Not exact matches
«In the fine liquid
film surrounding the hyphae, bacteria can move with much greater speed and
direction and cover more distance than in soil water without hyphae,» says Tom Berthold, first author of the
study and a doctoral researcher at the UFZ Department of Environmental Microbiology.
All in all, the
film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough by a powerful score, immersively beautiful visual style, solid
direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing
study on the impact Christ had even on those who brought about his demise.
Therefore, rather than problematize or challenge prevalent paradigms within contemporary Japanese
film studies, the first part of the volume, despite its bold promise, ultimately affirms a more orthodox
direction not just as the right one, but also as productive and insightful.
In 1998, Maren Ade began
studying film production and
direction in Munich.
``... thanks to an intelligent script, captivating performances and thoughtful
direction (not to mention gorgeous production design), this is a
film that deserves a spot on Oscar ballots this year and social
studies classrooms for years to come.»
This attention to detail in the writing,
direction and that sublime performance from Emily Beecham, is testament to the
film's success and what makes this magnetic character
study so special.
Toni Gallagher
studied Graphic Design and Advertising at Brunel, before moving on to a career of diverse artistic achievements, everything from free lance Art
Direction of commercials, to a successful stint on the Fourth Plinth, short
films, sculpture and photography.
A generous hint of his
direction could be seen in the 2012 Biennial (then hailed by New York Times critic Roberta Smith as «one of the best Whitney Biennials in recent memory»), which included such unforgettable moments as Werner Herzog's presentation of drawings by Hercules Segers intermixed with
filmed performances by the Dutch avant - garde cellist and composer Ernst Reijseger; Dawn Kasper's performative residency in a ramshackle studio of her own creation on the museum's third floor; and the transformation of the entire fourth floor into a long stage for dance, most memorably Michelson's highly concentrated, multipart «Devotion
Study # 1 — The American Dancer.»
Toni Gallagher
studied Graphic Design and Advertising at Brunel, before moving on to a career of diverse artistic achievements, everything from free lance Art
Direction of commercials, to a successful stint on the Fourth Plinth, short
films, -LSB-...]