Sentences with phrase «style woodcut»

On the west coast, the Fine Arts Museums of San Francisco recently closed Chuck Close and Crown Point Press: Prints and Processes, which included Leslie, 1986, an ukiyo - e style woodcut that was produced through Crown Point's exchange program with Japan.

Twenty - two color Ukiyo - e style woodcut printed with 18 woodblocks 24 x 18 inches Edition of 51 Signed and numbered by the artist Printed by Pace Editions Ink Published by Pace Editions, Inc. unframed, pristine condition never framed, hinged or matted.

Including a leaf from the Nuremberg Chronicle; Sebastian Brandt - style woodcut of an apothecary's More...

One of the most ambitious of Frankenthaler's prints is the triptych Book of Clouds (2007) that involved a combination of several printing techniques, employing Ukiyo - e style woodcut, aquatint, and pochoir.

Helen Frankenthaler, Snow Pines, 2004, Thirty - four water based color Ukiyo - e style woodcut (courtesy Leslie Sacks Fine Art)

As we know about Helen's paintings, which are all developed by stains, these the ukiyo - e style woodcuts are produced by creating stains, and as we look into this light blue and green area the turquoise and the blues that are created.

Helen Frankenthaler and the Ukiyo - e woodcut technique Jacob Lewis, Director of Pace Prints talks about Helen Frankenthaler's Ukiyo - e style woodcuts.

Not exact matches

The «approved» art style was propagandistic woodcuts which tended to focus on idealised portraits of reformers, scurrilous satiric depictions of Catholics or a lot of heroic martyrs being killed in a variety of gruesome ways.

I loved the way it combines a variety of styles — including some animation that resembles woodcut and some that looks like colorful paper puppets — and the way the animation is made to look flat in flashbacks so the present - day images pop out at us more vividly.

The «Persepolis» books are drawn in a deceptively simple, stark style, all in black - and - white: They're captivating and elegant in their austerity, like Japanese woodcuts.

Over an opening animation styled after eighteenth - century Japanese woodcut illustrations, a narrator (Courtney B. Vance) relates the legendary history of the «cat - loving Kobayashi clan» and its violent subjugation of dogs.

Gorgeously rendered in a sepia - toned palette with broad black outlines, the expressive, woodcut - like illustrations and varied lettering styles quietly evoke the time period, while the stylized figures capture the haunted looks of people with nothing left to lose.

While there seems to be little original contribution either in style or in technique — woodcut and lithography are the favored media — many of the printmakers are highly accomplished.

Jacob Lewis: This is a beautiful ukiyo - e woodcut style print we did in 2009 called «Snow Pines `.

In his first «Eagle» portfolio of 1966, he began to use the print to develop his style, employing a variety of block printing techniques, including woodcut and wood engraving.

Throughout the 1950s, Judd's woodcuts develop an angular and robust style.

In Jennifer Long's most recent solo exhibition On the Edge at the Percolator Gallery, Paddington (23 Sept - 6 Oct 2014) she presented a series of hybrid mixed media works - collage and oil on ply, rice paper bowls, etchings, lithographs, woodcuts and solvent transfers, where graphic and painterly styles combined in a new and contemporary manner.

Her woodcuts in this style became some of her most sought - after editions, as exemplified by her series Book of Clouds (2007).

A controlled floral pattern in green and black heightens the woodcut technique's manipulation of positive and negative space, pairing a vibrant textile - like plane with a sharper graphic style of illustration.

Flack uses as her source not the Rubens painting, but its woodcut, thereby drawing visual parallels between heavy outlining and graphic style of both classical printmaking and modern comic book illustrations.

Phillips was influenced by Japanese landscape painting and woodcut style ukiyo - e — which translates as «floating worlds» — evidenced in the flattened depth and bright colours of his work from the 1920s onward.

Admirable examples of woodcuts and mezzotints, for example, share Barbara Archer Gallery with a full - scale medieval - style altarpiece (above) and a video of a portrait screen - printed on a sheet of ice (below).

To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

On Wed, July 6 at 7 pm, Cruz will perform How To Order A Chocolate Cake, in addition to performances by artists Jaamil Olawale Kosoko and David Thomson.To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

His early woodcut designs evolved into etchings, sculpture and furniture, all with his unmistakable style.

Karl Schmidt - Rottluff (1884 - 1976) Colourist, best - known for woodcuts, and a forceful, angular panting style.

He also explored printmaking, and worked with woodcuts, lithographs and etchings in the Primitivism style, illustrating the first book of prose by Guillaume Apollinaire (1880 - 1918).

In the Eighties, in search for a more abstract and purist style, he started making hyperrealist monochrome woodcuts - something nobody had ever done before - and thus completely reinvented the medium.

The manual production technique calls to mind 14th - century German woodcut patterns, but in Smith «Äôs inimitable drawing style.

In March the Royal Academy will stage Renaissance Impressions: Chiaroscuro Woodcuts from Baselitz's own collection, an important influence on both his style and subject matter.