Sentences with phrase «style of realist»

• Precisionism (fl. 1920s) Style of realist painting influenced by Futurism and Cubism.

For earlier styles of realist painting, see Modern Art Movements (1870 - 1970).

Not exact matches

Thus, when Perry and several prominent realist colleagues issued their collective manifesto, The New Realism in 1912, Russell wrote that the Americans had combined a style of logic «that I heartily agree with» with a metaphysic, derived from William James, denying the old mind / matter dualism.

Because of its rough - hewn style, the painting is often noted as the first realist painting of peasants.

Johnson styles himself a «theistic realist» — while distancing his positions from that of the «fundamentalists» and «creation scientists,» he accepts the name «creationist»»:

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

EV: Now that we've made the genre film with the more flashy style, it's easy to say that the movies before were kind of naturalist and realist, and this is completely different.

In his output from early in that decade, with its elements of fatalism and compositional sophistication, one can see the seeds of the poetic realist tendency in French cinema, a style whose popularization Duvivier would have a fundamental hand in a few years later (along with the likes of Marcel Carné, René Clair, and Jean Renoir, all of whose work has come to overshadow Duvivier's).

Very effective use of the neo - realist / cinema verité style to create a real documentary feel to the film.

Though I fully expected this author of magical realist novels to tell his tale of living under the reign of terror with irony and imagination, in Joseph Anton Rushdie has stripped away all of his own recognizable style.

In the essay, Nochlin traces the ways the Romanticists, the Realists, the early Impressionists, and others created a vanguard of artists who broke away from salon - style work and exhibited art that provoked, both stylistically and conceptually.

From Megan Marrin & Tyler Dobson's Postkartenständer (Postcard Stand, 2014), on which photo - realist selfie paintings were offered as postcards stacked among kitschy tourist views, to Allora & Calzadilla's Contract (SWMU 10)(2015), a huge silkscreen of the lush, tourist brochure - style palm trees printed over a Warholish sweep of grey paint (a sign of the silkscreen medium itself), representation was shown helplessly submitting to the production which makes it visible.

His realist style has been honed through extensive training, including a degree from the Pennsylvania Academy of the Fine Arts.

His realist portraits of friends and associates in the 1960s and 70s conveyed a certain hipness and attitude defined by cool authenticity and self - possessed style.

In describing «Vignette,» Christie's says Marshall «inflects a social realist style with hints of Pop and Surrealist aesthetics to represent his black protagonists.

Sharply surprising is the inclusion of taciturn paintings of benumbingly ordinary suburban streets by the finest of the first - generation photo - realists, Robert Bechtle, whose style has hardly varied in more than forty years.

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

The show argues that Lewis used abstraction throughout his career, after initially working along social realist lines, commingling it with the figure to comment on political issues involving race and civil rights, and introducing history and narrative into a style that eschewed such content in favor of medium specificity.

Originally a realist (The Dancers, The Couple), George Segal's works began to evolve in the 1970s, turning towards a more expansive and freer style of expression.

A leading figure in both contemporary film and art, Apichatpong Weerasethakul (born 1970) has developed a singular, realist - surrealist style in which the portrayal of the everyday alongside supernatural elements suggests a distortion between fact and -LSB-...]

IN 1948, MAGRITTE RADICALLY DEVIATED from the detailed, realist style that had made him famous and openly attacked the cultural ideals of good taste and craftsmanship.

This title also referred to the realist style of art known as «Socialist Realism», then the official art doctrine of the Soviet Union and its satellites (from one which he had fled with his family), but it also commented upon the consumer - driven art «doctrine» of western capitalism.

A leading figure in both contemporary film and art, Apichatpong Weerasethakul (born 1970) has developed a singular, realist - surrealist style in which the portrayal of the everyday alongside supernatural elements suggests a distortion between fact and folklore, the subconscious and the exposed, and various disparities of power.

He has transformed the openness of the all - over image, which is usually abstract, into the large scale and striking immediacy of a major realist style.

Painted between 1943 and 1978 in Neel's inimitable style — half social realist, half wonky Expressionist — the paintings and drawings of her uptown friends, neighbors, colleagues and fellow travelers form a remarkable montage of the artist's life in a vibrant, multicultural 20th - century New York.

Departing from the WPA / social realist style of portraying poor people, which can be perceived as voyeuristic and patronizing, Douglas's energetic drawings showed respect and affection.

Contemporary hyper - realist style painting of New York City underpass 48 x 50 inches, Oil on panel Created in 2006, this painting demonstrates Eileen Murphy's talent for hyper - realism, as she captures the rough, gritty textures of urban infrastructur...

In Vignette, he inflects a social realist style with hints of Pop and Surrealist aesthetics to represent his black protagonists.

The move from a robustly realist style of representation through impressionism to purely abstract painting was seen as natural, inevitable, and good.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

All three seek to broaden the realist style through a stated commitment to beauty, while exploring the visual expressions of memory, narrative, and desire.

Her filmmaking style tends towards the magical realist, and focuses on the increasing importance of imagination in both storytelling and the day - to - day.

«Philadelphia gallery featuring contemporary realist paintings of landscapes, city scenes, still life and interiors in a wide range of styles by over forty artists.»

Capa's photographs of the collective farm appear to portray socialist - realist style happy labourers bringing in a harvest under blue skies, where the reality was of a community struggling to return to any kind of normality in a land pockmarked with shell - craters.

The second room shows the development of his early style: en plein air realist landscapes produced in Paris, erroneously described as Impressionist in almost all the literature; and a predilection for unclothed male figures, evident in his fin - de-siècle style mural and stained glass window designs.

This large figurative painting by American painter Geri Eubanks in the realist style; similar to Edward Hopper, but also has some traces of Amedeo Modigliani through the portrayal of...

There were two types of painting in his exhibition: the alluring young Chinese women painted in a dark photo - realist style, and appropriations of details from historical Chinese landscape paintings, reinterpreted in oil on canvas in an expressionist style.

The artwork also represents an example of his first more expressive pieces, which announced a slow, but radical departure from a realist style, a decision Lucian Freud attributes to his friendship with fellow painter Francis Bacon which, by his own admission, helped him» feel more daring».

What / Why: «The artist's style remains both realist and surrealist in its general theme, though the means to the end has been a long walk - about through the mediums of raw physical media, such as oils, watercolors, and pencils, to the more technically - oriented media of computer - based art.

The son of a jewelry maker and a pupil of the old masters of Italian art, Franzese started painting early on, moving through realist, expressive, and narrative styles.

The style Mangolte developed in her films in the 70s is a unique fusion between New York conceptualism and the new French realist sensibility, processed through the artist's strong intellectual sense of imagination.

His realist style is characterized by gestural brushwork and the muted palette that tends towards contrasts of dark and light.

[5] By the 1960s, Neel had reached her mature style, blending elements of realist representation with expressionistic aspects such as her frequent use of green as a base for skin tones, a choice that infuses her paintings with an unsettling quality.

Other top lots in the sale included Uruguayan artist Joaquín Torres - García's tempera on board titled Grafismo universal sobre fondo gris, 1937, which sold to a US dealer for $ 1.4 million (estimate: $ 1 million / 1.5 million) and Claudia Bravo's realist - style painting of draped, multiple - colored fabrics, Psalterium, 1998, which sold for $ 1.1 million (estimate: $ 800,000 / 1.2 million).

The so - called Ashcan School consisted of a progressive group of early twentieth - century American painters and illustrators (sometimes called the New York Realists) who portrayed the urban reality of New York City life, in a gritty spontaneous unpolished style.

The same applies to his distinctive style blending street art motives with rich hyper - realist techniques reminiscent of Renaissance - era old master painting.

The oil - based pieces carry the faint elegant touches of Art Deco painter Tamara de Lempicka, mixed with a dash of Alex Katz's realist style, yet Hobbie's vibrant color prowess and delicate feminine gestures supersede those influences.

After an early arts career involving painting, metalwork and stained glass, he went to Munich where he was so inspired by Flemish / Dutch Renaissance paintings that he took up serious painting in a precise realist style - an idiom which brought him the nickname «the Hans Memling of the Midwest».

These included: Die Brucke (1905 - 11), a group based in Dresden in 1905, which mixed elements of traditional German art with Post-Impressionist and Fauvist styles, exemplified in works by Ernst Ludwig Kirchner, Karl Schmidt - Rottluff, Erik Heckel, and Emil Nolde; Der Blaue Reiter (1911 - 14), a loose association of artists based in Munich, including Wassily Kandinsky, Franz Marc, August Macke, and Paul Klee; Die Neue Sachlichkeit (1920s) a post-war satirical - realist group whose members included Otto Dix, George Grosz, Christian Schad and to a lesser extent Max Beckmann.

Angela Fraleigh's realist style takes a more explicit artabout - art approach in which the sources remain visible, without loss of authenticity.