At this point, a Mad Max -
style dystopia seems like a more appealing Australian setting than what we actually have.
In 2018, nearly everything is in place for a descent into a Ready Player One -
style dystopia.
The Brexit Secretary at least now promises it won't be «a Mad Max -
style dystopia», which you might think was setting the bar a little bit low.
Not exact matches
Carol (+350) unbelievably captures the
style of the 1950's and Mad Max: Fury Road (+115) creates a unique and bizarre post-apocalyptic
dystopia.
The cast, which includes Jason Momoa as a sensitive cannibal, a nearly unrecognizable Jim Carrey as a sunburnt drifter, and Keanu Reeves as a Jim Jones -
style cult leader in a Mad Max-esque desert
dystopia, is similarly eccentrically utilized, for better (Reeves» smarmy menace) and for worse (Momoa's ill - advised Cuban accent, clearly stretching his range as an actor).
The art
style also aims to convey the same feeling of dread and
dystopia.
Basically, all that we know about The Tomorrow Children is that it is an open - world sandbox
style game with similarities to Minecraft, but set in a Soviet Union - run post apocalyptic
dystopia.
De Balincourt's imaginative, dreamlike
style straddles abstraction and representation, and often evokes notions of American utopia and
dystopia.
Arranged in three sections — Landscape and Identity, The Avant - Garde Explosion, and Breaking Boundaries: Post 1960s Diversity &
Dystopia — the show will explore the modern colonial history of Latin America; the importance of landscape painting in the formation of distinctive national identities; the influence of Symbolism, the Latin American role in the formation of an international
style; the variety of Latin American avant - gardes including Surrealism and hard - edged Abstraction; modern depictions of indigenous peoples and customs; progress and modernity in the age of the metropolis; and transgressive challenges to prevailing artistic idioms.