Not exact matches
Though visually beautiful and boasting superb performances
from the entire cast, Black Swan, much like the ballet Nina so adores, falters because of its emphasis on melodramatic
style over substance.
Sanctum is the perfect example of a film that's
style over substance, it looks great, but the plot is paper thin, and relies on recycled ideas
from previous films in order to create an engaging film.
Total Film sees
style over substance, with the overall effect «pulling the attention away
from where it should be,» and Variety, while liking the film a bit more overall, concedes that it «feels unmistakably chilly.»
Boasts a raw, brave performance by Maria Bello and a stylish cinematography, but suffers
from too much
style over substance.
Sam Raimi (The Quick and the Dead, Army of Darkness) thankfully subdues his usual emphasis on
style over substance for one of his best directorial performances to date, evoking quality acting especially
from the always excellent Billy Bob Thornton (Armageddon, Primary Colors), who received an Academy Award nomination.
Director Guy Ritchie has made a name for himself by employing a major
over-dosage of
style over substance in films such as Snatch and Lock, Stock, and Two Smoking Barrels; something that oozes out of every scene in The Man
From U.N.C.L.E
The movie «Sweeney» is merely an exercise in
style over substance, apparently taking nothing
from the show except for a few relationships and lesser moments of dialogue.
Last year, Warner Bros. tapped him to salvage one of its most valuable franchises (this one)
from the idiotic clutches of Zack Snyder — the director forever putting adolescent
style over mindless
substance.
Suffering
from a bad case of
Style over Substance perhaps?
Pulling together bits
from Oldboy, Akira, Transistor, and Hotline Miami, Ruiner never reaches the highest points of its genre, but is a fun romp through cyberhell that champions
style over substance.