Sentences with phrase «structured work in this series»

Of course, you don't expect a clearly structured work in this series.

Not exact matches

However, the structure that holds together what might otherwise seem a series of eclectic reflections — that is, the mysteries of the rosary — is of course nothing other than the life and work of Jesus Christ set out in linear fashion from Incarnation through redemption to the glory of heaven.

In the new work, they optimized this peptide by making a series of random replacements to its building blocks without disrupting its overall structure.

By design, the movie is episodically structured from young Mason's point - of - view from ages 7 - 18 with the same actor, Ellar Coltrane, bringing his own personal growth to the project in ways usually only available to non-fiction works like Michael Apted's half - century Up series.

Through Aug. 16, 2014 Mark Bradford at White Cube Hong Kong Known for his abstract, layered collage paintings, Los Angeles - based Mark Bradford is presenting «a series of new works about Hong Kong that explore structures of power and politics through the lens of urban planning, in the world's most densely populated city.»

September 9 - 28, 2008 In 2007 Sydney Ball revisited the direct pictorial architecture of his Canto paintings to develop Structures 2, a series of radiant abstract colour works.

Thomas Chimes: Early Works (1958 - 1965), 2009 Text by Lisa Saltzman 56 pages, Hardcover Published by Locks Art Publications ISBN: 978 -1-879173-41-5 «Developing, in these formative paintings, a visual style indebted to the palette and compositional structures of such modernist forefathers as Marsden Hartley and Henri Matisse and emboldened by the stenographic proto - abstractions of such New York School predecessors as Jackson Pollock and Mark Rothko, Chimes systematically put forth a series of paintings that pressed such experimentations with the limits of figuration into the realm of the theological, the philosophical and the historical.

Fried explicitly outlined «the need to defeat theatre,» calling for an end to Judd-esque approaches (in «Primary Structures,» the artist had shown two works, both a series of connected metallic boxes).

With more than 30 works from Hirst's collection, some of which have never been shown in the UK, the exhibition covers a range of the major series that have conveniently structured Koons's career, dating from 1979 to 2014 and making up a neat, albeit condensed, survey of his work.

Some of the highlights also include Elizabeth Catlett's The Negro Series, commemorating anonymous Black women's labor and the courage and strength of African American women; Edward Hopper's paintings that reveal the ways the home structures our interior life; the works of Jay DeFeo and Mark Rothko who sought recourse in spirituality and mysticism; but also Diane Arbus, George Grosz, Jasper Johns and others who explore the notion of a nation.

It also provided greater opportunity to experiment with colour; many of the works in the 25 - strong Perspex series employ coloured sheets of Perspex, which contrast with the rusted steel or wooden structures into which they are incorporated.

Even as his work historically emerges from these traditions — organizing simple structures, the use of objects as integers in a larger series, a simple declarative use of materials — his work also foregrounds aspects of such works that have become lost in the art historical context.

Herrera's dynamic use of colour and form is realised perhaps most effectively in her series of three - dimensional works, known as the Estructuras (Structures).

Librettos: Manuel de Falla / Stokely Carmichael is the first set of works in a new series in which he continues his exploration of systems, using musical composition and notation as an organizing structure.

In the Winter Workspace, Garner began a new series of multi-media works that draw comparisons between the human anatomy and plant structures that she observed in Wave Hill's ConservatorIn the Winter Workspace, Garner began a new series of multi-media works that draw comparisons between the human anatomy and plant structures that she observed in Wave Hill's Conservatorin Wave Hill's Conservatory.

Each new work of the ongoing series abounds with imagery including eyes, faces in profile and other more indeterminate forms recalling cell structures, often in pulsating combinations of colour.

Coming from a background in molecular biology, Brookes» newest series of work has taken his knowledge of scientific drawings and expanded them into candy colored and monochrome paintings that explore molecular structure.

For this new series of printed transparent work (which is a continuation of his earlier series «Death Imitates Language») Van den Dorpel focuses on the structure of «nesting»: a strong organizing principle found in architecture, software development and human language.

In exquisitely rendered paintings, works on paper, wall and floor works, sculptures, site - specific installations and public projects, the Mysore - based artist examines structures, borders and barriers as a series of ever - shifting concepts, alluding to an interconnectedness that compels the viewer to consider their relationship to the art work as part of a wider conversation about systems of knowledge, belief and power.

The recourse to the fundamental principles defined by Wassily Kandinsky in his Point and Line to Plane from 1926 resulted in the production of such works as Heinz Mack's Dynamic Structure, Erwin Thorn's Fire Drawing, Yayoi Kusama's Silver Wind and Günther Uecker's Polychrome Series.

Right from his first solo show, Miriorama 4 (1960), where he displayed a series of kinetic works that required activation on the part of the viewer, Colombo (1937 — 93) created works in the form of environments, situations, structures, itineraries and passages.

Installation view June 5 — 26, 2010 Opening: Saturday, June 5, 2010, 5 — 7 pm Open by appointment only: [email protected] Location: 1019 Alexander Street, Houston, TX 77008 (in the Heights)(v) = variable presents a collaboration with Jim Nolan as the first in a series of works addressing the re-use and reconfiguration of pre-existing architectural structures as temporary «exhibition» spaces.

This work, which was executed in 1997, and is one of the best series of the artists's archiving of delapidated industrial structures.

Curators Janet Bishop (of SFMOMA) and Katy Rothkopf (of The Baltimore Museum of Art) have carefully structured the exhibition as a series of encounters, which occur not only in real time, as visitors come upon the works, but also by way of time traveling, as they vicariously encounter Matisse through Diebenkorn's eyes.

As in previous series, Gray then re-contextualized this archive via juxtaposition with images of the Ghanaian landscape, architecture, and people, along with images of the cosmos from the Hubble Telescope, using found antique frames, as well as artist - made frames as a structuring device for the art works.

With roots in Mason's earliest forays into the expressive potential of clay, the latest series of works featured in albertz benda's booth reflect the artist's enduring interest in mathematics, structure, and aesthetics but present entirely new and distilled forms.

In thinking about rules as acts of creation I have been recently drawn into a reinvestigation of logic based works such as Frank Stella's black paintings (in which the logic of the making fully embodies the resulting shape), Sol LeWitt's wall drawings (in terms of setting up a series of rules that can create a coherent visual structure), and incremental works such as Carl Andre's floor pieces (which also embody an element of time and distance because one is required to «travel» in order to view the entire workIn thinking about rules as acts of creation I have been recently drawn into a reinvestigation of logic based works such as Frank Stella's black paintings (in which the logic of the making fully embodies the resulting shape), Sol LeWitt's wall drawings (in terms of setting up a series of rules that can create a coherent visual structure), and incremental works such as Carl Andre's floor pieces (which also embody an element of time and distance because one is required to «travel» in order to view the entire workin which the logic of the making fully embodies the resulting shape), Sol LeWitt's wall drawings (in terms of setting up a series of rules that can create a coherent visual structure), and incremental works such as Carl Andre's floor pieces (which also embody an element of time and distance because one is required to «travel» in order to view the entire workin terms of setting up a series of rules that can create a coherent visual structure), and incremental works such as Carl Andre's floor pieces (which also embody an element of time and distance because one is required to «travel» in order to view the entire workin order to view the entire work).

The series of works proposes a relationship between the materials and forms of our built environment, and the ways in which they in turn structure the relation between subject and territory.

The artist's work delves further into the aesthetics and ideas explored in a 2015 series titled «Figures,» which feature indeterminate architectural structures that are overrun by an encroaching landscape.

The culmination of several years work, The Unforgetting is a series made up of remnants, exploring the loss of his mother as a child and their shared German ancestry, as well as the associated notions of time, recollection and impermanence, all bound up in the objects, places, photographs, and narrative structures circulated within the family.

From September 1959 to January 1960 de Kooning sojourned in Italy, working in Rome, where he produced what are now known as his «black and white» paintings, such as Black and White (Rome) 1959 (fig. 6).24 These are highly reminiscent of Kline's signature style in their combination of bold gestural abstraction, a black and white palette and structured compositions that consist of a series of emphatic strokes that are at odds with each other and positioned at angles that create nearly regular geometric shapes, such as triangles and squares.

This latest work in the teamLab's most famous series uses provocative spatial methods to transform the Bauhaus structure of Pace Beijing into a synesthetic labyrinth that breaks the traditional experience of the visit.

Donovan expands upon her earlier works in the series by inscribing an underlying geometry into the structure of the newer drawings, which reveals itself through the perceptual shifts that occur when viewing the work from different vantage points.

While the wall drawings, which he started in 1968 at the age of 40, constitute LeWitt's most emblematic practice, his oeuvre also includes three - dimensional works (which he referred to as «structures»), innumerable drawings on paper, photographic series and artist's books.

For Albers» market, a case can be made that inefficiency lies in the valuation structure of his most famous body of work — his 26 year - long project, «Homage to the Square,» a series of squares painted within slightly different - colored, or contrasting, squares.

During his year there, he completed a series of paintings that while predicated on structures already emerging in his recent work address the extended history of geometric imagery that he set out to explore in his Rome project, «New Paintings for -LSB-...]

During his year there, he completed a series of paintings that while predicated on structures already emerging in his recent work address the extended history of geometric imagery that he set out to explore in his Rome project, «New Paintings for an Old City.»

A series of three small - scale exhibitions using works from the Ackland's permanent collection, Politics As Usual examines ways in which artists engage with the power structures of their times.

Italian - Swedish street artist Alessandro Battisti also known as ETNIK opened last Tuesday FUN da MENTAL a new solo show at the GCA Gallery in Nice, France Not unlike ETNIK's «Prospective Cities» series, a project started in 2003, the new exhibition focuses on an interesting mix of floating architectonic structures, graffiti and illustration expressing this sense for balance and composition so characteristic of his work.

In addition to news of current and forthcoming shows, along with details of exhibits, Tate Online provides a large searchable database of works in the Tate Collection, plus structured e-learning opportunities for all visitors, with over 400 hours of archived webcasts, articles from the magazine TATE ETC. and a series of special Internet art commissionIn addition to news of current and forthcoming shows, along with details of exhibits, Tate Online provides a large searchable database of works in the Tate Collection, plus structured e-learning opportunities for all visitors, with over 400 hours of archived webcasts, articles from the magazine TATE ETC. and a series of special Internet art commissionin the Tate Collection, plus structured e-learning opportunities for all visitors, with over 400 hours of archived webcasts, articles from the magazine TATE ETC. and a series of special Internet art commissions.

The work, also titled «Inside me», was the first one in a series of custom made cushion installations, all activated by performers hidden inside the structure, exposing limbs through the gaps.

Her long - term investigations — Figures of Speech (2006 — 2010), exploring discursive potential of artworks, and The Body in Crisis (2011 ---RRB-, tracking changing conditions of the human body in historical moments of crisis — are structured as series of sometimes subtle, sometimes confrontational transfers from one work to another, from one context to the next.

El Fin del Mundo goes beyond imagining a dystopia; as part of a larger series of works collectively entitled News from Nowhere, Moon and Jeon's work posits that the essentiality of art and human consciousness will continue in the absence of formal socio - political and economic structures.

His work, often developed in series, reduces the formal vocabulary he investigates to its most minimal structure.

Other resources include illustrated information on all works in Tate's Collection of British and Modern international art, structured and informal e-learning opportunities for all visitors, over 600 hours of archived webcast events, all articles from the magazine Tate Etc., and a series of bespoke net art commissions.

This new series, horizons / structures, is part of Vokoun's continued work reinterpreting data and its significance in our lives, as if translating line by line from one language to another abstract one.

In addition to the sculptures, Monk has produced a series of photorealist paintings that record various stages in the fabrication process of the stainless steel works, from the production of a cast in clay to the welding and polishing of the metal structurIn addition to the sculptures, Monk has produced a series of photorealist paintings that record various stages in the fabrication process of the stainless steel works, from the production of a cast in clay to the welding and polishing of the metal structurin the fabrication process of the stainless steel works, from the production of a cast in clay to the welding and polishing of the metal structurin clay to the welding and polishing of the metal structure.

This selection help us to understand his progressive concept of «sculpture as form, sculpture as structure, sculpture as place» and, in addition the exhibition focuses on the key role of language in Andre's artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp's readymades.

Or in the work by Philip Taaffe, from his Composite Nature series, where the underlying patterns and structures of the natural world have been central to his work during the exhibitions decade.

Later in the 1960s, he worked as a printmaker at the influential Tamarind Lithography Workshop, where he explored Pythagorean number structures in an important series.