In the 1980s neuroscientist John Mollon of Cambridge University, then Jordan's adviser there, was
studying color vision in monkeys and became interested in De Vries's note on tetrachromacy.
Not exact matches
Another
study of VR's empathetic powers by Stanford University's Jeremy Bailenson showed that participants were twice as willing to help a
color - blind person when they experienced seeing the world through reduced pigment
vision.
Overall, 40 percent of the participants had abnormal results on one of the two
color vision tests used in the
study.
The
study excluded subjects with any type of congenital
color -
vision defect («
color blindness.»).
Abnormal
color vision increases significantly with aging — affecting one - half or more of people in the oldest age groups, reports a study in Optometry and Vision Science, official journal of the American Academy of Opto
vision increases significantly with aging — affecting one - half or more of people in the oldest age groups, reports a
study in Optometry and
Vision Science, official journal of the American Academy of Opto
Vision Science, official journal of the American Academy of Optometry.
«Our
color vision is very strange,» says James Higham, an assistant professor in NYU's Department of Anthropology and one of the
study's co-authors.
They see five times faster than humans, which gives them the fastest
color vision of all animals, according to a new
study in the 17 March issue of The Journal of Neuroscience.
MiSciNet editor and SNW correspondent Robin Arnette asked Briscoe about her career and her work
studying the evolution of
color vision in butterflies and their closest relatives, moths and skippers.
To explore whether or not there were other modes of
color vision, Meister and his team
studied another mammal: the mouse.
Video games make players»
visions become more sensitive to slightly different shades of
color, according to a University of Rochester
study.
This transition towards abstract forms and shapes is best illustrated in Kandinsky's
Study for Composition # 8, 1909, a turning point in the artist's
vision, where recognizable forms — people, church towers, cupolas and hills co-exist with abstract shapes and pure fields of
color.
With this latest exhibition, Stanley shows three major paintings that show his ability to extend his
vision in scale, as well as a group of intimate
studies that feature luscious
color combinations and deft paint handling.»
In
studying Pousette - Dart's intuitive brushwork and development of his all - over abstraction style through
color field tonality, we unveil a remarkably innovative and unparalleled
vision — a man from whom Jackson Pollock, Willem de Kooning, Clyfford Still, Mark Rothko, and many more mavericks all learned in their own respective ways.