Sentences with phrase «subject of body image»

She is a published author on the subject of Body Image.

«Dr. Cash is one of the most sensitive and sympathetic voices on the subject of body image.

Not exact matches

Barbie, sometimes wearing outfits and hairdos that might send shudders up Mrs. Handler's spine, has been the subject of art exhibitions, an Andy Warhol painting, a television documentary, books and Web sites, including Barbie.com and AdiosBarbie.com, a site dedicated to improving women's body images.

At least this is the case with normal perception, where we both have a sensory image and project it onto some region of the environment.2 Whitehead charges both the empiricists and Descartes with having isolated the experiencing subject from the world by leaving the body out of their interpretations.

Conversely, when looking at images of thin bodies, the patients showed positively evaluated emotions, whereas healthy subjects had no particular reaction.

Confocal imaging gives us the opportunity to view the vascular system by illuminating the whole body with fluorescent light and providing a translucent image of the subject.

In the latest experiment, a camera filming each subject's back produced an image that was projected through a head - mounted display to generate a virtual body 2 metres in front of them.

In 2006, researchers at McMaster University tested subjects» body image — how they felt about others checking them out, and how satisfied they were with their own appearance before and after 12 weeks of strength training.

She is a current contributor to MindBodyGreen, writing articles on the subjects of fitness, nutrition and body image.

The research, which was recently published in the journal Body Image, found that although both activities improved subjects» overall mood and body image, the women assigned to an eight - week program of aerobic exercise on a treadmill or elliptical machine had less anxiety about their physique and thought they looked better than those who focused on resistance trainBody Image, found that although both activities improved subjects» overall mood and body image, the women assigned to an eight - week program of aerobic exercise on a treadmill or elliptical machine had less anxiety about their physique and thought they looked better than those who focused on resistance traiImage, found that although both activities improved subjects» overall mood and body image, the women assigned to an eight - week program of aerobic exercise on a treadmill or elliptical machine had less anxiety about their physique and thought they looked better than those who focused on resistance trainbody image, the women assigned to an eight - week program of aerobic exercise on a treadmill or elliptical machine had less anxiety about their physique and thought they looked better than those who focused on resistance traiimage, the women assigned to an eight - week program of aerobic exercise on a treadmill or elliptical machine had less anxiety about their physique and thought they looked better than those who focused on resistance training.

The collection abounds in not only samples of what peak athleticism was thought to look like over the course of a century, but in displays of various conceptions of bodies in motion and coming into being as compelling subjects for the moving image.

We also see a body hanging from a construction crane in the streets of Tehran, some still images of torture in the movie's opening moments and a firing squad where prisoners are subjected to the psychological torment of believing they will be executed.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

The exhibition brings together more than 90 images representing Lieberman's body of work as a photojournalist with the Associated Press and numerous publications, encompassing a broad spectrum of subject matter including celebrity portraits, sporting events, nature tableaus and aerial photography.

In Shrines to Speed this reality is evoked by Warhol's image of twisted piles of metal and steel, set against William Eggleston's diptych portraying 1970s pleasure seeking culture with a man and woman posed alluringly, proudly, next to cars which appear not as backdrops for the image, but co-presences, even extensions of the subject's bodies themselves.

In one notable image, Ceylan reframes the neoclassical master as an art - historical cross-dresser, transposing the image of his head from his self - portrait as a young artist onto the satin - swathed body of the Princesse de Broglie, the subject of Ingres's 1851 — 53 portrait of the same name.

One can see this in two bodies of work: cultural representation is the primary issue in The African American Flag Project, where «African American» flags were the subject of the paintings; and the Made in USA series of paintings touch on the politics of consumption through self - referential text and image.

In this first image the main characteristics at the core of Woodman's short career are clearly visible, her focus on the relationship with her body as both the object of the gaze and the acting subject behind the camera.

As a result, images are created that are capable of making the thoughts and imagination of those who observe them flow from one material to another, from one subject to another, from an animal body to a vegetable or mineral body...

Over the last twenty - five years he has revitalized the human image in sculpture through a radical investigation of the body as a place of memory and transformation, using himself as subject, tool, and material.

The use of this method is intended to create an image that functions in parallel with the original subject (the depicted body,) and its following representation (the sculpted body,) then breaking from the common contemporary representation (the photographed body as an image inert in print and frozen in time.)

The culmination of this body of work as a solo exhibition of large - format looped moving images takes its title from Joseph Kosuth's 1966 neon sculpture that spells out and is eponymously titled «A Subject Self - Defined.»

Each method is specific to the subject and meant to ignite and recharge the image, often that of the underrepresented body.

After producing a body of paintings and drawings in the 1960s of electrical household appliances and newspaper clippings, often about violent subjects, she came to devote her work to the minutely crafted images of «landscape» subjects: the night sky, the desert, and the ocean.

In the selection of objects that compose the body of this beautifully designed volume, careful juxtapositions emphasize the graphic qualities of the photos, and extended captions compare and contrast images from different times and places, underscoring shared techniques, sensibilities or subjects.

The image - based works tackle subject - object relations from a different angle, positioning bodies that transcend their material bounds as transmitters of history and identity.

Her painting Concrete Ball (2012) comes from a body of work which explores the material relationship to image within painting, where the material itself is part of the subject of the painting.

Each artist in the exhibition contributes work that employs imagery of the body, of copulation, or of masturbation, that underscores these conversations, but none of the images elevate, romanticize, or subdue their subject matter for the comfort of the viewer.

An image also included here from Andres Serrano's morgue series (circa 1992), Rat Poison Suicide II, doesn't directly deal with AIDS, but rather allegorizes one of the era's pervasive subjects, mortality and its abject body of evidence.

Photographing his subjects with their faces turned away from the camera, and using textiles sourced from the market as a backdrop, the images highlight the radical transformation of the figure by means of goods stacked and balanced on and around their bodies.

Despite his strikingly varied subject matter, certain images have risen to canonical status within the artist «Äôs body of work, such as surfers, baseball players, trains, Gumby, Superman, Vavoom, and Charles Manson.

Since 1974, Semmel has focused on her body as subject, beginning with her «Self - Images» series, in which she radically shifted the perspective of her compositions to capture an enhanced sense of intimacy.

Using herself as subject, Schomaker examines notions of body image and concepts of beauty.

Participating artists use the practice of self portraiture as a means to contemplate, as both creator and subject, contemporary issues of gender, identity, sexuality, body image, censorship, and self - liberation.

From reports of test subjects, this study produced an interesting «heat map» of the location of sensations associated with various basic emotions, which you can see on the PNAS site via the link above — or by clicking on the hot body image accompanying the story text.

Hundreds of family members have suffered 27 years — almost three decades — of being subjected to the continued reinvestigation of the horrific disaster, which killed 96 people, with tortuous graphic images in the media depicting «bodies on the pitch».

This service is free and ranges across a wide range of subject matter, from difficult topics about sex, relationships and the internet or body image and peer pressure to broader parenting topics like «how much sleep do teenagers need?»

Body Image & Excavating Your Buried Dreams And Delights and The Artist's Way is the seminal book on the subject of creativity Exercise for