Her works range from conceptual to commercial and show a particular interest in using dialectical methods to create
studies of architectural forms - be that in lines of the human body, manmade structures, or natural scenes - as well as on dynamics between the social and the private, gender rolls and body language.
Not exact matches
The Glass House was the start
of Johnson's 50 - year odyssey
of architectural experimentation in
forms, materials, and ideas, through the addition
of other structures - the Brick House / Guest House, Pond Pavilion, Painting Gallery, Sculpture Gallery, Ghost House, Library /
Study, and Da Monsta — and the methodical sculpting
of the surrounding landscape.
Two
Studies for Tenayuca (ca. 1938), for instance, show Albers riffing on what looks almost like a three - axis
architectural drawing
of some sculptural
form.
The manipulation
of objects and material and pushing for invention through process reveals an attempt to balance and
study ideas
of beauty,
form, and structure through an
architectural and pragmatic narrative.
Over the past 20 years the artist has hyper - realistically rendered pictures
of prepubescent boys, non-existent 19th century ethnographic
studies and invented
architectural spaces, as well as animations
of physical
forms in motion.
Since Carnegie's subjects range from the relatively benign, isolated nature painting — along with the brooding
architectural structures that often occupy the landscape, such as a gateway into a cemetery — to intimate little
studies of excellently
formed female asses, this is not an unreasonable question.