Sentences with phrase «style moves seems»

The demon himself known for his shoto - style moves seems to be close to Kazumi, Heihachi's wife.

Not exact matches

And while it might seem as though style and look are the most important aspects when shopping for some new fancy footwear, you also want something comfortable — something you can really can move around in.

The NHL has since moved to a different format — a three - on - three tournament, which honestly might be something in the NBA's All - Star future as well — but its foray into playground - style All - Star team selection seemed to be a net benefit for the event.

He's a perfect fit for our style with his pace and creativity, I've been wanting him to join for years as we always seem to be rumored to have interest but never seem to actually move on it.

Wenger has long moved on from the old 4 -4-2 though, and the 4 -3-3 system does suit the style of play we use and the players in the Arsenal squad, but a new idea seems to be coming more and more into vogue, the 3 -4-3 formation used by Liverpool at Anfield and in their last few games.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

While he plays in the Alexis role for the national side, he seems to be a box to box for his clubside and wins back possession with a tackle and move style that is rare.

The negativity seems to be building up as a result of this passive behaviour of the club whilst other clubs seem to moving forward, strengthening their squad, improving their playing style, creating a little momentum and feelgood energy around their clubs.

other options seem unlikely to move... surely its time to think whether we would be better off with barca style attacking options rather than classic CF... if so who would best complement sanchez and walcott (not my choice but only possibility unless akpom emerges dramatically)?

So you get rid of two of your crap players and get one of our best so whats in it for us or are you also giving us that 50 ml on top of them because that would be the only way it could happen.Berbs went because he was a shit and carrick well he was much the same.Difference is now we are closing on you and if we can get a striker in january then we will be even closer so why would our guys want to go there.Also with cry baby rooney getting a massive pay rise how long before berbs, giggs, scholes and the rest are knocking at the door.That was a very bad move by mannure your wage structure is about to explode out the door and how are you going to pay for that.If Bale was to go there i bet he would be looking at least 150k a week which with rooneys wage rise seems fair.Add to that his price tag for buying him and well it looks like it could cost you at lot more than 50 ml.I know if i was his agent i would be saying to mannure if you want himyou have to pay him a wage up there with rooneys.You have shot yourselves in the foot big style with rooney to the point can you now afford to buy any more players?

It seems as though once we become more aware of our style, our pattern, we become ever more able to move in the direction of who we WANT to be.

Though this name seems to move in and out of style, it never completely goes away.

But there is definitely a discernable (not even covert really) toying with «virtual party» ideas among one specific element of New Labour (you wrongly seem to assume there is monolithic «high command» rather than different strands on the right of the party) and that very much links in to primaries as a way of moving beyond a European - style party structure and towards an American system.

Just as the 90s grunge revival is peaking, Ronson seems bent on adapting and evolving what has been her signature style; it's a very smart move.

This can also be challenging at first, as it's a very different style of dating, but it does seem to move things along at a better pace.

The film seems to drag by in places which rendered it a much slower - moving hour and forty - five minutes than it should have been with such a star - studded cast; the flaw in its pacing is something that should be unforgivable given the playfulness of the style and tones on display.

Despite cinematographer Shelly Johnson's admirable attempts to ape Janusz Kaminski's lighting style — covered up by the color grading, which A.V. Club contributor Adam Nayman likened to camouflage meant to hide the fact that anyone had put any effort into this movie — this basically looks and moves like an over-heated fan film, and Montiel's tin - eared use of country music doesn't make it seem any less amateurish.

Many of the character models and animations are noticeably recycled from MVC3, except a change in art style from bold comic - book style outlines and colors to a move movie - like, subdued look doesn't seem to mesh with those models as well as Capcom had perhaps intended — every single one of the all - new characters seems to look and fit in better.

Director David Gordon Green is a hot commodity right now in Hollywood after moving from the world of indie dramas to mainstream comedies, but he seems to be doing a good job of riding the momentum from Pineapple Express while also avoiding being pigeon - holed into any one specific genre or style of film.

It was clear that Blakeson was set for a Christopher Nolan - style career path, moving from low - budget indie thriller to bigger - scale films, but, like fellow Brit Rupert Wyatt, who went straight from the excellent «The Escapist» to the mega-budgeted «Rise of the Apes» without passing Go, Blakeson seems to be skipping a few steps, and going straight for the tentpole.

I for one really like this move, there was never anything really wrong with the Street Fighter II fighting style, and games to this day have tried mimicking, so keeping with what works seems like a good choice when it comes to Street Fighter IV.

«The Bourne Ultimatum» was the last Bourne book Ludlum wrote before he died, so it seems fitting for Damon to end his involvement here as well, lest the series begin churning out installments «Ernest» - style, like «The Bourne Jury Duty Notice» and «The Bourne Moving Violation.»

It lacks the laptop - style touchpad that Lexus has added to a few models (but now seems to be moving away from in future redesigned models).

Something about the roll - up to the Escalade reveal seemed to indicate that the Escalade would really move the brand forward in both tech and style.

The character designs are nice, as each girl has her own style of dress and way of moving, but they all seem cut from the same Hot Topic cloth.

The following details come from Gematsu... - 3D Mode characters move vividly in a three - dimensional world - in 2D Mode, the game is depicted in nostalgic pixel graphics - at the start of your adventure, 3D Mode is depicted on the upper screen, and 2D Mode is depicted on the lower screen - when the two modes are displayed at the same time, conversations and such are displayed on the upper screen when using the slide pad - on the lower screen when using the d - pad - As you progress, you will choose which one of the two modes to you want to continue playing with - can visit the church to switch between modes - in 3D mode, monsters will attack if they notice the protagonist running by - with 2D mode, you will encounter monsters randomly while walking - will be able to see the «Memories of Your Journey» at certain places - with 3DS version, you can look back on important scenes in the story that you have already seen in your favorite visual mode - allows you to also see how that scene played out in the style you are not playing in - a village where a special tribe among the Incarnations of Time known as the «Yocchi» live - here you can make use of the system's StreetPass features - also discover a dungeon that only the Yocchi can enter called the «Labyrinth Beyond Time» - send in the Yocchi you gathered through StreetPass to explore - exploring the Labyrinth Beyond Time may open the door to surprises - Yocchi have an important mission, and want the protagonist to help them carry it out - in order to help the Yocchi, it seems that it is necessary to find «Adventure Log Passwords» in the Labyrinth Beyond Time

The little puppet style character's pivot on joints as they move, making every action seem mechanical but purposeful, it is literally like watching a play unfold.

We seem to be moving further away from the linear style of game design, with more -LSB-...]

It seems Ed Boon took the core essence from Injustice: Gods Among Us, and made the move set even sleeker to deliver a quick, gutsy Mortal Kombat experience that beats all its predecessors in its style of combat, err kombat.

Sure, there is the typical sword and shield dancing that the series is known for, but the Thief seems more suited to a faster style of play, with its quick side - step move to dodge attacks and place him behind enemies.

Those games had perfected the counter and reversal system that separated them from the silly arcade - style wrestling games, and they haven't been matched since, although the 2K wrestling games seem to be slowly moving in that direction with the recent (fully patched) WWE 2K17.

Which is why the news of Versus «action director directing the cutscenes for Devil May Cry 3 didn't make me mad (I'm a fan of Devil may Cry) even though I didn't like the cutscenes for The Twin Snakes — because Dante is a character that would work well with Kitamura's style, unlike everyone who isn't the Ninja in Metal Gear Solid (as a matter of fact I mentioned in a review how Solid Snake seems to be doing moves Dante would... months before Devil May Cry 3 was announced).

Krasner comes across as the more restless of the two painters, moving from the flat, interlocked shapes of «Lavender» (1942) to the dense, peaked brushwork of «Noon» (1947); Lewis seems to hit on his mature scuffed - and - scumbled style without much deliberation.

Looking into LAB, the viewer sees a room wallpapered in newspaper containing a salon - style hanging of glowing landscape paintings that seem to move as the viewer approaches them.

There doesn't seem to be a secret that needs uncovering: when I ask what prompted him to move from the lush, textured surfaces of the paintings he produced in the 90s — canvases that seem to have a warm bloom across them like a beautiful mould — to the flatter, looser, more painterly style he employs today, once again, he has no complex rationale.

He moves toward the hieroglyphic, so - called neo-primitive pictographs, symbols and patterns, usually in black on white, that would become his signature style; this scheme's noticeably male stick figures seem at once powerful and hapless, as if they caused the chaos that swirls around them.

The original exhibition was so groundbreaking that it drew more than 180,000 onlookers to take in this curious new style, where images seemed to jump and move depending on how the viewer looked at them.