The Flicker (1966) is considered a key early work of
the structural film movement.
His arrival onto the cinematic avant - garde scene coincided with the emergence of the aesthetically and conceptually rigorous
Structural film movement.
Not exact matches
Scorsese, it goes without saying, directs this with the fervour of a true auteur — perhaps not the most distinctive
film he's made stylistically speaking, but still propelled by inspired musical choices, bold voiceover work, kinetic camera
movements and a general
structural playfulness (such as the fake television ads planted throughout the
film).
His
films in the 1960s and 1970s, are some of the first examples of the so - called «
structural film»
movement.
Gehr's 1970
film Serene Velocity is frequently cited as one of the premier examples of
Structural film, a
movement characterized by a fascination with the material qualities of
film itself and a foregrounding of the experience of seeing as mediated by the camera.
Emily Watlington: You were part of John Baldessari's «post-studio,» the Pictures Generation, and
Structural film, but your work was never fully embraced by these
movements.