulptur, exhibition catalogue (Hannover: Kunstverein Hannover, 1998).

Through an open jury process, the gallery shows work from among the strongest artists in the area in a series of varied and interesting exhibitions each year.

The first major survey of Rivers» work in New York in over a decade, the exhibition includes Rivers» famous nude portrait of Frank O'Hara in boots, and highlights the artist's strong interest in appropriation as well as the broad range of inventive methods and materials he employed over the course of his career.

«Franz Erhard Walther — Work Needs the Body: A Strong Misreading,» reprinted from 1998, in Franz Erhard Walther: Orte der Enstehung — Orte der Wirkung, exhibition catalogue (Fulda, Germany: Vonderau Museum, 2003).

Curated by Joachim Homann, Curator at BCMA, the exhibition builds on the foundation of Bowdoin's strong history of collecting works on paper, stemming back to the initial gift of 141 historic European drawings gifted to the college by its first benefactor James Bowdoin III in 1811.

Already, the exhibition's goal is a challenging one, and developed as a response to the underrepresentation of women's art in a city that now enjoys a strong presence of women artists, it is perhaps of no surprise that the exhibition features over 100 works by more than 50 artists.

50 percent of galleries presented at the show have exhibition spaces in Asia and the Asia - Pacific region, showcasing a strong combination of high - quality works from the East and the West and underscoring Art Basel's commitment to the region.

For those unfamiliar with their work, the exhibition at Maureen Paley's is typical of their mode of presentation in being more of an environment or a set — vividly coloured wall paintings with strong formal and graphic elements unite and frame the various sculptural and pictorial components into an integrated whole.

Some of the many strong solo exhibitions around the country this month include: Angelbert Metoyer at Deborah Colton Gallery in Houston; Donald Moffett at Lora Reynolds Gallery in Austin; a beautiful show of figurative works on paper by New York School founding member Jack Tworkov at Valerie Carberry Gallery in Chicago; Brian Bress at Cherry and Martin and a major show of new work by Jonas Wood in David Kordansky's cavernous new gallery space, both in Los Angeles; and Whiting Tennis at Greg Kucera Gallery in Seattle.

Although the interest in his work has always remained very strong in Europe, his presence over here was limited to a very strict number of institutional exhibitions.

Opening Reception: Saturday, November 11th from 5 pm to 9 pm This partner exhibition with the Hoosier Salon features artists from Indianapolis, Muncie, Bloomington, South Bend and Evansville working in painting, photography, sculpture and metal work with a strong comprehension of the elements of art.

This partner exhibition with the Hoosier Salon features artists from Indianapolis, Muncie, Bloomington, South Bend and Evansville working in painting, photography, sculpture and metal work with a strong comprehension of the elements of art.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

Commissioned to produce a San Francisco walk for this exhibition — the artist's sixty - fifth work in the Electrical Walks series — Kubisch selected and sequenced signals in the area around the museum that are particularly strong and sonically interesting.

«Höch - watchers,» including the catalogue essayists, may use terms like «genius» and «dazzling» in describing the work, but these words are too strong for what is, in the end, a pretty good artist in a pretty good exhibition.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

CUE Art Foundation's exhibition program presents new and exceptionally strong work by under - recognized and emerging artists based in the United States.

This group exhibition features work by eight compelling local artists who participated in the The Contemporary Austin's Crit Group — a seven - month - long program that supports a strong artistic practice through monthly critiques and professional development workshops.

There are a number of strong works by Francis in the exhibition.

As a way to emphasize the Museum's strong commitment to new art and new ideas, Outside the Box lecturers speak about the exhibitions or themes emergent in artists» works from the various positions they occupy, be they academic, personal, political, etc., and engage in rich investigations that illuminate and probe the Museum's current exhibition program.

The result is an exhibition where variety in scale, medium, and degree of abstraction is balanced by the strong continuity among all the works — a reliance on automatism, a juxtaposition of unexpected elements and conflicting temporalities, and the presence of organic forms — bringing to light the profound impact surrealism had on pre - and post-war American artists.

Cesare Brandi called Burri's 1975 exhibition in Assisi: «Not merely a provincial event, but the symbol of a strong tenacious attachment of he who through his works has become a citizen of the world.»

The price achieved cements Hlobo's place on the secondary market, now in tandem with his strong institutional presence following the exhibition of his work at the Centre Pompidou, the Smithsonian National Museum of African Art, Tate Modern, and the Boston ICA, among others.

With the exception of Nancy Spero's nebulous specters, works included in this exhibition are all abstract and share a strong, angst - filled sensibility.

Although all the elements in the exhibition recall a living, perhaps even amorous creature, there is a strong industrial constituent in every work.

Sue Williams: An artist with a recognised body of work which is both raw and strong and is charged and challenging in its links to contemporary lives and the sexualisation of western society.Recent exhibitions include POKE ME» painting installation Oriel Ffin Y Parc Gallery, Llanrwst, North Wales.

Departing from previous painting - dense retrospectives of Chicago - based artist Lee Godie's work, Intuit's recent exhibition — though it did include several strong canvases — focused instead on some fifty of the several hundred self - portraits that Godie took in public photo booths during the 1970s and»80s.

Though all the works were strong, the most convincing argument was put forth by the videos in the exhibition, if only because they presented the most cohesive thesis of painting's evolution.

I am so humbled by this honor because it's the most important exhibition in the world and this particular biennale is so full fantastic, strong, eloquent art work.»

Throughout her extensive work as an educator and arts administrator, Blain has maintained a strong studio practice, and has taken part in over 250 juried, invitational, university, and community exhibitions throughout the Southern and Midwestern United States.

On its tenth anniversary, this comprehensive volume documents its history and its increasingly strong exhibition program — over the five years between the end of 2001 and the end of 2006, the Kunsthaus put up a total of 31 exhibitions, all but one self - produced, and saw more than 20 new works created in conjunction with its architecture.

In Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes in his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.&raquIn Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes in his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.&raquin his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.»

The exhibition consists of three series of portraits, in a broad sense of the term — one titled Hope Chest, The Brave Ones and The End of An Era, the first two series presenting a stronger narrative and a broader selection of works.

«The Tang Museum's collection is particularly strong in works of art that speak about race and identity — in the last five years, more than half our exhibitions focused on either diverse or traditionally underrepresented artists, such as our current survey of painter Alma Thomas,» said Ian Berry, Dayton Director of the Tang Museum.

Nationally, Kittelsons work has been shown in two exhibitions «Big» and «little» at the Cameron Art Museum in Wilmington, NC (2007); «Food Matters - Explorations in Contemporary Art» at the Katona Museum of Art in New York (2003) and The Altoids Curiously Strong Collection at the New Museum in New York (1999).

A designer whose work helped shape the visual language of British cultural identity in the 20th century, this exhibition also serves to remind us that Games, born to Jewish émigré parents, also had a strong sense of Jewish identity which informed his work, particularly during the war.

The Castelli model is built around the notion that the dealer is representing a roster of artists who are mostly undiscovered and definitely underappreciated, looking at it from a long - term perspective — which means taking some risks in the beginning to help their artists build a strong foundation of interest and buzz, and then working toward recouping their investment in the second or third or even later solo exhibitions.

Multimedia works by international artists such as Zoe Buckman, Zanele Muholi, and Saya Woolfalk make strong feminist statements in this timely exhibition of contemporary art.

Jefferson, Lobdell and Strong (who studied with Jefferson and Lobdell), are each represented in the exhibition by five or six significant pieces, plus smaller representational works.

Henrique Faria, holding spaces in both ba and New York, are showing a group exhibition of work, that features a strong use of colour, and a potent mix of clean lines and sketchy drawings.

Students of the Bechers in our exhibition include Thomas Ruff and Andreas Gursky, and while there work over recent decades has developed to use different methods and subject matter, there is still a strong connection to the idea of mapping the surface of the world in a somewhat impersonal or distant fashion.

This one is tough, as there are so many strong and little known works in the exhibition.

The exhibition further presents a group of artists with a strong presence in London, offering an engaging survey of important figures working or exhibiting in the city today.

Especially strong are Iranian works from the 1960s and»70s, which were shown in the exhibition Between Word and Image: Modern Iranian Visual Culture, at the Grey Art Gallery in Fall 2002.

Cris Worley Fine Arts continues to introduce strong voices in contemporary art to Dallas and is proud to present the work of CWFA artist Charlotte Smith and newcomer Anna Elise Johnson in a two - person exhibition entitled, Ambassadors.