Sentences with phrase «subject depicted»

With his vulnerable subjects depicted in hospital rooms, bedrooms, and bathrooms, Steers projected radical ideas about male intimacy, queer politics, fragility and healthcare that were difficult for Americans to face at the height of the AIDS crisis.
During the 19th century, naval ships (although quite rare now) were one of the most popular subjects depicted by PoWs.
With his vulnerable subjects depicted in hospital rooms, bedrooms and bathrooms, Steers engaged with radical ideas about male intimacy, queer politics, fragility and health care at the height of the AIDS crisis.
The first team chooses one of the school subjects depicted by the icons, and a team member must speak a phrase / sentence expressing likes or dislikes and give a reason.
Her forensic, even detached, approach to making images is seemingly at odds with the often highly emotive and melancholic subjects she depicts.
Images of these fictional subjects depict dark skinned, elegantly casual figures.
The Rabbinical paintings presented in this exhibition, permeated by historical influences ranging from Grünewald and Rembrandt, to Redon and Soutine, to Indian tantric art and Chinese painting, reflect the mystical and macabre with vivid intensity: sordid subjects depicted in sensual, jewel - like colors.
Be it a slight of hand in a magician's performance (one subject depicted in Wynne's collages) or the physical presence of the artist's suspended hands, cast in clay with glass eyes inlaid on the palms; an enlightened aura reverberates between works.
From a distance, the subjects depicted on the ceramics seem like traditional Song Dynasty imagery; yet upon a closer look, certain figures and buildings appear to have been inspired by the current sociocultural context of Brazil.
The resulting grids may be connected by passages of large painted writing relating to the subject depicted.
But not for the artist — for the subjects depicted.
I would argue it's impossible to respond only to the subject depicted — in any work of art, by any artist — as soon as we know even a tiny bit about the maker.
Perhaps best known for his upside - down paintings, Baselitz's inverted canvases call attention to both the subjects he depicts as well as the paint itself.
The locations and subjects she depicts are often points of departure or transitory landmarks, such as airport terminals and runways, roads, and bridges.
The second section focuses on artists who incorporate the grain of the wood within their compositions, thus making the medium integral to the subjects depicted.
Her appropriation of vintage fabric items puts her in collaboration with her forebears, and her interventions result in unique, contemporary objects in which she is often the subject depicted.
The abbreviated line becomes an exaggeration that can quickly reveal truths about the subject depicted.
With the subjects depicted at life - size and squashed into the canvas, the work induces a sense of claustrophobia — partly from the plethora of details, partly from the way the yoga mat frames the composition.
These dynamic pictorial dramas generate a strong sense of unease in the viewer: the subjects depicted wear masks and costumes, walls and floors split open to reveal piles of bodies or liquids, while an inexplicable darkness looms everywhere.
Placing equal (if not heavier) emphasis on the materials used rather than the subject depicted, each artist strives to evoke commonalities amongst the viewers.
The photo is used to create a subtler and much more complex focus on the subject depicted.
The subjects he depicts range from intense studies of his dying father to joyous representations of his adopted home — New York, the city he moved to 30 years ago.
As the artist notes, his work extracts «the essence» of the subjects he depicts, exploring the relationship between the built environment and the lives of those within.
Framed and painted on 24k gold leaf backgrounds to invoke their baroque quality, each of her subjects depict a paradoxical twist and novel presentation.
Lavish patterning, seductive surfaces and meticulous detail give an optical and tactile immediacy to the selected paintings while disorienting perspectives, subjects depicted from above or very, very close up, place us literally in the painters» «shoes.»
The subjects they depict are wide - ranging, dealing with issues from the war in Iraq and consumerism to ASBOs and the credit crunch.
Often times, the bevel of the glass or the frame of the mirror highlight the fact that this is a painting of a reflection and thus the viewer is twice removed from the subject depicted.
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