Not exact matches
The particulars of the text: its words, phrases, categories,
characters, literary forms, context, writer, readers, date,
place — each separately and all together demand attention and contribute to the
student's conclusion as to the meaning of the passage.
Other
characters include a meth - using teacher (Jillian Bell of «Workaholics») who dreams of making love to a
student, an inefficient security guard (Kumail Nanjiani), a buttoned - down teacher with a dark side (an out of
place Christina Hendricks) and a coach (Tracy Morgan) who buys skinny jeans in an effort to save his job.
Then there's exchange
student Tracy Walker (Greta Gerwig) who's
character is fun and whip smart and a go - getter but she sadly falls right into the «white savior» trope that is just beyond tired and is just a bad look when it's a white guy using another culture to tell that story in the first
place.
It focuses on only a half - dozen
characters — the nameless protagonist (Jet Li), three legendary rebel assassins (Tony Leung, Maggie Cheung, and Donnie Yen), a
student (Zhang Ziyi), and the king they're all plotting to kill (Chen Daoming)-- but it mostly takes
place in a massive palace, surrounded by hundreds of armored guards ready to fire arrows like a cloud of locusts.
Supporting males
characters such as two
student athletes played by Emory Cohen (
Place Beyond the Pines) and newcomer Anthony Kelley - or an enforcer played by The Wire's Dominick Lombardozzi - feel even more like devices than
characters, though given their small roles in the story, that's a bit more understandable.
Taking
place at Barden University — populated by perfectly coifed
students who apparently never study — the movie's about Beca (Anna Kendrick), a cute sort - of loner and would - be music producer who finds a home with The Bellas and with what one
character scornfully refers to as «organized nerd singing.»
These concerns are legitimate and have occupied a storied
place in the critical academy since the publication of Edward Said's Orientalism in 1978, and certainly, the
character of Tracy, the white American foreign exchange
student, leading the pro-dog uprising amongst the indigenous Megasaki citizens can easily be interpreted as reflecting the white saviour trope from Hollywood films such as Blood Diamond and Avatar.
Designed to be used with the
students favourite cartoon
character etc (
places indicated where to insert
character pictures and
character names).
Many school personnel get creative in using our books; they substitute their own
students» names in
place of the book
characters» names.
These Book Projects with Grading Rubrics include: - Introduction -
student reading record - new book jacket - pyramid diorama - act it out - letter to the author - dress - up
character - salesperson - book critic - letter to friend - radio or television broadcast - comic strip - sing a song -
character puppet - mobile - new words - Venn diagram - poster board - map with key
places - make a web - create a new page - story sequence - advertise - story flip book -
character map - book award - new ending - story chart - story map - postcard - story flag - letter to the author questions -
character feeling - real or make - believe -
character Venn diagram - fact finder - cause and effect - fact and opinions - event timeline - story quilt - book news - grading rubric These are GREAT for reading workshops.
We must carefully re-examine the relevance of what we teach, curate the traditional disciplines, add relevant modern disciplines, and
place emphasis on more holistic «whole
student» learning — not just knowledge but also skills,
character, and meta - learning.
How To Use Your Work Pack: Make sure the child / children know that stories must be planned Read the model story in the pack Ask the child / children to write down the names of the
characters in the story Ask the child / children to write down where the setting takes
place Ask the child / children to write down what the plot is Identify the most exciting part of the story (the climax of the story or suspense) Ask the child / children to plan a similar story - with a beginning, a middle and an end Ask the child / children to rewrite their own version of the story Ask the child / children to read their version of the story aloud Creative Story Writing work packs are essential for all
students wanting to develop their literacy skills and improve their grades in English assignments and examinations.
Students fill in the
character profiles and design costumes on the templates (examples are given), once the templates are brimming with information, cut out, laminate and
place on a key ring.
And, quite apart from striking the right balance among academic subjects, do schools
place enough emphasis on cultivating
students»
character and creativity, educating them about global warming, and taking steps to prevent bullying?
Inside one of the boxes,
students draw and color a picture of a
place that they visited with the main
characters in their books.
As reported in Schools Week on March 6, the 11 to 18 free school, which opened in 2012, issues
students with «King's passports» in which
character education is logged, and a «seven pillars» policy is in
place.
Imagine Schools
places a strong emphasis on each child's
character development and measures progress in
student behavior and overall school culture.
Here's a good
place to start: Plan to have
students imagine themselves as different
characters, professions, facilitators, or experts.
Bottom line:
Students feel that parents
place a higher value on achievement / success and individual happiness than kind and empathic
character.
The Code of Conduct,
Character, and Support
places equity front and center by creating policies that help eliminate discriminatory disciplinary responses to different groups of
students and reduce exclusionary punishments and lost instructional time.
Through
character education, «
students learn how to be their best selves and how to do their best work while making school a
place where
students and educators feel comfortable and able to work.»
Other strategies include: (1) establishing and using a time - out or cooling - off
place (even an informal time - out activity like having a child take a message, book, or box of chalk to another teacher could give the
student the space and time he or she needs to maintain or regain composure); (2) applying role plays, simulations (for example, Barnga, Living in a Global Age, Rafa - Rafa, and Broken Squares) and moral dilemmas to teach
students how to resolve conflicts, make collective decisions, appreciate different perspectives, weigh consequences, identify right from wrong, and check impulsive behavior; and (3) suggesting or assigning literature with
characters who face similar challenges to that of the disabled
student.
Whether we relinquish or retain the nomenclature, though, it is vital that we work to decouple most of what takes
place under the banner of «
character education» from the enterprise of helping
students become ethically sophisticated decision makers and caring human beings.
Students write about the main
character, setting, their favorite part of the book, and why this book deserves the 1st
Place Trophy Award.
We know that
character education is working when
students want to be in school because it's a warm and welcoming
place so attendance numbers are high, volunteers want to support our work so volunteerism is off the charts, teachers work with
students to connect as a school family so discipline referrals are decreased,
students are taking responsibility for their own learning so state scores are up, and they want to give back so service learning is alive and well.
For part of their
character speeches, my
students present «1st
Place Book Awards» to their favorite books and they complete a project shaped like a trophy for this assignment (shown below).
«Schools of
character are
places that bring out the best in everyone —
students, staff, and even parents and community members.»
I give my
students a graphic organizer to help them track how the historical events taking
place during the book's historical time period impact the
characters and storyline.
Ask
students to use text evidence to support their decisions about where to
place characters.
The
characters in my book draw a lot from the Amsterdam
Student Group, an organization of young people who worked to rescue children from the Schouwburg and
place them in safe homes for the duration of the war.
These following details are translated by Perfectly Nintendo... - Subaru Asato receives a mysterious package from an unknown sender - there's a book without a title, and a letter that says «You can not cut or burn this book» - when Subaru invites two friends to her
place, and tries to burn the book, they find out that the person who sent the package lied: the book can be burned - when Subaru wakes up, she immediately notices the book she and her friends burnt the previous day is actually sitting by her bedside, as if it had never been burned - has a bad feeling about this strange phenomenon, but comes to the conclusion that it must have a been a prank by one of her friends - from that day, strange things start happening around Subaru and her friends -
characters: Subaru Asato: a high - school
student (3rd year), who receives a mysterious book.
Taking
place almost exclusively in an All - Girls school, main
character Hinako is pulled into a space known as «The Common» by her adjacent classmates Yuzu and Lime - a supernatural plain where alien - looking creatures roam freely - to collect the «fragments» spawned by the woes of the other
students.
place n nationality n spouse n field painting n training michaelis school of fine art de ateliers n movement n works n patrons n a
student of painting at the university of cape townâ $ ™ s michaelis school of fine arts during the early 1970s dumas gained exposure to the (4 words, 24
characters)
The game takes
place within the pages of the notebook of a high school
student, and so the
characters and environments are portrayed as hand - drawn.
Angela Molina, evening
student, commented that she learned what each of the seven
character places meant specifically from the workshop, which she did not remember hearing in class.
Although the book deals only fleetingly with formal schooling, Brooks does have two suggestions for educators: School leaders should recognize that formal organizational structures are less important in determining school climate than are the complex personal relationships among
students, and schools should
place more emphasis on
character education.
Positive education represents a paradigm shift away from viewing education merely as a route to academic attainment and towards viewing it as a
place where
students can cultivate their intellectual minds while developing a broad set of
character strengths, virtues, and well - being.