Sentences with phrase «study painted a mixed»

As we reported in 2010, a large - scale study painted a mixed picture of charter schools, noting that while low - income students generally learn more at these institutions, higher - income students often learn less.

In the eight states where good data are available, the studies paint a mixed portrait of student achievement in charter schools, with charter schools in some states having a positive impact and schools in other states having a negative impact.

Not exact matches

The French artist pulls from his studies in philosophy and epistemology to create swirling abstract paintings and mixed - media sculptures assembled from found materials that touch on the basis of knowledge and rationality in the search for ultimate truth.

The report painted schools that mix online and in - person instruction with the same brush as virtual schools, finding that many of the research studies on the impact of blended learning or part - time online learning «has been produced by organizations that promote this strategy,» and yield disappointing results over time.

Part of the problem with visual breed identification is, as the study authors commented, «Mixing breeds is not like mixing paint.&Mixing breeds is not like mixing paint.&mixing paint.»

He studied oil painting, figure drawing and palette mixing at the Boulder Academy of Fine Arts in 2002 and 2003.

Throughout these demonstrations we are able to observe Scott mix with a sizable trowel, the paint he will need for each study, figuring out on the palette first the approximate colors of the light, stressing value, and how they change and relate to one another, so that he can paint faster once he starts only needing to quickly adjust his mixtures with additional touches of more color or white, using a brush, as each painting progresses.

She studied painting at Boston University and after graduating with her BFA and MFA, she took a break from brushes and paints and started dabbling in mixed media.

Washburn Gallery will offer a selection of recently rediscovered landscapes and tree studies by abstract painter Myron Stout, and Chambers Fine Art will exhibit recent abstract ink paintings on rice paper by noted Chinese artist and calligrapher Wang Dongling, alongside mixed - media paintings by Yan Shanchun.

The exhibition will feature bull skulls carved in a scrimshaw technique, mixed media paintings on wood salvaged from an abandoned prison, as well as studies drawn with ink on paper (some in collaboration with James Allison, a friend of Hazelip's who is currently incarcerated).

Throughout her career, Bartlett's work has maintained a signature mix of diaristic observational study of the world around her, rule - based conceptual systems for the execution of paintings, and an exhaustive play with different media.

• Applicants to the two - year Certificate Program must demonstrate a minimum of 2 academic school year's study from a post-secondary Fine Arts Program • Applicants to the four - year Certificate Program must demonstrate previous fine arts study from studio classes in drawing, painting, sculpture, printmaking or mixed media.

With a degree in Elementary Education she has taught art professionally in the classroom and continues to teach art workshops in the greater St. Louis area and around the U.S. Largely self - taught in a variety of mixed media techniques, Julie has studied encaustic intensively since 2004 and is a Core Support Instructor for R&F Handmade Paints.

Graven studied mixed media and abstract painting at the Museum of Fine Arts, Boston, and at the Massachusetts College of Art, Boston.

Mind the Gap presents drawing, mixed - media collage, painting, performance, photography, sculpture, and video organized by participants in the Curatorial Practices course, a component of the Visual Arts Certificate Program at the University of Chicago Graham School of Continuing Liberal and Professional Studies in partnership with the Hyde Park Art Center.

Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his wall, Kelly produced a stunning variety of works, from extensive studies and drawings to mixed media paintings and small - scale relief sculptures.

This month will be a mix of John's vibrant abstract paintings and Troy's black and white photographic studies of architecture.

He said there was also a «good mix» — ranging from the abstract expressionist oil on paper «Study for Accent Grave» by Franz Kline to Charles M. Russell's western - inspired «Lost in a Snowstorm — We are Friends» to Maurice Prendergast's post-impressionist oil painting «Summer Day in the Park.»

As students advanced from drawing to painting, DeFeo mixed mediums and used unorthodox materials to resist this controlled study of art.

Ritchie, an experimental abstract painter, presents studies and paintings that highlight her explorations with mixed media, texture and surfaces that reflect past emotions and mental states.

She started her studies in architecture in Honduras and later studied sculpture, painting, printmaking, and mixed media at the National Academy School in New York.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Subin Heo was born in Busan and graduated with a degree in western painting at the Painting Department of Chugye University for the Arts in Korea, and also attended the Hochschule der Bildenden Künste Saar in Germany to study mixepainting at the Painting Department of Chugye University for the Arts in Korea, and also attended the Hochschule der Bildenden Künste Saar in Germany to study mixePainting Department of Chugye University for the Arts in Korea, and also attended the Hochschule der Bildenden Künste Saar in Germany to study mixed media.

Spending as much time in contemplation of the studies as with the paintings, I was determined to enter the mindset of Boyd, deciphering the annotations (mostly notes on color names) and following the steps in the mixing of the tones that wound up on the canvas.

I returned to London for Art School and studied painting, mixed media, and film.

The show mixes young artists, some still studying in Berlin, with internationally renowned names, working in a variety of media from paintings, sculptures and drawings, to installations and videos.

The sector features a study on Mexican symbolism by Fritzia Irizar at Arredondo \ Arozarena; an installation by Dan Bayles at François Ghebaly Gallery, which will evolve during the show in response to other works on display; work by Vittorio Brodmann at Galerie Gregor Staiger; and new paintings and mixed - media work by Jaromír Novotný at hunt kastner.

Ebony G. Patterson is a world - renowned contemporary artist from Jamaica known for her mixed media works, who has also been teaching painting and mixed media at University of Kentucky's School of Arts and Visual Studies since 2007.

Guyanese - born Aubrey Williams's paintings are a high - spirited mix of Caribbean vibrancy, abstract gesturing and a belief in art's evocative potency derived from a study of the ritual cultures of indigenous Central and South America.

MacGonigal mixed politics with art studies, managing within a few years to be interned at Ballykinlar Camp, take drawing and figure drawing classes at the Dublin Metropolitan School of Art (now the National College of Art and Design) and win the Taylor Scholarship in painting.

The diversity of the 1980s can be seen in Dan Christensen's Tuscarora (1980), which belongs to the vibrant and poetic paintings in which the artist furthered his use of experimental methods to include staining on unstretched canvases and calligraphic «drawing» using sticks, brushes, and turkey basters, Friedel Dzubas's Barrier (1983), demonstrating the lyrical and contemplative style of this artist who studied with Paul Klee, and Stanley Boxer's Speckledchant (1988), a work in mixed media that evokes baroque opulence in the way that explosive forms seem compressed within the confines of the canvas.

Chisholm summons the spectre of Reynolds, studying the earlier artist's palette, lifting Reynolds's notoriously unstable paint mixes (which have been prone to serious colour deterioration and surface cracking, infamous in conservation circles) and recreating each painting himself both as exact figurative copies and, through this deft research --- this inhabitation of Reynolds — as abstract works.

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville, KY