Sentences with phrase «style of abstraction»

These accomplished works by a young artist are intriguing in part because of their aesthetic ambivalence, rooted as they are both in a style of abstraction that emerged from Surrealism and the early works of artists like Ellsworth Kelly and Frank Stella, both of whom systematically resisted the subjectivity and intimacy of painterly touch.

In an interview with Tim Forcum, Mills expressed an awareness of his style of abstraction having the immediately visible influence of the styles from an earlier age.

The exhibition featured the work of 29 artists whose «work reflects the language and style of abstraction.»

Like many artists of his generation, Seliger was deeply influenced by the surrealists» use of automatism, and throughout his career, he has cultivated an eloquent and poetic style of abstraction that explores the dynamics of order and chaos animating the celestial, geographical, and biological realms.

Herrera exhibited her work with them regularly and developed a distilled, geometric style of abstraction, reducing her palette to three colors for each composition, then further to two.

It is a safe assumption to believe that if the elements in Mills's paintings are derived at least partially unconsciously, that the thinking, art educated mind and hand of Mills has processed and recognized the historical reasons for and provenance of his style of abstraction.

He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell - like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950).

«If you think about the contemporary landscape, you see a lot of younger artists experimenting with this sort of deconstructivist style of abstraction, which is considered sort of post-canvas and about prying apart the physical elements of the canvas,» DiQuinzio says.

Unlike Pop art which drew on imagery from popular culture, however, Op art was a style of abstraction that relied on geometric shapes, lines, and color juxtapositions to create optical illusions for the viewer.

Wols helped to pioneer the French style of abstraction known as Art Informel, or Tachism, alongside the likes of Jean Dubuffet, Jean Fautrier, Roberto Matta, Mathieu and Henri Michaux.

Though indisputably inspired by Matisse's interiors, Cezanne's still lifes, and Picasso and Braque's radical displacement of form, Hofmann ultimately developed his own style of abstraction which he would continue to explore throughout the remainder of his career.

Wassily Kandinsky gravitated from Expressionism - he was a founding member of Der Blaue Reiter and a pioneer in the emotional use of colour - to a style of abstraction in which he sought to remove all traces of the real world.

Neo-Plasticism A rigid Dutch style of Abstraction, based on rectangles, horizontal and vertical lines founded by Piet Mondrian in the early 1920s.

His groundbreaking style of abstraction is exemplified by Early One Morning (1962, Tate Gallery, London).

Kenneth Noland, whose brilliantly colored concentric circles, chevrons and stripes were among the most recognized and admired signatures of the postwar style of abstraction known as Color Field painting, died Tuesday at his home in Port Clyde, Me.

Today is the occasion to bear in mind Kenneth Noland (10/4/1924 -5 / 1/2010), whose brilliantly colored concentric circles, chevrons and stripes were among the most recognized and admired signatures of the postwar style of abstraction known as Color Field painting.

My goal since then has been to discover my own style of abstraction based on the principles of Modernism.

His work evolved from academic realism, then social realism through Expressionism, Fauvism and Cubism to arrive at his own personal style of abstraction, a richly - colored, radiant Luminist Abstraction.

Having started out in the late 1940s painting in the prevailing Abstract Expressionist mode, Diebenkorn shifted to figuration several years later, only to revert to a more austere style of abstraction in the late»60s.

The move towards a more hard - edge style of abstraction, the clear lines, high contrast of color and its various hues, along with the rejection of the tactile application of paint were seen as the dominant features of such movement [2].

Kenneth Noland's colorful concentric circles, targets, chevrons, stripes, and shaped canvases were among the most recognized and admired signatures of the postwar style of abstraction known as Color Field painting.

She started off working in a painterly Abstract Expressionist mode in the»50s, then spent seven years in L.A. before returning to New York, where she quickly hit her stride with a style of abstraction that emphasized hard edges and the emptiness of the canvas.

Variations: Conversations in and Around Abstract Painting presents 30 artists whose work reflects the language and style of abstraction: Markus Amm, Mark Bradford, A.K. Burns, Sarah Cain, Aaron Curry, Theaster Gates, Mark Grotjahn, Iva Gueorguieva, Sergei Jensen, Rashid Johnson, Jennie C. Jones, Rachel Lachowicz, Dashiell Manley, Julie Mehretu, Dianna Molzan, Albert Oehlen, Alexandra Olson, Laura Owens, Anthony Pearson, Howardena Pindell, Gerhard Richter, Sterling Ruby, Analia Saban, Maaike Schoorel, Amy Sillman, Diana Thater, Lesley Vance, Mary Weatherford, Lisa Williamson, and Christopher Wool.

Variations: Conversations in and Around Abstract Paintingpresents 29 artists whose work reflects the language and style of abstraction: Markus Amm, Mark Bradford, A.K. Burns, Aaron Curry, Theaster Gates, Mark Grotjahn, Iva Guerorguieva, Sergei Jensen, Rashid Johnson, Jennie C. Jones, Rachel Lachowicz, Dashiell Manley, Julie Mehretu, Diana Molzan, Albert Oehlen, Alexandra Olson, Laura Owens, Anthony Pearson, Howardena Pindell, Gerhard Richter, Sterling Ruby, Analia Saban, Maaike Schoorel, Amy Sillman, Diana Thater, Lesley Vance, Mary Weatherford, Lisa Williamson, and Christopher Wool.

His work embodies classical ideals and traditions in a unique style of abstraction that combines both industrial and organic elements.

This exhibition presents 30 artists whose work reflects the language and style of abstraction: Markus Amm, Mark Bradford, A.K. Burns, Sarah Cain, Aaron Curry, Theaster Gates, Mark Grotjahn, Iva Gueorguieva, Sergei Jensen, Rashid Johnson, Jennie C. Jones, Rachel Lachowicz, Dashiell Manley, Julie Mehretu, Dianna Molzan, Albert Oehlen, Alexandra Olson, Laura Owens, Anthony Pearson, Howardena Pindell, Gerhard Richter, Sterling Ruby, Analia Saban, Maaike Schoorel, Amy Sillman, Diana Thater, Lesley Vance, Mary Weatherford, Lisa Williamson, and Christopher Wool.

The landscape dominated American painting throughout the 19th century and well into the 20th, and though it continued to have practitioners thereafter (Fairfield Porter, for example), it was overshadowed, along with figurative painting in general, by various styles of abstraction from Cubism to Minimalism.

EXPERIMENTS WITH LANDSCAPE: EARLY WORK During the 1950s and»60s, Frankenthaler explored various styles of abstraction, from Cubist - inspired works such as Abstract Landscape (1951) to more free - form compositions such as Untitled (1962 — 63).

In connecting the opposing styles of abstraction and photorealism, Weiner reflects our alienation from physical experience within a culture that reduces bodily needs into chemical processes.

The post-war years heralded exciting and innovative styles of Abstraction on both sides of the Atlantic.

In a statement, Kochi - Muziris Biennale co-founder Bose Krishnamachari praised Dube's «sensitivity towards materials», adding: «Her oeuvre features both knowledgeable consideration and skilful melding of the sensibilities and styles of abstractions with real, contemporary concerns.

Not exact matches

While that style of logic is still consistent with how I think today (i.e. that humility and an open mind are essential in this line of work), I learned that I was totally missing the point, because my question was completely abstract — and the kind of suffering I witnessed on those wards was anything but an abstraction.

Aesthetically, the film finds Bertolucci in a transitory mode, caught between his early Godard - influenced abstraction and his later style of lush, operatic camera movements and theatrical use of color and music.

But the majority of these traits tend to be visual; heightened style, quirkiness and a sort of abstraction from the norm without calling attention to itself are hallmarks of what we've come to expect, but it doesn't automatically give us a window into his personal narrative proclivities.

Architecture Art using found and recycled objects Color theory Abstraction Conceptual art Drawing styles Figure drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of work provides a lesson by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to thinking skills.

Topics addressed: Architectural style of monuments in Ancient Greece Historical and cultural significance of Greek monuments Primary CT concept: abstraction.

Loot tables are more popular in RPG - styled games, where there is abstraction at the heart of progress.

Mondrian: Abstraction in Beauty from Lantana Games is a block breaking puzzler in the vein of Breakout that trades on its diverse art style inspired by the De Stijl movement.

The fourth great idea in Monaco is how they take the abstract visual style of Pac - Man and keep part of the abstraction (retro, non-realistic visuals) while tying it to a solid theme - romanticized heist movie.

Other series by Zeng have combined art - historical traditions, often resulting in a kind of abstraction that marries Western and non-Western styles.

The style that I've created is an abstraction of landscapes from my country.

Organized both thematically and chronologically, the show divides the works on view into two main chapters: the years from 1923 to 1933, a time when Torres - García was involved in early modern avant - garde movements such as Catalan Noucentismo to Cubism, Ultraism - Vibrationism, and Neo-Plasticism; and those from 1935 to 1943, a time in which he was fully committed to creating works in his unique style of synthetic abstraction.

Geoform explores, documents and celebrates the rich diversity of style and aesthetic intent that characterizes this broad vein of contemporary abstraction.

In terms of style and school, they are not thoroughly cohesive, embracing as they do geometric abstraction, gestural abstraction, realism, still life, seascape, and more.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles of geometric abstraction, hard - edge painting, minimalism, and others.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

Her paintings draw on various traditions of abstraction from gestural and geometric, hard - edge styles.

Although known for his early championing of the Abstract Expressionists, he befriended a younger generation of artists that reacted against the rhetoric of gestural abstraction, the leading style of Tenth Street.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.