Sentences with phrase «studied glass painting»
Later he studied glass painting, which helps explain his fascination with translucency.
https://www.nytimes.com/ Not exact matches
Finally, we get «Action Is Art: A Study of Ushio Shinohara's Boxing Painting» (3:39), a short that presents the artist's boxing glove methods, taken outside and applied to glass showing Manhattan skyline behind it, in highly artistic super slow motion.
(1978), What Maisie Knew (1975) De vita händerna (Rut Hillarp & Mihail Livada, 1950) Prima Materia (Charlotte Pryce, 2015) + A Study in Natural Magic (2013), Looking Glass Insects (2012), Curious Light (2010 - 11) Remains to Be Seen (Jane Aaron, 1983) + Interior Designs (1980), Traveling Light (1985) Blind Light (Sarah Pucill, 2007) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) + O pão (1959), Vale Abraão (1993) Tortured Dust (Stan Brakhage, 1984) + «Hand painted films»: Untitled (For Marilyn)(1992), Autumnal (1993), Earthen Aerie (1995), Spring Cycle (1995), Shockingly Hot (1996), Cloud Chamber (1999), The Lion and the Zebra Make God's Raw Jewels (1999), Stately Mansions Did Decree (1999), Seasons (2002) Goldflocken (Werner Schroeter, 1976) O Som da Terra a Tremer (Rita Azevedo Gomes, 1990) + Frágil Como o Mundo (2002) L'Homme atlantique (Marguerite Duras, 1981) Unguided Tour aka Letter from Venice (Susan Sontag, 1983) In the Stone House (Jerome Hiler, 2012) Spin (Hannes Schupbach, 2001) + Verso (2008), Contour (2011) Intimations (Nathaniel Dorsky, 2015) + Song (2013), Spring (2013), Summer (2013), December (2014), February (2014), Avraham (2014), Prelude (2015)
Wielding the magical powers of The World Wide Web, I was startled to find news of a recent study that suggests that medieval stained glass windows painted with real gold actually purify the air when sunlight shines through them.
Follow along with ArtTutor instructor Michael Howley as he demonstrates how to paint a floral with glass vase study in pastels.
Discover how to paint a range of textures in pastel, including glass, metal and cloth in this still life study from Michael Howley.
EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...
Located in Josef Albers's place of birth in Germany, the museum preserves 100 paintings in addition to graphic works, studies on paper, glass pictures, and furniture and is closely affiliated with neighboring museums in the Quadrat complex.
Programs of study include painting, sculpture, and photography, as well as furniture design and glass.
He received his first artistic training, beginning in 1959, as a glass painter, and in 1961 he enrolled at the Staatliche Kunstakademie Düsseldorf to study painting.
This exhibition features works completed over the past two years from twenty - four artists in Tyler School of Art's nine MFA programs: Ceramics, Fibers and Material Studies, Glass, Graphic and Interactive Design, Metals / Jewelry / CAD - CAM, Painting, Photography, Printmaking, and Sculpture.
Animation Ceramics Community Arts Film Furniture Glass Illustration Individualized Jewelry / Metal Arts Painting / Drawing Photography Printmaking Sculpture Textiles Visual Studies
To make them Wittenberg lays printing glass over an ink study and paints in the images, allowing her to condense certain structural marks in unusual and counterintuitive ways so that instead of feeling modeled out of brushwork, they seem to be whirled onto the surface.
Ms Büttner, a Stuttgart - born artist who studied at the Royal College of Art in London, works in prints, sculpture, painting and film, but attracted attention for her use of unfashionable media such as woodblock prints and glass painting.
The Glass House was the start of Johnson's 50 - year odyssey of architectural experimentation in forms, materials, and ideas, through the addition of other structures - the Brick House / Guest House, Pond Pavilion, Painting Gallery, Sculpture Gallery, Ghost House, Library / Study, and Da Monsta — and the methodical sculpting of the surrounding landscape.
After studying painting and liberal arts at both College of the Bahamas in Nassau and at Brown, he received a BFA from the Rhode Island School of Design, where he studied glass, and an MFA in sculpture from Yale University.
I call them the «Reflective Still Life Studies,» since I played around with painting glass and the reflection of objects in mirrors.
Participating artists from Round 2: Gabriel Bennet, sculpture; Tim Devoe, sculpture; Danielle Riede, painting and printmaking; Michael Martin, painting and printmaking; Matthew Gamble, painting and printmaking; Priyadarshini Khartri, communication arts and design; Teresa Engle, communication arts and design; Michael Gray, communication arts and design; Travis Fullerton, photography; Charles Gustina, photography and film; Will May, photography and film; Megan Biddle, glass; Sayaka Suzuki, material studies; Maria Kovacs, crafts / material studies; Darsham Jhaveri, metals / crafts; Kate Hudnall, crafts.
This show, Ms. Tyson's 10th solo outing with the gallery since 1995, presents an overview of her dynamic works on paper from 2002 to 2016 — ranging from penciled sketchbook studies and life - size ink drawings to colorful portraits that are painted on glass and then pressed on to paper to achieve a more gestural, emotional representation of her troubled figures.
Although Albers had studied painting, it was as a maker of stained glass that he joined the faculty of the Bauhaus in 1922, approaching his chosen medium as a component of architecture and as a stand - alone art form.
I did still life too: I painted wine bottles and glass vases, working with a white table in front of a white wall so that I could study colour more closely.
The presentation includes a selection of cast glass and bronze sculptures, paintings on clear glass panels and watercolor studies on paper.
Leopold's earliest art exposure came from his briefly studying with an artist named La Salle but also he painted cakes in the local bakery and glass eyes for a taxidermist.
Set on a sprawling plot that was now 49 acres and lined with forest, the Glass House was accompanied by a Brick House for guests, a pool, a submerged painting gallery, a sculpture gallery, a gate house, a study and a pond - side pavilion - which was used specifically for picnicking beneath its gilded ceiling.
This focused exhibition highlights critical moments of experimentation as Corse engaged with tropes of modernist painting, from the monochrome to the grid, while charting her own course through studies in quantum physics and complex investigations into a range of «painting» materials, from fluorescent light and plexiglass to metallic flakes, glass microspheres, and clay.
Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr
The exhibition begins with studies for abstract geometric compositions from the late 1930s, when Albers — a onetime instructor at the Bauhaus — returned to painting after having devoted his recent years to working with glass.
The Museum holds many of the UK's national collections and houses some of the greatest resources for the study of architecture, furniture, fashion, textiles, photography, sculpture, painting, jewellery, glass, ceramics, book art, Asian art and design.