Sentences with phrase «structured color relationships»
Starting by testing dabs of color within another, he structured color relationships into a series of squares, adopting the iconic, off - centered layout used in Josef Albers» Homage to the Square.
http://www.russelljanis.com/ Not exact matches
She integrated the two into a system called Food & Spirit (www.foodandspirit.com)-- to radically shift people's relationship with food, eating, and living, and the Certified Food & Spirit Practitioner Program (www.foodandspiritprofessional.com)-- to equip practitioners with a structured framework for bringing together the rainbow - colored seven aspects of the self in the therapeutic encounter for optimal healing.
The strategies that leaders from each RPP described for improving opportunity structures for young men and boys of color focused on disaggregating data by race and gender, naming racist and patriarchal practices to be dismantled, creating culturally responsive environments to nurture masculine identities, and fostering trusting relationships among students and adults.
With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.
Creating patterns on top of color fades, other patterns, and flat color, I explore the relationship between composition, structure, and color.
«The entrance plaza, formed by the building's cantilevered structure and the ground floor lobby, share the vibrant ruby color pattern establishing a dynamic and porous relationship between indoor and outdoor elements.
Hofmann's art work is distinguished by a rigorous concern with pictorial structure, spatial illusion, and color relationships.
In his stack paintings, however, rather than project associations, Gorchov simplifies the relationship between surface and structure in regard to a formal reading, and alters the height of each monochromatic panel so that viewers read each color in equal increments.
Diane Ayott, by contrast, attempts to erase any distinction between foreground and background, thereby creating an orchestrated relationship in which her use of color and geometric forms interacts with viewers and constantly draws attention from the surface deep into the structure of the work and then seamlessly back again.
In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.
The artist has said that she searches «for the structure and form through the relationship of colors.
High craft, good design, color, skill, structure, vision and imagination, and a relationship with the medium are essential.
Yet Nickson turns these loaded, time - honored motifs into compelling, wholly contemporary images that toggle between unabashed romanticism and a modern celebration of the expressive power of super-saturated color relationships and abstract structure, with a healthy admixture of awareness of the history of western art.»
Where Halley's works rely on color relationships to create depth in an otherwise flat image, the drawings in Measure borrow the same simple geometric structures while relying on the materiality of surface to challenge the limits of human observation.
Between 1990 and 1992, he studied with Gerhard Merz, at the Kunstakademie in Düsseldorf, contacting extensively with a series of theoretical, literary and artistic references — German Romanticism, the Middle Ages, Late Gothic — that will play an important role in the structuring of Chafes» activity and interests: the role of light, color, weight, the balance of forms, their relationship with nature, the surrounding space and Men.
The exhibition work highlights the artist's exploration of the relationship between color, structure, and abstract illusionism, beginning with his paintings of the early «60s and «70s.
With approximately one hundred works, from his paintings of consumer products in the early 1920s to the work left on his easel at his death in 1964, the exhibition will highlight Davis's unique ability to transform the chaos of everyday life into a structured yet spontaneous order that communicates the wonder and joy that can be derived from the color and spatial relationships of everyday things.
Monday 10am - 1 pm Instructor: Jill Phillips $ 455 For students with some basic painting experience, this class is a further exploration into figure / space relationships, issues of design and composition, color orchestration and planar structure, as well as the use of mark as a vehicle for expression and content.
As a practicing artist and member of the Torpedo Factory, her work focuses on formal issues of rhythm and movement, structure and spacial and color relationships.
Tuesday, 7 - 10 pm Instructor: Joren Lindholm $ 455 For students with some basic painting experience, this class is a further exploration into figure / space relationships, issues of design and composition, color orchestration and planar structure, as well as the use of mark as a vehicle for expression and content.
Set - ups will be reminiscent of some of these master paintings with their composition, structure and color relationships in mind.
«Affinities» also relates to paint as a substance that is relied upon for its use in combination with other material; it has the capability of facilitating relationships between color, texture, structure, and design.