This strategy enables «patterning large areas with highly regular
structures in a parallel fashion — all structures are fabricated at the same time — in a single process step, which saves time and reduces costs,» explained Nejati.
Their practices are useful
parallels to Love's; her works
in the accompanying exhibition produce social critique
in referencing hegemonic symbolic
structures — like certain
fashion or religious iconography — while being composed of expressive, powerfully raw mark making.