Sentences with phrase «style installation of works»

Curator Claire Gillman invited Martinez to recreate the floor - to - ceiling salon - style installation of works on paper in an immersive room, covering the four walls of The Drawing Center's gallery.
A salon - style installation of works on paper that are closely related to the paintings on view complements the exhibition.

Not exact matches

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The result: one of the most significant private collections of postwar American art in the world, with more than 800 works displayed throughout their ranch - style home in the Northern California Bay Area — built in 1969 with art installation in mind — and a nearby nine - building office campus designed in 1964.
After a period of producing a series of work on canvas and exhibiting in «white wall» style exhibitions, Herakut returns to an approach like their early years in presenting a fully immersive installation.
Their work spans an extraordinary range of styles and techniques, from abstraction to figuration, minimalism to magical realism, and straight oil - on - canvas to mixed - media and installation based painting.
In 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian show.
«The paintings layer text in various styles over imagery, including lace overlays, gauzy close - ups of the female body and a sampling of styles from the old - boy - painting network — de Kooning, Fontana, Guston, Morris Louis, Newman, Pollock and Richter,» Tompkins writes of the installation work.
«Mickalene Thomas: Origin of the Universe» features roughly 1OO works, most of them new, including photographs and a 1970s - style living - room installation.
«Origin of the Universe» includes four installations that re-create the photography sets she uses in her studio, as well as a documentary she made about her mother (a frequent model for her work), and 50 of her collages hung salon - style.
The four artists didn't just contribute individual works — one to three per artist — they chose their co-exhibitors, the venue, and the style of installation, even who would write accompanying materials for the exhibition.
These bizarre materials, along with more conventional artistic media, were all mixed in the cauldron of an alchemical mind to produce works — paintings, drawings and photographs, collages, sculptures, performances and film installations — which play with styles that range from abstract expressionism through pop to conceptualism.
Working across a wide array of media spanning video, installation and collage, Bainbridge's interests continuously expand to absorb society's constant changes in style, thought, fashion and taste.
Silas Marder selected the pair of artists — who had never met before — to see what would happen when artists with radically - different working styles created a single installation.
New Works Large scale installations with translucent fabric, a style representative of Suh.
Indicative of the Los Angeles - based artist's innovative approach to materials since his earliest, assemblage - style works of the 1960s, the installation has both autobiographical and social resonances.
Nelson gives no clues as to what he will cook up in Venice, but, he concedes, it is a new work, and he remains committed to his up - from - the - ground style of building installations from materials culled from the world around him.
This installation features more than two dozen works acquired by the Museum since 2010 representing a wide range of style and subject matter.
This style of installation underscores their love of the works themselves as well as their approach to collecting overall.
Young Canadian printmaker Ciara Phillips is, in terms of her practise, a slight rarity amongst the previous generations of Turner Prize nominees, however in the style of 2012's winner Spartacus (now Marvin Gaye) Chetwynd, Phillips was nominated for work which involves visitors and is at once installation, printmaking, intervention and performance.
Atlas's other works on view, Painting by Numbers and Plato's Alley, also deal in a retro - futuristic aesthetic familiar not only from the Wachowski Brothers» blockbusters but also from the work of artists like Ryoji Ikeda, whose video installation The Transfinite took over the Park Avenue Armory in similar style last spring.
Within her digital images, sculptural pieces and installation works Scott references numerous aesthetic styles from the history of decorative arts and design including as Post-Impressionism, Colour Field painting, postmodern décor and present - day pop iconography.
His large - scale paintings, sculptures, reliefs, and installation works made from found objects embrace the diverse styles, genres, and ideas of 20th century art history including Abstract Expressionism, Color - Field Painting, and Op - Art.
Each exhibiting artist uses a range of mediums and styles to call attention to their various modes of visual production, including photography, graphic design, installation, and participatory performance work.
Installation view with work by Christopher Dean and John Aslanidis May 3 — June 30, 2007 Tobey Fine Arts presents Points of Departure, an exhibition featuring the works of six Australian artists who represent a distinct style emerging from the antipodean art world.
Mark Moore Gallery artist Penelope Umbrico has had her major photo - installation work titled «136 Mini Film Cameras in the Smithsonian Institution History of Photography Collection With Old Style Photoshop Filter» acquired for the Permanent Collection of the Minneapolis Institute of Arts.
Blending performance art, pop - up storybook design techniques, and a cinematic score, the Center - supported work features a series of bold visual installations and an evolving, circus - style environment created in collaboration with installation artist Steven Dufala.
This meant that Arte Povera artists mined their particular social and historical moment to express something distinctly precise about the Italian condition through the use of installation, assemblage, and performance art, explaining why art historians have usually positioned them alongside artists working in the style known as Post Minimalism; American artists such as Keith Sonnier, Richard Serra, and Eva Hesse, and with artists in Europe included in the famous show When Attitudes Become Form (1969), such as Joseph Beuys, Yves Klein, and Hans Haacke.
The 2016 installment features over 30 artworks ranging in medium and style from the site - specific, recycled newspaper installation of Mia Yoon to the neon works of human rights activist Ti - Rock Moore.
We will study the shift from Paris to New York as the center of the art world after 1945, and critically view works from the following styles that were created and / or exhibited in NYC: abstract expressionism, color field, conceptual art, site - specific, installation and minimalism.
The mammoth show — which features over 100 works rendered in paint, film, sculpture and installation, by the likes of Picasso, Laure Prouvost, Kerry James Marshall and Andy Warhol — examines how the studio as a space has evolved and become an important marker of the artist's own identity and style, and takes into account the impact of technology in our digital age.
Working across various mediums, from paintings and comic - style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African - American history, integrating a range of stylistic influences to address the limited historiography of black art.
Chow's total installation conjured an illusion of domesticity, a theatrical domestic ambiance, a stage on which the works on the dark grey walls and the unique accordion book on a Chinoiserie - style lacquer table came to life in their own surreal self.
Well displayed, and spanning a wide variety of media and styles, from abstract sculpture to hyperrealistic figuration, light installations to watercolor sunsets, this year is no different, with thirty - seven artists selected from two hundred nominations, displaying over one hundred works spread across the Academy's campus.
His more recent artwork includes the large - scale, dense mixed - media work, The Great Barrier Wreath (2006), a three - panel painting of men, swans, and flamingos in a style reminiscent of Hieronymus Bosch; and a mixed - media installation, Ocean's Symphony (2007), that reimagines the hoax of the Fiji mermaid with a mermaid replica lying in a casket surrounded by nautical objects and video projections.
The Menil Collection is proud to present the first retrospective in any U.S. museum devoted to the work of the American artist William N. Copley (1919 - 1996), creator of madcap narrative paintings, drawings, and installations in playful, ribald styles of his own invention.
Other early works, including Mirror Work, Barnes Common (1969); Installation for Various Parts of the Body (1969) and Pose Piece for Three Plinths Work (1971), introduced the notion of «pose» and an approach to using the body as sculptural material which he explored further through live action and performance in the 1970s, most notably as part of Nice Style, «the World's first Pose Band».
This style is indeed evinced throughout Prouvost's work, as she continuously unhinges preconceptions about the functionality of language, objects, and images, be it through a barrage of fast - paced moving pictures or a Duchampian peephole installation.
«The Secret Garden», Djurberg & Berg's first solo exhibition in Australia, presents a newly commissioned, site - specific installation complete with sculpture, sound and video works mixed to a dazzling effect characteristic of the artists» style.
The twin brothers Gustavo and Otavio Pandolfo's newest work featured a new series of paintings and a sound installation in their signature and unique style that has captured the attention of an international audience that exceeds their already legendary and famed graffiti career.
Color and gesture are central concerns of this artist, whose works are at once challenging and whimsical, and her current exhibition departs from Grosse's typical method of large - scale sculptural installation, turning her abstract style instead towards work in which movement and color is tidily contained to the canvas instead of imposed onto walls and other three dimensional forms.
Irreverent but deeply informed, topical yet visionary, Kelley worked in a startling array of genres and styles, including performance, installation, drawing, painting, video, photography, sound works, text, and sculpture.
These older (and older - style) works form a kind of historical backdrop to the subsequent inaugural exhibition at Yvon Lambert's new space a few blocks south where the centerpiece was Jackson's new installation, The War Room (all works 2006 — 2007).
PART II titled HAPPY HOUR is a multi-media exhibition that explores domestic culture and gender roles in relation to alcoholism through a series of paintings, works on paper and multi-media installations using the narrative style of Dick and Jane, and iconography borrowed from Girl Scout and debutante traditions.
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