Sentences with phrase «student in curatorial studies»

We are at a presentation by Sarah Fritchey, a graduate student in curatorial studies at Bard, who has spent her summer in Penn's Rare Book and Manuscript Library combing through ICA's archives.

Not exact matches

Twenty - Five students studying the disciplines of Painting, Drawing and Photography will be featured on the walls of the gallery, curated by their peers who have participated in a Curatorial mentorship class.

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Curated by 8 first - year graduate students at the Center for Curatorial Studies, In a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel CollectioIn a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel Collectioin the Marieluise Hessel Collection.

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museum shop.

A series of exhibitions curated by graduate students during their second - year of study in curatorial studies and contemporary culture.

Five exhibitions curated by second - year students in the graduate program in curatorial studies and contemporary art.

It was organized by the students of the 22nd Course in Curatorial Practices and Contemporary Arts at The School for Curatorial Studies in Venice, and curated by Tommaso Speretta.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Organized by first - year graduate students at the Center for Curatorial Studies, Lost & Found City is a site specific installation at three locations in New York City.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practice (CURP).

The whole is not the whole is not the whole, is an exhibition structured in three interrelated parts, each organized by first - year students of the Center for Curatorial Studies, Bard College (CCS Bard).

Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

The Center's two - year M.A. program in curatorial studies is specifically designed to deepen students» understanding of the intellectual and practical tasks of curating contemporary art.

ANNANDALE - ON - HUDSON, N.Y. — This spring, CCS Bard presents a series of nine exhibitions at the CCS Galleries, curated by second - year students in its graduate program in curatorial studies, including work by 46 internationally known contemporary artists.

LE MAGASIN, GRENOBLE De 199C à 199D 6 June 2014 — 7 September 2014 The exhibition is the second part of a collaborative process started between the artist and students of the Center for Curatorial Studies du Bard College (New York) in 2012.

Curated by 14 first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum of Art.

The Center's two - year graduate program in curatorial studies is specifically designed to deepen students» understanding of the intellectual and practical tasks of curating contemporary art.

The CCS Bard Library and Archives support research by a wide range of constituencies including students in the MA Program in Curatorial Studies, Bard College undergraduates, faculty, and other researchers and scholars whose work relies on access to primary resource materials.

First - Year Students at Bard's Center for Curatorial Studies Present «Re-Shuffle: Notions of an Itinerant Museum» at New York City's Art in General from February 24 through March 18

Upon satisfactory completion of course work and other requirements of the graduate program, students are awarded the degree of master of arts in curatorial studies.

Curated by first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum.

The new Advanced Certificate in Curatorial Studies builds on that tradition and the curatorial interests and ambitions of Hunter faculty and students — and our commitment to exhibitions whose themes, theses, and checklists have been developed and honed by ourCuratorial Studies builds on that tradition and the curatorial interests and ambitions of Hunter faculty and students — and our commitment to exhibitions whose themes, theses, and checklists have been developed and honed by ourcuratorial interests and ambitions of Hunter faculty and students — and our commitment to exhibitions whose themes, theses, and checklists have been developed and honed by our students.

The Library and Archives at the Center for Curatorial Studies are a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studiesCuratorial Studies are a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studies stStudies are a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studiescuratorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studies ststudies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studiescuratorial studies ststudies students.

Re-Shuffle: Notions of an Itinerant Museum, a survey about the possibilities for the museums of today and the future, is presented by first - year graduate students at the Center for Curatorial Studies (CCS) at Bard College, and takes the form of a publication - as - exhibition to be held at Art in General's Gallery 4 at 79 Walker Street, New York City.

Each exhibition is curated by a second - year student in its graduate program in curatorial studies and contemporary art.

Laurel Ptak is a graduate student at the Center For Curatorial Studies at Bard College interested in network culture, socially - engaged practices, and open culture. laurelptak.com.

ANNANDALE - ON - HUDSON, N.Y. — This spring a series of exhibitions at the Center for Curatorial Studies, curated by second - year students in its graduate program in curatorial studies and contemporary art, continues with two groups of exhibitions in ApriCuratorial Studies, curated by second - year students in its graduate program in curatorial studies and contemporary art, continues with two groups of exhibitions in April aStudies, curated by second - year students in its graduate program in curatorial studies and contemporary art, continues with two groups of exhibitions in Apricuratorial studies and contemporary art, continues with two groups of exhibitions in April astudies and contemporary art, continues with two groups of exhibitions in April and May.

Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

The Student Picks program is supervised by Colleen McDermott, Brown Post-Baccalaureate Curatorial Fellow in the Cunningham Center for the Study of Prints, Drawings and Photographs, SCMA.

ANNANDALE - ON - HUDSON, NY, March 2015 — The Center for Curatorial Studies at Bard College (CCS Bard) presents eleven exhibitions and projects curated by second - year students in its graduate program in curatorial studies and contemporary art with ten individual exhibitions curated by each student, along with a student curated Marieluise Hessel CollecCuratorial Studies at Bard College (CCS Bard) presents eleven exhibitions and projects curated by second - year students in its graduate program in curatorial studies and contemporary art with ten individual exhibitions curated by each student, along with a student curated Marieluise Hessel CollectioStudies at Bard College (CCS Bard) presents eleven exhibitions and projects curated by second - year students in its graduate program in curatorial studies and contemporary art with ten individual exhibitions curated by each student, along with a student curated Marieluise Hessel Colleccuratorial studies and contemporary art with ten individual exhibitions curated by each student, along with a student curated Marieluise Hessel Collectiostudies and contemporary art with ten individual exhibitions curated by each student, along with a student curated Marieluise Hessel Collection show.

ANNANDALE - ON - HUDSON, NY, March 2016 — The Center for Curatorial Studies at Bard College (CCS Bard) presents eighteen exhibitions and projects curated by second - year students in its graduate program in curatorial studies and contemporary art with seventeen individual exhibitions curated by each student, along with a student curated Marieluise Hessel CollecCuratorial Studies at Bard College (CCS Bard) presents eighteen exhibitions and projects curated by second - year students in its graduate program in curatorial studies and contemporary art with seventeen individual exhibitions curated by each student, along with a student curated Marieluise Hessel CollectioStudies at Bard College (CCS Bard) presents eighteen exhibitions and projects curated by second - year students in its graduate program in curatorial studies and contemporary art with seventeen individual exhibitions curated by each student, along with a student curated Marieluise Hessel Colleccuratorial studies and contemporary art with seventeen individual exhibitions curated by each student, along with a student curated Marieluise Hessel Collectiostudies and contemporary art with seventeen individual exhibitions curated by each student, along with a student curated Marieluise Hessel Collection show.

The Library and Archives at CCS Bard is a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of CCS Bard's two - year graduate program supporting the advanced research of curatorial studies students.

ANNANDALE - ON - HUDSON, NY, March 2018 — The Center for Curatorial Studies at Bard College (CCS Bard) presents fifteen exhibitions curated by second - year students in its graduate program, organized as part of the requirements for the master of arts degree.

Through the partnership between Hunter and the Colección Patricia Phelps de Cisneros, the collection was made available as a study resource for twelve students from the MA and MFA programs — and participants in the Curatorial Certificate Program.

ANNANDALE - ON - HUDSON, N.Y. — This spring CCS Bard presents a series of twelve exhibitions at the CCS Galleries, curated by second - year students in its graduate program in curatorial studies.

«Thelma today may be thought of as part of the system but she still is a gritty, independent voice raising many issues broader in society from the art world,» said Tom Eccles, the executive director of the Center for Curatorial Studies at Bard College who polled more than 100 colleagues and former students for nominees and oversaw a panel of 12 making the final deliberation.

As part of the curriculum, graduate students curate exhibitions and programs in collaboration with the Belkin and local galleries, with support from the Killy Foundation and the Audain Endowment for Curatorial Studies through the UBC Department of Art History, Visual Art and Theory.

No Windows, on view at Satellite Gallery from November 27, 2010 to January 23, 2011, is the result of a unique collaboration between the departments of Anthropology, Art History and Curatorial Studies at the University of British Columbia, as graduate students in each of these programs have joined forces to curate this new and exciting exhibition.

Wyman teaches in the faculties of Liberal Studies and Art (Criticism and Curatorial Practice), and supervises graduate students in the CCP and IAMD programs.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

Common Room is a two - part exhibition curated by students of The University of British Columbia's MA in Critical and Curatorial Studies (CCST) program.

Graduate students within the MVS Curatorial Studies Program also have the opportunity to participate in courses and internships with the Art Museum staff, including Barbara Fischer, the Art Museum's Executive Director / Chief Curator, who is cross-appointed as Associate Professor Teaching Stream within MVS Curatorial Studies.

All of the students in the class have an interest in art, art history or curatorial studies, Sonnabend said.

The Belkin Satellite is pleased to present Risk: Playing the Game, an exhibition curated by Katie Spicer, a Master's Candidate in Critical Curatorial Studies at UBC, and organized by a team of graduate students from all branches of UBC's Department of Art History, Visual Art and Theory.

Greenberg's donation provides an annual monetary award of $ 5,000 to a first year MVS Curatorial Studies student, as well as a biannual award of $ 10,000 in support of international travel or a paid MVS Curatorial Studies Program internship at the Art Museum.

Mentored by the Art Museum team of staff to mount a graduating exhibition, MVS Curatorial Studies students gain valuable experience within all aspects of exhibition planning, including: curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming deCuratorial Studies students gain valuable experience within all aspects of exhibition planning, including: curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming decuratorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming decuratorial essay, exhibition promotion, and programming development.

Saisha Grayson received an MA in Contemporary Art & Curatorial Studies from Columbia University and is currently a PhD student at the Graduate Center, CUNY where she focuses on contemporary art, feminist theory and museum practices, with a dash of medieval and film studies thrStudies from Columbia University and is currently a PhD student at the Graduate Center, CUNY where she focuses on contemporary art, feminist theory and museum practices, with a dash of medieval and film studies thrstudies thrown in.