Sentences with phrase «studio head tom»

The development team includes studio head Tom Flanagan, a retired Army Special Operations veteran with several years of direct action combat; Art Director Russell Phillips, who formerly shaped the look of SOCOM: US Navy SEALs for Zipper Interactive; Creative Direction support by David Sears, former Creative Director for SOCOM: US Navy SEALs; Lead Audio Designer Nathan Brenholdt, whose previous work appeared in SOCOM: US Navy SEALs, God of War, Twisted Metal, Uncharted, and more; and Game Designer Kevin De Respino, formerly of his own independent studio, Look At It Games.
Redrafted as a prequel to the storyline in the game, the movie will be directed by Shawn Levy («Night at the Museum») in a starring vehicle for Holland that's said to have come together after studio head Tom Rothman saw the latest «Spider - Man» film, in which the young actor plays the title role.

Not exact matches

Also behind the camera, normally leading men Tom Cruise and Matthew McConaughey hold unadvertised but significant supporting roles; Cruise plays tough - talking, foul - mouthed, hairy - armed studio head Les Grossman, and McConaughey is Speedman's agent, a confident and unstressed overgrown boy.
Designer Tom Peters, former head of the Corvette advanced studio, maintains the proportions of the C5 but combines them with the elaborately sculpted surfaces that have become popular at GM in the wake of the 1999 Cadillac Evoq concept car.
In the past few years this idea has been brought up quite a few times, but at the 2013 New York Auto Show Tom Kearns, the head of Kia's California design studio, stated emphatically that he feels the company should develop a sports car.
In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.
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