Sentences with phrase «studio heads discussing»

Not exact matches

We discuss beta weirdness, Easter eggs, beta lessons, what post-launch might look like, and much more with Rare's studio head!

Develop sat down recently with Michal Platkow - Gilewski, Head of Marketing and PR at CD Projekt Red, to discuss the virtues of handling PR internally at a development studio.

I'll discuss the importance of building an audience super early on, the reason we turned down publishers (not naming names) and why it's useful having studio heads with backgrounds in advertising.

We headed downtown to Zinn's studio to discuss tracing the evolution of an artist's visual vocabulary, balancing intuiton and intention, and discovering your paintings in poetry.

Just in time for her solo show, «New Paintings and Drawings,» opening this week, we headed to Freeman's studio in SoHo where we sat down with tea, scones, and her dog, Coco, to discuss her latest work.

In this video, recorded in October 2009 in the artist's Manhattan studio, Marden discusses his technique, sources of inspiration, and works in progress with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art.

While preparing for his traveling retrospective — which will be on view at MoMA (October 29 — January 15), at the Museum of Modern Art in San Francisco (February 17 — May 13), and at the Hamburger Bahnhof Museum for Gegenwart in Berlin (June through September)-- the painter Brice Marden takes time out to welcome Jeffrey Weiss (an art historian and head curator of modern and contemporary art at the National Gallery of Art) at his Tivoli studio in upstate New York, to discuss his life and work.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.