Sentences with phrase «structure over narrative»

Not exact matches

With an approach that emphasises internal feelings and character journeys, over more obvious things like narrative structure and story arcs, this Brazilian - German film challenges audiences to explore a series of important issues in ways movies...

The narrative structure will appeal to cinema lovers of all levels; this is the kind of film you wish you could watch the for the first time over and over again.

The film was originally released in the US in a butchered version cut by over an hour and torn from its evocative time - shifting structure to a traditional linear narrative.

In the post-Chungking Express landscape Wong Kar - wai became an immediately acknowledged style signifying a relaxed narrative with a poetic structure, splashes of bright color, erratic and funny voice - overs, energizing camerawork ---- often handheld ---- and awesomely unusual framing.

Its major debit is the jerky, unbalanced narrative structure, which begins in distinct chapters and then, over halfway through, tries to interweave the strands, leading to some disorienting time jumps.

The plot and character development of Sabine de Barra, which may have initially appealed to Winslet, owing to a feminine victory over patriarchal social structures, is wholly abandoned and the narrative evolves into a love affair between a noble man and a subordinate woman, an affair that is implausible, farcical and simply too convenient.

The film's episodic structure (split into three parts), and emphasis on character over narrative make Zero Motivation feel like an extended pilot for a TV sitcom about soldiers dealing with their humdrum day - to - day lives.

The assignment structure of the narrative is quite refreshing because while the goals will remain static over the course of the three month period, how you use your time is completely up to you.

With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.

In their video work over recent years, Hubbard / Birchler have been exploring looping narrative structures parallel to longitudinal studies and forms of expanded documentary.

With each chapter structured around a specific theme or concept relating to the site in which it is displayed, a loose narrative thread develops over time.

In this exhibition organized by the Astrup Fearnley Museum of Modern Art, Oslo, we have decided with the artist to concentrate on his paintings and to explore and present the multiplicity of his pictorial language and narrative structures as they have evolved over the last two decades.

The voice - over hereby functioning as the referential frame, wherein the diary - like poems structure the exhibition space, addressing the viewer and embedding him and her into the narrative.

Just as Burroughs and Gysin had deconstructed narrative structure through their cut - ups, Hawkins continually reconstructs himself as an artist with a practice that is remarkably unified within constant yet fluid shifts over time and among genres, techniques, and mediums.

The Mist of a Pessimist borrows from rounds and sounds to structure the work: catchphrases as narrative hooks, contestants as characters, a colour palette setting the scene, and The Host, assistants and an omniscient voice - over offering multiple voices.

Novelists» polemics tend to be over the top (cf. LeCarre, Vidal, Mailer...); hardly seems worth rebutting reasoning that owes more to narrative structure than to standards of evidence or logic.