Sentences with phrase «style of abstract expressionism»

After his discharge, Morris began his career as an artist in San Francisco, producing paintings in the style of abstract expressionism.

His early paintings (c.1957 - 61) followed the fashionable style of abstract expressionism.

Painted in the style of abstract expressionism.

This artwork was painting the style of abstract expressionism and is purely emotional in its context.

After his discharge from the army in 1946, he settled in New York, where he encountered the nascent style of abstract expressionism.

In 1946, Diebenkorn enrolled as a student in the California School of Fine Arts in San Francisco, now known as the San Francisco Art Institute which was developing its own vigorous style of abstract expressionism.

Motherwell's style of abstract expressionism, characterized by loose opened fields of painterly surfaces accompanied by loosely drawn and measured lines and shapes, was influenced by both Joan Miró and by Henri Matisse.

Still's style of abstract expressionism, according to Sobel, showed that «the material of art itself can be expressive as much as the scale and the imagery you include within the painting.»

For different styles of abstract expressionism, see the Colour Field Painting of Mark Rothko (1903 - 70), Clyfford Still (1904 - 80) and Barnett Newman (1905 - 70)- see in particular Mark Rothko's paintings - and the gesturalism of Willem de Kooning (1904 - 97).

Not exact matches

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

In 1968, Guston drastically changed his artistic style from a lyrical form of abstract expressionism to a kind of cartoony figuration.

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Steeped in Hofmann's modernist theories, Kahn nonetheless developed a style of landscape painting that owes as much to the impressionists as it does to abstract expressionism.

By showcasing current contemporary painting and sculpture, the exhibition explores both postmodern and modern concepts through the re-evaluation of historical work from varying mediums, styles and content by recalling abstract expressionism and minimalism.

Her vivid, playful patchwork of lines and shapes resist simple definition, recalling styles as diverse as abstract expressionism, graffiti, Pop, and Feminist craft.

His work continuously evolves from a language of gestures and colored born out of abstract expressionism, towards the meticulous painting style seen in the 1964 - 66 series dots paintings.

By the mid-1960s, Tworkov began to feel that abstract expressionism was losing «the exuberance that was a condition of [its] birth,» and the loose brushstrokes and color fields of his earlier style were replaced by his lifelong interest in mathematics and variations on geometric systems.

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

In practice, the term abstract expressionism is applied to any number of artists working (mostly) in New York who had quite different styles, and even applied to work which is not especially abstract nor expressionist.

Agnes Martin was a Canadian - American artist widely known for her paintings executed in the styles of minimalism and abstract expressionism.

Influenced by New York abstract expressionism and abstract colour - field painting, Robert Scott has developed a style of drawing with his fingers through the top layer of paint to expose the underpainted colours.

Hiroshi Senju's sublime, large - scale paintings of waterfalls and cliffs are renowned for combining the techniques of abstract expressionism with Japan's centuries - old nihonga style of painting.

Influenced by the emergence of abstract expressionism, the New York School, Color Field Painting and the Washington Color School, Gilliam's early style developed from brooding figural abstractions to large paintings of flatly applied color and paintings of diagonal stripes on square fields.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Acquiring experience in this field of art, he slowly installed more emotions into work, causing him to touch another style of art — abstract expressionism.

As complex art movement in late 1940s, abstract expressionism was logical continuation of the anti-figurative aesthetic of the European abstraction and Modernist styles.

The Bay Area Figurative Movement was an art movement consisted of creators located in the San Francisco Bay Area who decided to abandon abstract expressionism as a prevailing style and return to figuration.

Influenced by both Urban Art and Abstract Contemporary, we present works from a group of artists who merge the way between these styles focusing the energy and rawness of classical graffiti with abstract expressionism.

Dadaism can be viewed as part of the modernist propensity to challenge established styles and forms, along with Surrealism, futurism and abstract expressionism.

These bizarre materials, along with more conventional artistic media, were all mixed in the cauldron of an alchemical mind to produce works — paintings, drawings and photographs, collages, sculptures, performances and film installations — which play with styles that range from abstract expressionism through pop to conceptualism.

But while abstract expressionism has been done with as a movement for a long time, we can see how individuals — practitionera of a style that has been in need of a revision for decades — singly put forth a nearly scholarly commentary on what preceded them in their art.

(We can see something similar today in the art schools in America, where the long shadow of abstract expressionism continues to affect both the ambitions and style of teachers and artists, in New York especially.

Having begun his venture into abstraction through cubist fragmentation and the constructivist composition of geometric planes, Browne later branched out into biomorphism, his gestural style influencing the abstract expressionism of Jackson Pollock, Arshile Gorsky, and Willem de Kooning.

The instantaneous style and prose of his work seems to evoke a similar aesthetic and attitude to abstract expressionism in a new, contemporary and urban approach.

Permanent collection encompasses Impressionist and Post-Impressionist styles exemplified by Gauguin and van Gogh; works of Cubism, Surrealism, and Constructivism by artists like Picasso, Braque, Matisse, Derain, Miro, Mondrian, and Alexander Rodchenko; more modernist items of abstract expressionism, pop art and contemporary art by Arshile Gorky, Jackson Pollock and Andy Warhol.

In one last inward recognition of the Lineaist origins in fine art, one of the prominent styles of Lineaism started in 2001 and is referred to as abstract expressionism.

With swath of abstract expressionism overlaying realism, only in her dreams can Kim Il Soon truly paint freely and in abstraction, since the dictatorship and communist North Korea mandates art to be restrictive and done in a singular propaganda style.

I am committed to searching out styles ranging from uber realistic to abstract expressionism, all of which excite and challenge my comfort zone.

Brown experimented freely with a range of styles, and her art has been discussed in relationship to abstract expressionism, Bay Area figuration, and new image painting.

His style draws on a number of influences, including European modern art and American abstract expressionism, as well as comic book illustrations.

As the force and vigor of abstract expressionism diminished, new artistic movements and styles arose during the 1960s and 70s to challenge and displace modernism in painting, sculpture, and other media.

By offering both European and American styles, the gallery played a primary role in the genesis of abstract expressionism.

In the specific context of abstract expressionism, a breakthrough entailed a move away from figuration towards abstraction and, most particularly, from the European tradition of painting towards a unique personal style.

Especially as the competition between national schools of abstract painting escalated, breaking out in arguments and even punches in the case of Kline and the French painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of abstract expressionism, Meryon could thus be seen as a reassertion of Kline's original, breakthrough style as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.

Despite changing his aesthetic style, he never abandoned the essential tenets of abstract expressionism.

The author of Beyond the Mainstream (1997), a book about hard - to - categorize artists, Selz argues that Oliveira used abstract expressionism as a means and «went ahead to his own style.»

What to see at the Aargauer Kunsthaus The Kunsthaus is primarily devoted to Swiss art from 18th century to the present, paying a special attention to the work of Caspar Wolf, Johann Heinrich Füssli and Arnold Böcklin; its comprehensive collection includes artworks belonging to various styles: landscape painting, early Modernism, Swiss expressionism, post-war abstract art and contemporary art; the concrete art section is also particularly remarkable, with notable works by Max Bill, Sophie Taeuber - Arp and Hans Arp, among others.

In terms of her own style, Milanesi describes it as «a blend of abstract expressionism and Dada / surrealism with a dash of realism.»

We will study the shift from Paris to New York as the center of the art world after 1945, and critically view works from the following styles that were created and / or exhibited in NYC: abstract expressionism, color field, conceptual art, site - specific, installation and minimalism.

As an artist, Terry has painted in various media and styles and is best known for his fluid, dynamic, and colorful large abstractions reflecting a rediscovery of his roots and interest in abstract expressionism.