After working for Henry Moore he developed his own
style of abstract sculpture, influenced by the US avant garde and using materials often found in scrapyards.
The term objective abstraction refers to a non-geometric
style of abstract art developed by a group of British artists in...
The term Tachisme (tachism) describes
a style of abstract painting characterized by the use of spots, blotches or stains of colour (tache is French for spot or splash).
After his discharge, Morris began his career as an artist in San Francisco, producing paintings in
the style of abstract expressionism.
Considered one of the founders of the hard - edge
style of abstract art, Leon Polk Smith rose to prominence in the 1960s with his distinctive shaped canvas series — the «Correspondences» and the «Constellations».
Popular during the late 1940s and 1950s,
this style of abstract art is part of (and to this extent synonymous with) the broader movement of Art Informel: the only difference is that Tachisme is focused exclusively on the type of expressive gesture used by the artist.
Color Field was an American
style of abstract painting that emerged in New York City during the 1940's and 1950's.
Katrin Fridriks has gained huge notoriety internationally with her unique
style of abstract painting on canvas and paper, with her eclectic mix of colors that fuse the natural energies of her native Iceland — fire, water, earth and air — with contemporary pop art, graffiti and calligraphic references.
Its strips of colours in shades of blue, pink, red, mossy green and cream remind me of Colour Field Painting,
a style of abstract painting that emerged in New York City during the 40s and 50s.
By the 1950s this multiform style had evolved into his signature
style of abstract expressionist painting, known as «Colour Field Painting».
Moreover, there seems no doubt that her own drip painting technique - in her Little Image paintings - stimulated Pollock to adopt his own drip -
style of abstract expressionist painting, which eventually made him a superstar.
Abstract Expressionism Originally a diverse
style of abstract art developed in the USA during the 1940s and 1950s, and particularly associated with Arshile Gorky and Jackson Pollock; abstract expressionist painting is sometimes known as the New York School.
While in France, Francis became involved with Tachisme,
a style of abstract gestural painting characterised by the irregular use of splotches and dabs of colour.
Paul Reed, whose vibrant geometric paintings were part of the exhibition that launched the Washington Color School,
a style of abstract art that flourished in Washington in the 1960s, died Sept. 26 at his home in Phoenix.
Europe's answer to the New York school of abstract expressionist painting was Art Informel, a movement that was - like its American counterpart - a rather general umbrella term for a new
style of abstract painting which did not have any intellectual baggage or methodology.
Jean Fautrier was a French painter, illustrator, printmaker, and sculptor, considered as one of the most important practitioners of Tachisme, a French
style of abstract painting popular in the 1940s and 1950s.
Scully's commanding, internationally recognizable
style of abstract art — based on repeating and steadily adapting arrangements of discretely nuanced blocks of colour — combines considerable painterly drama with great visual delicacy.
His early paintings (c.1957 - 61) followed the fashionable
style of abstract expressionism.
Twombly's signature
style of abstract art is a blend of drawing and painting, which combines elements of calligraphy and graffiti as well as abstract expressionism, with references to Antiquity and the Italian Renaissance.
During the mid-1970s, Richter abandoned all traces of representational art and began to create
a style of abstract painting completely devoid of subject - matter - a style referred to by the umbrella term «Neo-Expressionism» or sometimes «New Image Painting».
These mini-movements included: (1) Tachisme,
a style of abstract painting marked by splotches and dabs of colour, was promoted as the French answer to American Abstract Expressionism.
Painted in
the style of abstract expressionism.
This artwork was painting
the style of abstract expressionism and is purely emotional in its context.
Saturday 18, 11:00 am Art Workshop: Color Field and the Washington Color School Families learn about the color field
style of abstract painting that emerged in New York City during the 1940s and 1950s, and its stylistic relationship to the later Washington Color School style of painting.
This relationship between the pictorial and the physical space is often linked to Color Field painting,
a style of abstract painting -LSB-...]
Over the years, she has developed a resolutely graphic
style of abstract painting that typically includes an amazing variety of bold patterns and bright colors in a single work.
Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is
a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.
After his discharge from the army in 1946, he settled in New York, where he encountered the nascent
style of abstract expressionism.
In 1946, Diebenkorn enrolled as a student in the California School of Fine Arts in San Francisco, now known as the San Francisco Art Institute which was developing its own vigorous
style of abstract expressionism.
Pat Steir is an acclaimed figure in contemporary art history, known for her site - specific wall drawings and signature
style of abstract painting.
Pat Steir is an acclaimed figure in contemporary art history, known for her wall drawings and signature
style of abstract painting.
Tachisme refers to the French
style of abstract painting current in the 1945 — 1960 period.
During that time, her painting evolved from realism to cubism, abstract impressionism, and finally her own
style of abstract art.
Motherwell's
style of abstract expressionism, characterized by loose opened fields of painterly surfaces accompanied by loosely drawn and measured lines and shapes, was influenced by both Joan Miró and by Henri Matisse.
Still's
style of abstract expressionism, according to Sobel, showed that «the material of art itself can be expressive as much as the scale and the imagery you include within the painting.»
Alex Katz is both a quintessential New Yorker and one of the most important modern painters, revolutionizing portraiture with his cool
style of abstract realism.
The signature
style of abstract artist Polly Norman, whose Prehistoric Ride Through a Lavender Sky is our Work of the Week, combines both those media to yield a dreamy, kinetic feel.
Aaron Curry melds pop culture, surrealism, and modernism, creating a futuristic vision from historical
styles of abstract art.
These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various
styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.
The exchange of ideas was assisted in New York by a growing infrastructure of venues and exhibitions promoting modern art, such as The Museum of Modern Art (founded 1929) which hosted exhibitions of Cubism, various other
styles of abstract art, Dada, Fantastic Art and Surrealism, along with retrospectives of Leger, Henri Matisse, and Pablo Picasso, among others.
For different
styles of abstract expressionism, see the Colour Field Painting of Mark Rothko (1903 - 70), Clyfford Still (1904 - 80) and Barnett Newman (1905 - 70)- see in particular Mark Rothko's paintings - and the gesturalism of Willem de Kooning (1904 - 97).
Not exact matches
Topics range from
style to career, but Lively takes an
abstract approach with episodes titled «The Next Evolution
of Human Consciousness & Community» and others centered around ways to «Flow With Intention.»
Secondly, the
style of the writing is somewhat inconsistent: some chapters are overflowing with examples, others are far more
abstract.
This is a
style of communication that is «messy» for those bred with the clean «logical» world
of print culture's
abstracted ideas.
There are ways
of saying this, but we shall be better instructed if we test Kroner's statement that «Imagination maintains the original unity
of elements separated by
abstract thought» by testing it against a concrete instance
of the Pauline
style.
Thus, the materialistic Picasso, and most modern art with him, can express an essentially nonreligious love
of the world in all its materialistic carnality only within the framework
of a highly «spiritual» — i.e.,
abstract —
style.
It is not without significance to notice that it is a notion whose exploration plunges one at once into the ethical intimacies
of soteriology, and the
abstract styles of the philosophy
of logic.
An expressionistic,
abstract and rigidly frontal art, it was apparently Constantine's preferred
style, as the many portraits
of him indicate.
The true testing ground for the implicate - order strategy, it seems to me, may indeed be biology rather than physics, where
abstract methods are so powerful as to perhaps make it dispensable: just as the old
style building - block materialist was refuted not by philosophical polemic, but by the one authority in which he trusted, i.e., by physics itself, so the nothing - but reductionist in contemporary biology will modify his views should it be possible some day to provide him with a mathematical language that fills the currently existing gap between our formal knowledge
of gene structure and combinations, and our intuitive apprehension
of growth and shape.
The Akensons» research
style is now being overshadowed by more
abstract kinds
of studies, which hinge on remote sensing and computer modeling
of ecological and environmental processes.