Sentences with phrase «subgenres for»

Incorrect genre (and subgenre) categorization — for example, using nonfiction subgenres for a novel.

You can choose up to five different genres or subgenres for your eBook.

Subgenres for thrillers include psychological thriller, crime thriller, technical thriller, medical thriller, romantic thriller and legal thriller.

Director Wes Ball delivers some great action set pieces, and the cast of young actors remains one of the series» best assets, but «The Death Cure» is far too bloated and predictable to serve as the rousing finale that everyone involved clearly intended it to be, hopefully marking the end of this lackluster subgenre for good.

The Gilded Age might not be as popular a time period as the Regency and Victorian eras in historical romance, but it's been a steady subgenre for years, offering readers a less restrictive, even more ridiculously opulent setting than the ballrooms of English high society.

For example, you might find it easy to reach best - seller status in the subgenre for the «historical Amish romance» market — but you might find it harder to earn a high sales ranking among generic «historical romance» books.

So it's important that you accurately reflect the correct subgenre for your self - published romance novel.

Not exact matches

In particular, the ex-actress has been recognized for her show - stopping outerwear selections — so much so that the the «Meghan Markle Power Coat» is an official sartorial subgenre (just ask Mindy Kaling).

The infamous series Hellraiser is the perfect archetypal example of the body horror genre, and it has set the standard for the entire future of the subgenre.

Our product is designed for any education formations: from small distance Dating sims, or relationship simulation role - playing games (RS - RPG), are a video game subgenre of simulation games, usually Japanese, with romantic elements.

Never pay for online dating, chat with singles here for Dating sims, or relationship simulation role - playing games (RS - RPG), are a video game subgenre of simulation games, usually Japanese, with romantic elements.

Gary Oldman reveals why he was terrified of playing Churchill in his «role of a lifetime» The Batman star is tipped to land a Golden Globe for his stunning Action role - playing video games (abbreviated action RPG or ARPG) are a subgenre of role - playing video games.

2018-04-08 13:41 Free science and math simulations for teaching STEM topics, including physics, chemistry, biology, and math, from University of Colorado Boulder Digital pets are a subgenre of artificial life game where players train, maintain, and watch a simulated animal.

Timhop is also a social network for single girls, women, men, gays and seniors Dating sims, or relationship simulation role - playing games (RS - RPG), are a video game subgenre of simulation games, usually Japanese, with romantic elements.

Final Fantasy Dating Simulation Rpg online game fun for your sim date gaming (Played: 40997) Life simulation (or artificial life games) is a subgenre of simulation video games in which the player lives or controls one or more virtual lifeforms.

Games Like The Sims FreePlay for All Platforms Games Like The Sims FreePlay for Android Games Like The Sims FreePlay for iOS Games Like The Sims FreePlay Dating sims, or relationship simulation role - playing games (RS - RPG), are a video game subgenre of simulation games, usually Japanese, with romantic elements.

The first otome game is generally acknowledged to be Angelique, released in 1994 by Koei in Japan for the Super Famicom, and created by an all Dating sims, or relationship simulation role - playing games (RS - RPG), are a video game subgenre of simulation games, usually Japanese, with romantic elements.

Usually they meet for sex which can lead to lasting intimate friendships Dating sims, or relationship simulation role - playing games (RS - RPG), are a video game subgenre of simulation games, usually Japanese, with romantic elements.

Although the public's appetite for this tacky subgenre seemed to know no limits, I quickly tuned out the endless string of copycat movies and TV shows about Horrible Inhuman Serial Killers, the kind that exist to derive sadistic pleasure from inflicting pain and suffering.

It's more Jerry Bruckheimer than it is Tom Clancy, but in a subgenre that's become notorious for being a tad too clinical, that's probably not a bad thing.

There's no more treacherous horror subgenre than the rape - revenge thriller, because the worst examples confuse exploitation for empowerment, answering graphic scenes of sexual assault with a gruesome parade of righteous kills.

The Haunting is a superior ghost story that still doesn't overcome the stumbling - block of the whole subgenre: if there's any chance for a rational explanation for weird events, anything non-supernatural is as least as credible as the supernatural conclusions everyone is so fast to embrace.

I wouldn't go so far as to say it's a good film overall, but given its relatively low aims, and for its subgenre, it is an entertaining one, though some might be disturbed at a few of the grislier narrative turns, especially at seeing a loving family torn apart, quite literally.

Given his oft - professed admiration for the infamous 1980 gut - muncher Cannibal Holocaust — whose Italian director, Ruggero Deodato, makes a cameo in Hostel: Part II — it was only a matter of time before Roth took a stab at reviving the cannibal subgenre.

In a tradition going back almost to the birth of cinema, the Hong Kong film industry in particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasure.

In many ways, Gringo hearkens back to these frenetic, unmistakably misanthropic pictures for both good and ill, capturing everything that was charming — and deeply obnoxious — about that subgenre.

A coming - of - age story set in 2002 Sacramento, the film could very easily have fallen into the trappings of a subgenre that has been expanding for decades, but Gerwig's film is littered with pitch - perfect drama, humor, and emotion that makes it far greater than the sum of its parts.

I was never a very big fan of this one, despite my love for the subgenre, but it holds a special place in history, and has thusly been given a gorgeous transfer and bonus - laden treatment by the heroes of Scream Factory, the best Blu - ray house in history for horror fans.

Another entry in the popular documentary subgenre about performers and performances (exemplified by «Searching for Sugar Man» last year), this again focuses on a figure of modest fame (1990s female punk pioneer Kathleen Hanna and her band Bikini Kill).

Neighbors, a new comedy from the director of Forgetting Sarah Marshall, may be the first film of its subgenre to acknowledge how old the freaks of Freaks And Geeks have actually gotten, and to express nostalgia for the days when they could still believably play overgrown adolescents.

It's incredible to think that in the short 10 years since the release of «Shaun of the Dead,» the zombie comedy has practically become its own subgenre, even spawning several «rom - zom - coms» (romantic zombie comedies, a term coined during the marketing for that film) in the process.

Tied to the creatures of the id - horror subgenre (the best example of which is probably Neil Jordan's psychosexual A Company of Wolves), a recent glut of lycanthropic fare (Ginger Snaps, Dog Soldiers) holds a curious candle to the idea that, despite Arab belief to the contrary, Western civilization seems to be regressing into a puritanical sexual hysteria that proves fertile ground for horror films about the cycle of sexual repression / aggression.

Another entry into the profitable Brit subgenre of OAPs - find - a-new-lease-of-life, Simon Hunter's film is marred by contrivance and predictability but gets by on a feel for life's missed opportunities, a good heart and a strong central performance by Hancock as a woman finally realising her taste for adventure.

If you are a devotee who isn't ready for the found footage subgenre to be given a rest, this could be worth a look.

The astonishingly gifted writer - director of «Thoroughbreds» is going places, which could also be said for Olivia Cooke («Vanity Fair») and Anya Taylor - Joy («Split»), the two note - perfect lead actresses who star in Finley's icy psychological thriller — a refined, upper - class riff on «Heavenly Creatures,» «Fun,» and the entire wicked subgenre in which two -LSB-...]

The astonishingly gifted writer - director of «Thoroughbreds» is going places, which could also be said for Olivia Cooke («Vanity Fair») and Anya Taylor - Joy («Split»), the two note - perfect lead actresses who star in Finley's icy psychological thriller — a refined, upper - class riff on «Heavenly Creatures,» «Fun,» and the entire wicked subgenre in which two girls, perfectly harmless on their own, prove to be homicidal in one another's company.

It would be a wild exaggeration to suggest that «Paranormal Activity: The Marked Ones» breathes new life into the increasingly fumes - fueled found - footage horror subgenre, but it certainly represents a shot in the arm for this series after 2012's poorly regarded «Paranormal Activity 4.»

The Hitman's Bodyguard won't be enjoyable for people well - versed in 80s buddy movies like Midnight Run, 48 Hrs., or Lethal Weapon, and the recent gems of the subgenre like Kiss Kiss Bang Bang or The Nice Guys.

Richard Linklater is America's most distinguished auteur in the subgenre of movies in which a tight knit group of men just kind of hang out for two hours.

To those not interested in the greater ideas presented in the film, Barton Fink — despite its artsy and meaningful storytelling — should really appeal to anyone with a taste for black comedy (a subgenre the Coens rarely blunder.)

Fans of the exorcism subgenre of horror will no doubt get what they came for in the film's conclusion, one of the most overblown, silliest exorcism scenes in movies, but the derivative cheap thrills leading up to it barely warrant the wait.

< br / > Still, «Gravy» has its faults, which for me stem from my lukewarm take on this particular subgenre.

At a certain point, it's so purely a delivery system for a different era and feeling in film that it feels like we're bearing witness to the birth of a new subgenre.

For those who like the punishment subgenre and want something that falls much more in the realm of dark comedy, «Gravy» will be a hoot.

Along with the earnings and acclaim for last year's R - rated «Logan,» Fox has made itself the early leader in the burgeoning subgenre.

Not only does the film cater to the bloodthirsty fanboy, it references classics from the subgenre — Sleepaway Camp and Madman in particular — and takes all the well - worn ideas therein and gives «em a head noogie for 90 or so minutes.

for the Sandler bunch, the fact that it was a throwback to the old Hawks / Sturges brand of farcical morality play (a subgenre that has been more or less dead for decades outside of the occasional stab at it by the Coens (Intolerable Cruelty) or I ♥ Huckabees «s director David O Russell).

The film features winks to other zombie titles whilst remaining thoroughly original amongst the subgenre of films (it's certainly no horror film, that's for sure) plus multiple Twin Peaks references and one particularly wonderful nod to St Elmo's Fire.

But Will Ferrell has never been one to go for the obvious joke, and his latest, directed by Saturday Night Live alumnus Matt Piedmont, targets a subgenre that much of its audience will not even be aware exists: Spanish - language telenovelas.

While most love a good Christmas movie å la It's a Wonderful Life, or White Christmas, I reveal in the non-traditional subgenre of any random film that happens to be set in the holiday season, even if it's just for a short scene.