Sentences with phrase «stunt work on»

Through Henry's perspective, he blows up cars and flies off of them, rips a guy's junk off, throws someone into a fan, and pulls some insane stunt work on a helicopter.

Oddly enough, John Wick directors Chad Stahelski and David Leitch did stunt work on Captain America: Civil War.

Not exact matches

He's found a diet and exercise regimen that helps him perform the stunts he's known for, that helps him maintain the stamina required to perform on set, that gives him the energy to devote to family and friends... in short, he's figured out how to be the best he can be at home and at work.

In the meantime, I'm also continuing my stunt work and working on the Nitro Circus stuff.

The ink hasn't even dried on Ubisoft's apology letter for «Assassin's Creed Unity,» which was riddled with awful glitches that stunted gameplay, but a new «Assassin's Creed» title is already in the works.

Eastwood (no relation to Clint) had worked previously with Cruise on «Edge of Tomorrow,» so he was aware of Cruise's obsession with authenticity when it comes to stunt work.

Humans fundamentally dislike being interrupted, so if you're marketing plan starts by interrupting their favorite TV program, popping up while they're trying to browse the news online, or catching them on their way to work with a surprise stunt, chances are, you're going to swing and miss.

«Our competitive teams work on difficult and skilled routines, consisting of tumbling, stunting, dance and jumps all done in a 2:30 minute routine.

We work really hard on that, especially on our stunts, our games.

For example, if your team only needs to work on stunts, a private stunt clinic is for you.

Whether basic stunting techniques or working on twist cradles out of one leg stunts, we take your team to the next level!

«While the UFT focuses on political stunts and lobbying to keep bad teachers in the classroom, the mayor, governor, and State Education Department are working collaboratively to implement a rigorous teacher evaluation system that will help ensure our students have the best teachers,» she said in a statement.

Hired to work on an aviation picture, ace pilot Tailspin Tommy (John Trent) immediately runs afoul of obnoxious, grandstanding stunt flyer Martin (George Meeker).

So he felt working with the film's stunt coordinator, Bruce Crawford, on creating the details behind every fight was really great.

While the two helped make the film independently, they tirelessly worked to make the comedy thrive on its action sequences, which were powerfully crafted in part by stunt coordinator Jeff Schwan.

Gerald's Game, a Stephen King adaptation for Netflix starring Carla Gugino, is good Coming Soon Daniel Dae Kim's stunt training for the Hellboy reboot / Film Hocus Pocus moves forward as a TV movie remake - none of the original actors or filmmaking team are involved David Poland on Blade Runner 2049 with no spoilers «It is Aliens to Alien»... whoa, that's high praise Billboard composer Danny Elfman interviewed about Superman's iconic theme (redeployed for Justice League) and his long collaboration with Gus Van Sant Playbill Judy Garland's final concert, restored / remastered from 1969 will be released for the first time i09 on why you should be watching the Exorcist TV series, back for Season 2 / Film Amazon still has a lot of work to do to catch up with Netflix and Hulu but they're diving into the sci - fi genre big time

Stetcu also revealed that working with the stunt team on «Absolution» was beneficial for her, because everything they suggested she do to prepare for her action sequences, including how to get properly slapped by her co-stars, worked.

Oddly enough, we have known each other for years and we've worked on projects together where he was the stunt coordinator and I was only the actor, but he knows I am a stuntman as well, he knows my capabilities.

In the last thirty minutes of the film, Baby turns into an unpredictable force of nature and Elgort displays impressive stunt work and facial expressions in his performance, putting him on par with Ryan Gosling and Tom Hardy.

Prior to becoming a filmmaker, Leitch worked as a stunt double and stunt coordinator on dozens of films — from 300 to The Bourne Ultimatum — for actors like Matt Damon and Jean - Claude Van Damme.

But his most prominent stunt work was as a double for Pitt, on films including Fight Club, Ocean's 11, and Mr. & Mrs. Smith.

And while you can almost see the checklist that he's working from, dutifully crossing off items like «insane set - piece stunt that Cruise does himself», «tense infiltration hinging on a disguise powered by spotty tech» and «lovely, leggy woman in a tight evening gown», the result never quite gels the way it did in the previous films.

But in stunt coordinator Brian Smrz (with whom he worked on the rest of his Hollywood films), Woo found a Western - world kindred spirit with whom to click.

Variety is reporting that David Leitch, who has extensive experience as a stunt coordinator and action director (Atomic Blonde), will begin working on the film sometime in 2019.

Variations on this emotionally stunted type have worked many times in the past (to underline the point, Arteta stages scenes at The Little Prince Motel), but filtered through a generic indie sensibility, Buck's persona is at once quirky, mawkish, and unconvincing.

Directed by Chad Stahelski and David Leitch, former stunt doubles who worked with Reeves on that seminal Wachowskis - directed sci - fi, it was the sort of lean, mean actioner that had rarely been seen since John Woo's Hong Kong heyday (The Killer, Hard Boiled).

An inside source says that stunt coordinator Chris Struthers, who is best known for his work on The Dark Knight and Inception, is working on something that will supposedly be on par, or perhaps even bigger than what we've seen in Christopher Nolan's movies, which might tie into Matthew Vaughn's comments a while back that they had to reconfigure some action setpieces because they inadvertently ripped off Inception.

For example, working on «Ghost,» we have Guy Norris doing the stunt choreography, who did all the stuff for «Mad Max: Fury Road.»

There is a snap and specificity missing elsewhere, likely courtesy of Dan Bradley, who worked on the dazzling stunts in the «Bourne» pictures and is credited here as «snow unit director.»

Now, we've learned that they've hired a stunt coordinator to work on the action sequences which will be Kyle Gardiner, best known for his recent work on Thor: Rangarok, Alien: Covenant, Hacksaw Ridge, and Aquaman all shot in Australia.

The stars of «The Force Awakens» share details about their stunt training and their feelings about working on the film in two new featurettes.

Stunt performer and actress Rochelle Okoye worked on X-MEN: APOCALYPSE in dual roles, doing stunts for Alexandra Shipp's Storm and

On Community, he's constantly trying to find the right tone on a series that is relentlessly tongue - in - cheek yet also calls for stunt work more characteristic of a drama — for example, the paintball scene in the «Modern Espionage» episode of the most recent Season On Community, he's constantly trying to find the right tone on a series that is relentlessly tongue - in - cheek yet also calls for stunt work more characteristic of a drama — for example, the paintball scene in the «Modern Espionage» episode of the most recent Season on a series that is relentlessly tongue - in - cheek yet also calls for stunt work more characteristic of a drama — for example, the paintball scene in the «Modern Espionage» episode of the most recent Season 6.

Evangeline Lilly is no stranger to performing stunt work after her time on «Lost,» «The Hobbit» films, and the «Ant - Man» franchise, but the actress shared a troubling story about an intentional stunt gone wrong during a stuntwoman panel on the 20th Century Fox lot this week (via Deadline).

At the recent press day, Core, Ramirez, Bracey, wingsuit stunt pilot Jeb Corliss, professional free climber Chris Sharma, Alcon producers Andrew A. Kosove and Broderick Johnson, and 2nd unit director Philip Boston talked about how they went about creating the ultimate sports movie, how the actors viewed their characters and built the bro - mance, the challenges of coordinating a production that shot around the world in 11 countries and on 4 continents, why all the 2nd unit work was shot prior to the first unit work, why vision and authenticity were paramount, why the imagination, energy and focus required to shoot a film in camera is much greater than when visual effects are used everywhere, and why it took courage to make this film.

The duo Chad Stahelski and David Leitch are best known for working as second unit directors and stunt coordinators on a number of major action films, working on movies like «Captain America: Civil War», «The Matrix Trilogy», «The Wolverine» and «300», just to name a few.

Scott, who's coordinated but also done stunts himself on films like American Beauty and The Shawshank Redemption, got the Community job after running into former collaborators — Community director Adam Davidson and first assistant director Bob Roe — while working on the Paramount studio lot.

That's the biggest battle or debate with me in working with a studio, and DreamWorks was really supportive on this — being able to cast the people that are really going to be able to do the material as opposed to stunt - casting certain large actors for financing or whatever.

Given how long it typically takes to shoot a Bond movie (there are always multiple locations involving intricate stunts) they probably want to get started sooner rather than later so as to avoid the tight production turnaround that they worked with on Spectre.

According to Sammo Hung who worked on rival Yip Man film Ip Man 2, legendary martial arts choreographer Lau Kar - Leung («Drunken Master 2») is connected with «The Grand Master», though it's unclear in what capacity as Yuen Woo - Ping («Crouching Tiger, Hidden Dragon») and his stunt team are also working on the film.

She spent months doing rigorous physical training for the complex stunt work, focusing on jujitsu and capoeira, and even injured herself during shooting.

The truly spectacular action sequences never falter, more seamlessly blending live - action performance and stunt work to CGI marvels: a rampaging battle staged on the side of a building and a runaway train sequence easily trounce the efforts of the first film, and Raimi's effects team (again supervised by John Dykstra) also subtly improves upon the hero's web - slinging transit high above the city streets.

Evangeline alleges that a stunt coordinator working on a Lost episode didn't take kindly to her wanting to perform her own stunt, so he rejected her request to wear a protective fabric on her arms while shooting the scene.

Based on a short novel by James Sallis, it stars Gosling as an unnamed young man — called «The Driver» in the credits — whose skill at automobile stunt work and get - away driving blends into his attachment with a pretty young wife and mother (Carey Mulligan) with increasingly bloody consequences.

«Working with Animals: A Profile of Ken Beggs» (8:42, HD) obviously focuses on the mammalian stunts.

«Drama Is Easy... Comedy Is Dangerous» (7:42, HD) mostly focuses on the film's physical comedy and stunt work, explaining how the labor was divided between the actors and stunt people.

Also new: the searing drama The Hunt (Denmark, 2012) with Mads Mikkelson (reviewed on Stream On Demand here) and action thriller District B13 (France, 2006) with eye - popping stunt work (reviewed on Stream On Demand)(all rated R, with subtitleson Stream On Demand here) and action thriller District B13 (France, 2006) with eye - popping stunt work (reviewed on Stream On Demand)(all rated R, with subtitlesOn Demand here) and action thriller District B13 (France, 2006) with eye - popping stunt work (reviewed on Stream On Demand)(all rated R, with subtitleson Stream On Demand)(all rated R, with subtitlesOn Demand)(all rated R, with subtitles).

A lot of the film's success ultimately comes down to the excellent action sequences, and that's where having a guy like Bradley — who worked as a stunt coordinator and second unit director on several big movies — pays off.

Even some of their classmates got to join in, working on the stunt team.

Charlie arranges for the Angels to enroll in stunt school and then go to work as stuntwomen on a picture called «Marian and her Merry Maids» — a bad remake of an old Errol Flynn classic.