Sentences with phrase «stunning opening sequences»

For all of its emphasis on matters of the heart (including one of the most stunning opening sequences ever, of a live open - heart surgery), The Killing Of A Sacred Deer is removed from emotional engagement with both subject and subject matter.

Aside from that stunning opening sequence, this installment feels overcompensating and dutiful.

The film opens with a stunning opening sequence, as an 11 - year - old girl exits her own birthday party and jumps off the balcony, killing herself, and from there, Avranas slowly pulls back the curtain on the horrifying truth behind her family.

From the stunning opening sequence to its very bizarre conclusion, this is a striking film, but be sure to check your disbelief in at the door as this is one preposterous story!

Not exact matches

The opening sequence is visually stunning and the CGI script both fascinating and believable.

It begins with its stunning, nearly silent ten - minute opening sequence: three men in long duster coats wait at a train station.

The film starts with an opening sequence full of style and pace as we follow stunt motorcycle rider Luke (Ryan Gosling) in one stunning four minute single tracking shot, as he walks through the bright lights of the carnival to the roaring crowd who await him.

The film features a stunning opening scene that contains all the cinematic beauty of the title sequence from Watchmen, but without the intellectual spin the alternate history vibe afforded that superhero opus.

Largely employing a variation on continuity editing, the opening scenes are ponderous and there is little sense of dynamic montage, aside from the punctuation of the axial cuts, until the stunning and disorientating «Battle on the Ice» sequence.

From the stunning, single - take opening sequence that lasts more than 12 minutes, to the numerous set pieces throughout, «Gravity» is such a technical marvel that it looks like Cuarón shot the whole damn thing in space.

Farrow's second Émile Cinq - Mars novel opens with a stunning sequence in which the Montreal police detective finds a body submerged in water beneath a frozen lake, a favorite haunt of ice fisherman: «The circular ice hole was partially filled with water, and a few inches below the surface floated a human head, the long hair beaded with ice, the face plunged down into the frigid lake.»

You'll join acclaimed letterer and illustrator Jessica Hische as she walks through her personal lettering process and share tips and tricks from throughout her stunning career, ranging from personal projects like «Daily Drop Cap» and «Should I Work For Free» to opening title sequences for Wes Anderson.

Hynes» five untitled photographs of her site - specific installation in the Everglades sequence sparklers on a white branch - like tree in a clearing burning and then burning down, imbuing each photograph with the feel of a still from a video not unlike the stunning geometrics of a still from When I Whistle, the site - specific video installation from Bill Orisich and Benita Carr shown as part of opening night in the Swan House at the Atlanta History Center.