Sentences with phrase «style location shooting»

It's a master class in tense, doc - style location shooting.

Not exact matches

from where i'm sitting, conor's strengths: - long and athletic - great power in his hands and feet - throws with speed & accuracy - uses all 8 points of contact (and uses them all in multiple ways)- uses good footwork to circle away from power shots and to control pace / location of fight - has shown good to great TD defense (until tired)- has good chin (tested several times and the proof appears to be in the pudding, as they say)- displays good head movement which allows him to absorb fewer strikes while within range - excellent counter puncher (able to get in and out fast using his karate style stance)- has shown better conditioning at lw than fw or ww - has incredible fight iq (lone exception in the ufc was against nate in first fight when he was clearly fatigued)

Her skills include food styling in her kitchen studio, lifestyle and travel photography across Australia, restaurant photography on location, styling and shooting social media for her clients, recipe development with love and photography workshops for people with discerning tastes:)

The beautiful location was the perfect setting for us to style and feature Acacia's design against the regal architecture, Cherry Noire was a perfect choice for this shoot.

Shot in the Nevada desert near Las Vegas, this location is a long way from North Africa but the styling details such as... Read more»

MY OUTFIT DETAILS: Velvet - Trimmed Lace Dress: Philosophy Di Lorenzo Serafini Mia Shoulder Bag: Danse Lente Black Eugene Sandal: Johanna Ortiz CREDITS: Styling: Annie Cho Photography: Jackson Kuo SHOOT LOCATION: Pacific Palisades, CA DISCLOSURE STATEMENT: This post uses affiliate links.

You could not have had a more perfect location to shoot this style in!!

Shoot Location: San Diego, CA / Event Coordination and Styling: Couture Events / Photographer: SheWanders / Shoot Venue: University Club Atop Symphony Towers / Wedding Flowers: Bloem Hill / Wedding Dress and Bridesmaid's Dress: Dahlia Bridal / Bride's Jewelry: Kate Spade / Hair and Makeup: Bijou Beautiful / Wedding Cake and Desserts: Hey There, Cupcake!

This is one of my favorite styles and the location where you shoot this outfit is simply wow!

I tip my hat to her and her photographer for finding so many different shoot locations, styles and stories, check out the «I Donut Care» post - it is so fun.

A step above most blogs, for sure... love the use of ambient lighting, and your locations are nice too, not sure who shoots for you but they're doing a great job:) I love your style too, minimal yet standout.

Scrolling through my latest blog content I have to admit that today's blog post is somewhat of a rarity: I felt comfortable even though my outfit didn't include any designer items (but just stuff you nowadays call «high street») nor was the post shot at a location classifying for a dream get - away (it is actually in Fuerth aka my new favorite for Street Style locations;)-RRB-.

We spent the better half of a day shooting looks styled by moi with new season products in the streets around and surprisingly found no shortage of locations to shoot.

They choose to work with the fabulous Yelena of The Stylish Soirée for their styling (who scouted the locations and did the styling for the shoot) and the talented Meg Perotti to capture them.

Retna OUTFIT DETAILS: Striped Crop Top: Kinsley Harem Pants: Gifted Hat: Stylenanda Quilted Ballerina Flats: Zara Bag: Fossil Rings: Vintage Watch: Vintage Omega CREDITS: Styling: Annie Cho Photography: Grace Cho SHOOT LOCATION: Craig's (8826 Melrose Avenue, Los Angeles)

OUTFIT DETAILS: Top: Tobi Shorts: H&M Bracelets: Madewell Bag: Fossil Shoes: J.Crew CREDITS: Styling: Annie Cho Photography: Jackson Kuo SHOOT LOCATION: Dongdaemun Neighborhood of Seoul, South Korea

OUTFIT DETAILS: High Bye Pleated Shell TopPink Top: Nasty Gal Stilt Roll - Up Jeans: AG Jeans Necklace: Baublebar Lace Ballet Flats: H&M Bag: Boutique in Seoul, South Korea CREDITS: Styling: Annie Cho Photography: Grace Cho Graffiti: Risk SHOOT LOCATION: Santa Monica, CA SHOP MY PICKS:

Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.

Shot on location with handheld cameras, La Promesse used a stripped - down, realistic visual style to illuminate the harsh conditions of immigrants forced to work illegally, within an intensely personal story of a teenager who is forced to choose between morality and family ties when one of his father's exploited immigrant employees dies.

Shot on location in New York City with an intimate visual style, JAMES WHITE follows its lead into deep, affecting places while still maintaining its fragile humanity.

There's a certain class of low - budget indie filmmaking that's become almost its own recognizable style — full of ordinary people just trying to find happiness in unorthodox ways, hand - held close - up shots, montages of locations (easily recognized if you live in the area where they're shot, but not particularly tied to the story, which could take place anywhere) with light music underneath, a tendency to shift focus amateurishly (though I think often on purpose as part of the style), a lot of contemplative pauses and awkward conversations.

But there are affecting moments as well, attractive on - location shooting and some real flourishes of imagination and style - the miners» «last meal» gives way to a sequence of dreamy what - ifs, each man conjuring images of his ultimate dinner.

Rosi uses the same montage style from the «baptism murder» sequence in Coppola's film, cutting from a lavish dinner held in Luciano's honour to scenes of bosses being shot to death in various locations, mostly in Peckinpah-esque slow - motion.

The vérité style — using seat of the pants location shooting, non-actors in the supporting roles — is cleverly subverted to full blown fantasy.

The great cinematographer John Alton gives a slick noir style to the location shooting, anticipating Jules Dassin's The Naked City, perhaps the best example of this sub-genre, made the next year.

The hallmarks of his rough - edged, location - shot style (gritty textures, slurred motion, blown - out source lights, and oversaturated colors) are analogous to the calculated use of distortion and feedback in commercial music: the surface static keeps the dance beat and pop melodies from seeming saccharine.

Don't miss: A look at the style of the series, the location shooting in New York and the music of the series comprise the major bonus features.

Indeed, I would define Criss Cross as a classic noir reeking of metaphysical doom and murky spiritual disorientation, and the original Kiss of Death as a relatively crisp and prosaic documentary - style thriller shot in natural locations like Hathaway's The House on 92nd St. (1945) and Call Northside 777 (1948), Elia Kazan's Boomerang!

Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.

Other topics arising: costumes (which included CGI armor), linguistics, fighting styles, production design, visual effects (from the unsettling depiction of X-ray vision), set pieces (the tornado sequence, Lois Lane's complicated single shot work escape), underwater filming, and filming locations.

In this 21 - minute and 51 - second chat, Gere goes over his career at the point Days came to him, what appealed to him about the project, the film's visual style, cast and crew, working with Malick, his take on his character, location shooting, and some other filming specifics.

Shot sequentially and on location in a Victorian prison in Belfast, with a shaky but minutely calibrated camera style, in at times barely intelligible British prison slang (which actually bolsters the primal impact of the film), Starred Up is no mere depiction but a jolting immersion in the claustrophobic mix of violence and vulnerability that is prison life, and it's powered by Jack O'Connell's riveting performance as violent criminal Eric Love.

The relationships and events amount to a credible portrait of modern city and family life, but it's the intimate, improvised shooting style (16 mm, natural light, all on location) and Michael Nyman's evocative, memorable score (this often feels like a film made to music) that define the film and give it the sense of immediacy and compassion that make it so enduring.

If you're looking for inspired filming locations Los Angeles - style for that next shoot, put our Miracle Mile hotel on the shortlist.

Special focus is given to the classic Hollywood films that were shot on location in Italy during the 1950s and»60s, which saw stars like Audrey Hepburn and Elizabeth Taylor became style ambassadors for the nation.